I was a little hard on the International Press Academy last year, but they made some ridiculous decisions when handing out their Satellite Awards. Still, at least they came off as being different than every other year-end awards giver by picking winners like Joseph Cross and X-Men: The Last Stand (best comedic actor and best editing, respectively). Those are at least some interesting, unpredictable picks, right? This year, I feel the need to be harder on the organization, because it's gone totally predictable in honoring No Country for Old Men, Juno, Sicko, American Gangster, Ratatouille, Diablo Cody and Christopher Hampton, among others. The actors they honored -- Marion Cotillard, Viggo Mortensen, Ellen Page, Ryan Gosling, Tom Wilkinson/Casey Affleck (tied) and Amy Ryan -- aren't all the most obvious choices, but they aren't shocking, either. Couldn't they have at least gone with nominee Clive Owen or his nominated "comedy or musical" Shoot 'Em Up (!?!?!?), or something?

Not that the winners aren't deserving, but what good is yet another awards ceremony if it's not going to distinguish itself from the Golden Globes, which are the Satellite's unrecognized yet unmistakable "baby daddy". Yeah, the Hollywood Foreign Press will likely go with some other winners, but they won't seem that different. Again, I do salute the IPA for having a documentary category, though it wouldn't have hurt to give The King of Kong its one possible prestigious(?) award -- not that it was actually a better film than fellow nominee No End in Sight. Also, it's always enjoyable to see what the IPA picks for best DVDs (The Prestige for overall; Borat and Masters of Horror Season 1 (tied) for extras; Ratatouille for youth-oriented; Ken Burns' The War for documentary; The Graduate 40th Anniversary Edition for classic). For the rest of the nominees and winners, head over to Variety.

I'm not a complete Woody Allen snob, but I am picky and I haven't been satisfied with any of his films since Sweet and Lowdown. For me to have liked even Match Point I would have had to lower my standards and expectations, and in the end I decided it didn't work for me. One of my problems with it is Scarlett Johansson, who I may never be able to enjoy as an actress. As a handbag model she's great, sure, but as someone who has to portray any feelings on the big screen she can't get my attention. I don't avoid her work, though, because some of her films are good despite her. I couldn't bother with Allen's Scoop, but now the filmmaker has cast the actress in another film, his untitled Spanish project, which I'm at least intrigued about.

So far we had learned that Allen would be shooting in Barcelona and Asturias this summer with the great Spanish actors Javier Bardem and Penélope Cruz. His new additions include Johansson and her co-star from The Prestige, Rebecca Hall. This will now be Johansson's third film for Allen, putting her closer to the level of collaboration as Louise Lasser, Diane Keaton and Mia Farrow, all of whom Allen had been involved with romantically. I'm not saying that Soon-Yi should be worried, at least if she doesn't mind Allen simply looking, but it is a bit strange. Following this film, Allen will return to England for his next film, which will go into production in 2008, hopefully without Johansson.

"Did you have a good world when you died? Enough to base a movie on?" -- Jim Morrison

Fortunately Morrison did have enough to base a movie on (the inappropriately titled The Doors), but thousands of dead celebrities and historical figures would make horrible subjects for biopics. Just because they led famous lives doesn't mean they led dramatically entertaining lives. Of course, Hollywood is good at making up or manipulating events for dramatic purpose and therefore just about any person could be given the formulaic biopic treatment.

Some people are better served with made-for-TV movie, others with big-budget studio epics. The easiest subjects to imagine are those who would provide great soundtracks; the more difficult personalities are those without current relevance or some fitting resonance today. I picked seven dead people (and a bonus: one living dog) who don't already have films in development (as far as I know) whose lives we need to see on the big screen as soon as possible.

Another week, another Best Picture Oscar nominee arrives on DVD just in time to sway Academy voters. Last Tuesday, it was Martin Scorsese's masterful crime drama The Departed; today, it's Babel, Alejandro Gonzalez Inarritu's sprawling multilingual, multicultural, multi-everything meditation on the simultaneous interconnectedness and disconnectedness that plagues intercultural relationships. Wow, that was a mouthful. On the less heavy end we have a flick in which Hollywood spoofs itself (always good times) and another in which Scarlett Johansson shows off the twins (also always good times). So let's get to it: Here are my top DVD picks for the week.

