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Indies on DVD: 'What Would Jesus Buy?,' 'Darfur Now'

Filed under: Documentary », Drama », Independent », ThinkFilm », Warner Independent Pictures », New on DVD », The Weinstein Co. », Home Entertainment », Cinematical Indie »

This week is overflowing with potentially interesting indie DVD releases. What Would Jesus Buy?, an entertaining documentary directed by Rob VanAlkemade and produced by Morgan Spurlock, asks a very serious question in comedic form. As I wrote in my review, the film follows Reverend Billy and his Church of Stop Shopping Choir on a trek across America as they deliver an anti-shopping, anti-materialism, pro-Christmas message, bolstered by the trappings of fundamentalist religion. The DVD from Arts Alliance America includes deleted scenes, an 8-minute public access show featuring Reverend Billy, the Choir and Morgan Spurlock, and printable lyrics of the Choir's customized Christmas carols.

Theodore Braun's doc Darfur Now "is solely about the power and the conviction" of six people who have made a difference in Sudan, according to our own Christopher Campbell. "If there's one flaw with the film, it's that it almost conclusively portrays the Darfur problem as no longer a problem." One of the film's producers is Don Cheadle, who also appears along with George Clooney. The DVD from Warner Independent includes additional scenes and an introduction and commentary with Braun.

Woody Allen may not be thought of nowadays as an "indie" auteur, but, really, how many directors enjoy his creative freedom? I admire his untiring work ethic, but many of his recent films feel half-chewed, and Cassandra's Dream is no exception.

RIP: Reel Important People -- December 17, 2007

Filed under: Obits », Michael Moore », Cinematical Indie »

  • St. Claire Bourne (1943-2007) - Filmmaker who directed the documentary John Henrik Clarke: A Great and Mighty Walk and was the unit manager for When We Were Kings. He also appears as himself in the doc How to Eat Your Watermelon in White Company (and Enjoy It), which is about Melvin Van Peebles. His most familiar work, though, is likely Making 'Do the Right Thing', which can be found on Criterion's DVD release of the Spike Lee film. He died after an operation to remove a brain tumor December 15, in New York. (Daily News via The Reeler)
  • John Clark (? - 2007) - Art director for Jesus Christ Superstar, Tommy, Secret Ceremony, The Railway Children, Performance and Sidney Lumet's The Offence. He died December 12 in London. (IMDb)
  • Philippe Clay (1927-2007) - French singer and actor who appears in Bell, Book and Candle, Jean Delannoy's The Hunchback of Notre Dame (the Anthony Quinn/Gina Lollobrigida one), Jean Renoir's French Cancan and Roger Planchon's Lautrec, in which he portrayed the painter Auguste Renoir. He died of cardiac arrest December 13, in Paris. (Find a Grave)
  • Freddie Fields (1923-2007) - "Superagent" and talent manager who co-founded Creative Management Associates, the precursor to International Creative Management (ICM). He also produced Glory, American Gigolo, Looking for Mr. Goodbar, Victory, Poltergeist II: The Other Side, Millennium and Crimes of the Heart. He died of lung cancer December 11, in Beverly Hills. (Variety)
  • Jillian Kesner (1950-2007) - Actress and karate expert who starred in Beverly Hills Vamp, Raw Force (aka Kung Fu Cannibals), Firecracker (aka Naked Fist) and Student Body, which is familiar to fans of Errol Morris' documentary The Thin Blue Line, in which it is featured. She later became a production coordinator and associate producer. She died of a staph infection December 5. (Voy.com)
  • Tom Miller (1922-2007) - Unit publicist for Shaft, Alex in Wonderland, The Cotton Club, The Last Dragon, Blow Out, The Happy Hooker, Easy Money and Paul Newman's Harry & Son and The Effect of Gamma Rays on Man-in-the-Moon Marigolds. He died of an embolism following surgery December 6, in Tuscaloosa, Alabama. (Tuscaloosa News)

TIFF Review: The Walker

Filed under: Drama », Noir », ThinkFilm », Theatrical Reviews », Toronto International Film Festival », Cinematical Indie »



Like most folks who enjoy the art of screenwriting, I'm a pretty big Paul Schrader fan. So when I heard that the writer / director's latest film would be playing at the Toronto Film Festival, I drew a big, red circle around the title. "You know what it's about, don't you?" a friend of mine asked me, to which I responded "Kinda. Woody Harrelson plays a gay D.C. socialite who covers up a murder and lives to regret it, or something like that." OK, good point: Doesn't exactly sound like my cup of tea, plot-wise -- but hey, it's Paul Schrader.

