In honor of the striking screenwriters, I wanted to write a list of my favorites, either contemporary or all-time. But I decided that it would be more respectful to not exclude any of them. Even the bad writers need recognition right now. I've tried writing screenplays, and I salute anyone who has had one produced, whether brilliant or not. Even if it weren't difficult to actually write a script, it's certainly tough to deal with the b.s. of Hollywood and the sad truth that your vision will likely not make it to the screen as devised. So, instead of concentrating on real writers, I figured I'd look at screenwriter characters, specifically those portraying the hardships of the job.

"Joe Gillis" from Sunset Blvd. (1950, Billy Wilder).

I imagine there's nothing scarier for a struggling screenwriter than the thought of ending up like poor Joe Gillis (William Holden). The opening shot of Wilder's classic shows the character floating face down in a swimming pool, and immediately he's labeled "an unsuccessful screenwriter." This sets up a hopelessness for the character, and for writers in general, as the film then flashes back to one of the greatest stories of Hollywood cynicism ever made. Gillis not only represents the difficulty of making it as a screenwriter, he also shares some juicy lines about how writers aren't recognized enough by the public ("Audiences don't know somebody sits down and writes a picture; they think the actors make it up as they go along."); about drastic alterations to his scripts ("The last one I wrote was about Okies in the dust bowl. You'd never know because when it reached the screen, the whole thing played on a torpedo boat.") and about the desperation that turns good writers into seemingly hack writers (replying to talk of his once promising talent, he says, "That was last year. This year I'm trying to make a living."). There were screenwriter characters before him, and plenty after, but Gillis will forever be the quintessential example.

I guess fake disaster movies just aren't cool enough anymore. I mean, now that our generation has lived through some whoppers (seriously, though, Americans don't even know what a real disaster looks like), we just aren't settling for volcanoes in Los Angeles. And obviously, combining true stories, which audiences love, with cataclysmic destruction presented with stunning special effects, which audiences love even more, puts dollar signs in the eyes of Hollywood studios. It reminds me of Peter Gallagher in The Player pitching a straight-from-the-headlines movie about a horrible mudslide. "Triumph over tragedy," he explains, simply.

So Billy Ray, the writer-director who co-scripted that volcano in Los Angeles movie (Volcano), is currently focusing on true stories of real disasters. First, he tackled 9/11 by writing a script based on the book 102 Minutes, by Jim Dwyer and Kevin Flynn (I'm not sure what the status is on that project). And now he's about to take on Hurricane Katrina for a film he'll write and direct, called Hurricane Season. Based on Franklin Martin's documentary Walking on Dead Fish, the film will follow a Louisiana high school football team in the aftermath of the storm. Universal, the studio involved in the project, must have gold bars in their eyes, since adding a sports element to the true story/disaster combo (though Ray could avoid showing any hurricane action) should attract an even bigger audience.