Babel
Be warned: This most assuredly is not a light romantic comedy to watch on a Friday night as you prepare a romantic dinner at home with your significant other. But it is a must-see for its unflinching depiction of the devastating ramifications of miscommunication on both the personal and global levels. And it showcases phenomenal performances by a graying Brad Pitt, an ailing Cate Blanchett and a Full-Monty-flaunting Rinko Kikuchi.
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Fun Fact: Originally slated for one of the leading roles in a certain Martin Scorsese drama, Brad Pitt departed The Departed so that he could appear in Babel. Crafty guy that he is, Pitt retains a producer credit on The Departed, so he'll be happy if either flick wins Best Picture.

The Prestige
Christopher Nolan's slick thriller didn't get the love it deserved when it hit theaters this fall, thanks in part to that other 2006 magician mystery The Illusionist -- and also in part to Scarlett Johansson/Hugh Jackman overload. While Scarlett in a cleavage-sculpting bodice doesn't sound bad to me, apparently not everyone is of the same opinion. Regardless, The Prestige's strengths lie (primarily) elsewhere. Like the two dueling turn-of-the-century magicians whose tale it tells, The Prestige pulls one hell of a trick on the audience. On the surface, it appears to be the simple tale of two egomaniacs trying to one-up each other, but in reality it's a subtle meditation on the existence of God. If you didn't catch that the first time, go back and take a gander at the film's opening sequence in which Michael Caine asks, "Are you watching closely?" Apparently, you weren't.
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Fun Fact: Jackman and Johansson appeared opposite each other in another 2006 flick, Wooy Allen's Scoop. Alas, there was no magician around to make that one disappear.

My love of cinema originally came about through my love of production design, particularly for science fiction and fantasy films. As I grew up, one of my dream careers was art director, and some my early heroes were Dante Ferretti and Bo Welch. Naturally, then, a lot of my favorite filmmakers have been those who display creative art direction in their movies. Terry Gilliam has always been at the top of my list.

Other fans of Gilliam will agree with me that no other living director is more deserving of recognition by the Art Directors Guild. In fact, I'm surprised that he wasn't the first choice to receive the guild's Outstanding Contribution to Cinematic Imagery Award when it was originally given in 1998 (to Norman Jewison instead). Other filmmakers that I expect to see honored in the future include Tim Burton, Jean-Pierre Jeunet, Peter Jackson and Guillermo del Toro.

Gilliam will receive the award at the Art Director's Guild Awards on February 17, when the guild also names the winners of its prizes for excellence in production design for 2006. Like other guild awards, the ADG's honors recognize distinct categories for its field. Nominated films are separated into three groups: period piece; contemporary; and fantasy (you may remember these are the same categories for the Costume Designer Guild Awards).

At the risk of stating the fairly obvious: movies are a visual medium. Sure, you have actors speaking lines of dialog, music, sound effects and a whole host of other elements that go into the final motion picture experience. But first, you have the image, the picture, the light and shadow. Think back to all the movies you've loved over the years and what comes to mind? For me, its occasionally a great line of dialog I remember fondly. But more often, its a series of iconic images etched in my mind from the films I've seen.

John Wayne standing in the doorway at the end of The Searchers, T.E. Lawrence walking on top of the train, triumphant and defiant, after he and his men attacked it in Lawrence of Arabia, De Niro's violent slo-mo ballet in the ring as boxer Jake La Motta in Raging Bull, Janet Leigh meeting Norman Bates' "mother" while taking a shower in Psycho, the hands pointing to the sky indicating where the sounds made by the aliens came from or the giant mothership almost obscuring Devil's Tower in Close Encounters of the Third Kind and yes, even the "Rosebud" sled burning in the furnace at the end of Citizen Kane. These images, and so many more, helped define the "look" of movies then and now -- and will continue to do so far into the future.

So, I feel its fitting that Variety is currently running some articles that specifically address one of the most important jobs of the filmmmaking process and one of the major -- if not the major -- element that determine the "look" of any movie -- the cinematographer. In the articles, many of the top cinematographers working today, such as Newton Thomas Sigel, Tom Stern, Emmanuel Lubezki and the great Michael Ballhaus, discuss the latest tools and techniques that allow them to push the boundaries of filmmaking and further shape how movies look. In addition, Variety also interviews many other cinematographers, such as Wally Pfister of The Prestige, Robert Richardson of The Good Shepherd and Rodrigo Prieto of Babel, about "facing the challenges, aesthetics and problem-solving behind some of this year's most visually compelling pix." All in all, a good series of articles and a good way to pay a little well-deserved respect to these artists.