I just figure after Taxi Driver, American Gigolo, Raging Bull, The Last Temptation of Christ and the highly-underrated Light Sleeper, Mr. Schrader has earned the benefit of the doubt. And yes, that's taking into account his last few screenplays. But it turns out my friend was right: The Walker is about a gay rich guy who lives off his family's money and acts as a friend / companion / alibi to many of Washington D.C.'s most important housewives. Carter Page plays canasta with swanky gals played by Kristin Scott Thomas, Lily Tomlin and Lauren Bacall -- and they all seem to love their amusingly non-threatening companion. But when one of the ladies' lovers ends up dead, Carter starts lying to the police to protect his "friends" and quickly discovers his true place in the beltway hierarchy.

Kristin Scott Thomas Talks Up 'The Walker'

Filed under: Drama », Independent », Casting », Newsstand », Cinematical Indie »

While Kristin Scott Thomas has been keeping busy recently with a number of European films, she hasn't starred in a UK/US film since 2001's Gosford Park, where she played the acerbic Sylvia McCordle. It's kind of surprising really, as it never seemed like she disappeared from the scene. Anyhow, she's got a number of new films on her plate, such as the Natalie Portman/Scarlett Johansson-starring The Other Boleyn Girl, but up first is The Walker. We last told you about the latest Paul Schrader film 10 days ago, when a trailer was released. Now the actress has talked with The Guardian about Walker and the notable films in her repertoire.

According to the actress, she hasn't seen the finished product yet, but she did chat about making it. In the film, she plays the wife of a senator and the close, socialite friend of Woody Harrelson's character. When her lover is murdered, Harrelson helps her at the expense of his own stature and personal safety. Scott Thomas says that her character "is frustrated that she has become an accessory. She wants to be a normal person and be loved, and get back what she sacrificed for her husband's career." Basically, everyone is "lying all the time. That's what drew me to it -- the idea of that double life, the weight of secrets. Lynn has to keep going whether she's terrified or heartbroken; she has to maintain her facade and hold things together. She's acting the whole time."

As for Scott Thomas herself, she is infamously known for the wall between her work and her personal life. I imagine that this is what leads to what Ryan Gilbey describes as "playfully combative." When asked about the film, she first said: "I haven't seen it... There's not much point me talking about what the film is anyway, because I have nothing to do with that. I'm just the raw material." The spunk may be surprising, but it's what's made her career, especially in films like Four Weddings and a Funeral and Gosford.

Trailer for Paul Schrader's 'The Walker' Online

Filed under: Drama », Trailer Trash »

Writer and director Paul Schrader doesn't have too many screenplay credits under his belt, but most of the ones that do reside on the list are beyond impressive. The man is responsible for Taxi Driver, American Gigolo, Raging Bull, The Mosquito Coast and The Last Temptation of Christ. Then the 90's came, and he traveled around the ratings map for a bit, and heck, he is even responsible for bringing Touch to the big screen. (If you don't remember it, that might not be a bad thing.) Now, it looks like he might have re-discovered his earlier success with his upcoming film -- The Walker, a movie that Cinematical first posted about last year.

The film stars Woody Harrelson as a gay, social escort to a number of Washington DC wives in the 50's. When one of his closer lady friends (Kristin Scott Thomas) finds herself on the edge of a scandal abyss, he helps by covering for her -- thereby turning the heat on himself, and forcing him to find the true culprit. Coming Soon now has linked to the film's website, which has a trailer for the film, as well as to YouTube, which is actually showing the first seven minutes of it. Between the trailer and the clip, it looks like Harrelson has successfully wiped away the granola and yoga to portray the "gay weather vane," as his character calls himself. All of the other performances look great as well, at least those by the main ladies -- Kristin Scott Thomas, Lily Tomlin and Lauren Bacall, as the trailer and clip focus on them. But we can't forget that Willem Dafoe (who we see only briefly in the trailer) and Ned Beatty also star, along with Mary Beth Hurt and 2006 Silver Bear winner and old Run Lola Run co-star Moritz Bleibtreu. The film is currently traveling through the festival circuit with some great reviews, and will head into limited release this December.

Is Bad Television Dragging Down the Standards of Movies?

Filed under: Classics », Berlin », Celebrities and Controversy », Cinematical Indie »

Screen legend Lauren Bacall has never been one to keep her opinions to herself. At a press conference in Berlin for her new film, The Walker with Woody Harrelson, about a high-class male escort, Bacall spoke about the negative impact that television has had on the movie business. Bacall was quoted as saying, "I think there are still people who really want to do good work. Unfortunately, in television, sometimes they want to do good work but a lot of the time they're doing terrible work - and I think that has affected moviemaking badly." Bacall never quite explained what that effect was, and as much as I hate to argue with a screen icon, personally I would disagree.

TV shows like 24, LOST, and The Sopranos have definitely raised the bar on what to expect from a television show. In some cases, critics think that TV might even surpass Hollywood fare. Whether Bacall is debating what makes a legend or standing up to the House of Un-American Activities, she isn't afraid to speak her mind. When you've managed to survive for over sixty years in the movie business, you have probably earned the right to. What do you think -- is the proliferation of bad television hurting the movies?

 
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