On this edition of Movie Pics, Angelina Jolie suits up as Mariane Pearl, Matt Damon returns as Jason Bourne and -- whaddya know -- a Christopher Nolan-related story that doesn't have to do with Batman. There's a first. Check it out:

• While it's not much, USA Today published the first photo of Angelina Jolie as Mariane Pearl in A Mighty Heart, now filming in Pune, India. In the pic (which is based off Mariane's 2003 book A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl), Jolie stars as the widow of Daniel Pearl, a journalist for the Wall Street Journal who was kidnapped and later murdered by terrorists in Pakistan four years ago.
• The first pics from the set of The Bourne Ultimatum have hit the net and, while the film still does not (officially) have its villain, they're wasting no time filming what appears to be a slew of scenes involving Matt Damon and Julia Stiles. If you're at all interested in 10 photos of Damon on a moped, then these should be right up your alley.
• Finally, Coming Soon has a set of tantalizing photos from The Prestige, Christopher Nolan's upcoming film due out October 20. Starring Christian Bale, Hugh Jackman and Scarlett Johansson (who, honestly, would have been so much better than Katie Holmes in Batman Begins), pic revolves around two rival magicians obsessed with one-upping the other with a series of dangerous and deadly tricks. As our own Jeffrey M. Anderson noted, The Prestige "sounds like it will be the movie The Illusionist should have been."

I have fully acknowledged many times that I'm not a legitimate movie critic. I'm just a schmuck who writes pretty well and knows way too much about comic books. I frequently feel outclassed around my Cinematical peers, who tend to be folks of great knowledge and talent, particularly when it comes to events such as this one when we all do similar posts. I feel safer when I'm tucked in my niche corner writing about things I feel more qualified to comment on. Nonetheless, here I am, and here are three of my flick picks for this coming fall:

The Geek Choice: The Prestige -- C'mon, we're recombining the director-actor(s) team which brought us the fantastic Batman Begins. Christopher Nolan, Christian Bale, and the ever talented Michael Caine partner up once again to bring us a crazy film in which old school magicians battle each other for trade secrets. Add in Hugh Jackman (a fantastic addition to any geek movie), Scarlett Johansson and David Bowie, and you've got one serious geek epic waiting to happen.

The Penguin Choice: Happy Feet -- I'll openly admit to having a thing for penguins. They are undeniably cute, and I can't resist their antics; be they live action, documentary, or animated. This particular variety are CGI, and they're going to be dancing. Yes, dancing penguins. As an added bonus, this movie also features Hugh Jackman, who is in literally every movie this fall, if you look close enough. It'll also have the vocal talents of Robin Williams, Hugo Weaving, and Elijah Wood. Apparently, Middle Earth turns out good penguin voices. Now if someone would just bring me a movie version of Mr. Popper's Penguins...

The Re-Release Choice: Tim Burton's Nightmare Before Christmas: 3-D -- Wow, look at that -- two animated movies out of three choices. I wouldn't have seen that coming, but there it is. Nightmare is a wonderfully fun flick, and bringing it back to theaters with some revamped 3-D action promises a lot of fun. Sure, it's a cheap ploy for more money, but I'm game.

For more of Cinematical's Fall Preview, see: Erik's Picks, Scott's Picks, Jette's Picks, Matt's Picks, Ryan's Picks and Christopher's Picks.

Here's a quick wrap-up on some images that've been surfacing lately for big geek movies:

An early photo has finally surfaced from on the set of Christopher Nolan's The Prestige. Fans are eager for this one, as it combines the cinematic talents of a number of fan favorites -- particularly Nolan and Christian Bale of Batman Begins and Hugh Jackman of the X-Men franchise in addition to a handful of other talented actors. Expect to see quite a bit more where this came from in the near future as Prestige marketing kicks into gear.

Greek Geek has a ton of production posters/displays up for your viewing pleasure. Mixed in among them are notable geek standouts Transformers, Superman Returns, Spider-Man 3, and Ghost Rider. You've seen most of the images before in one fashion or another, but they are still fun to see in production display mode. Unfortunately, very little of the Ghost Rider character has been revealed yet, and we're forced to be satisfied with yet another picture of Cage's angsty looking face. I don't know about you, but I'm ready to see some flaming skulls. ...