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Sundance Review: Blind Date

Filed under: Drama », Sundance », Theatrical Reviews », Remakes and Sequels »



If you're a big fan of Stanley Tucci and Patricia Clarkson, then I have some potentially good news: the actors' latest film consists of little more than the two of them ... sitting in a bar ... talking ... for about 80 minutes. And since these are a pair of exceedingly fine actors, the experience of Blind Date is not what you'd call unpleasant -- but it sure isn't all that exciting.

Based on the 1996 Theo Van Gogh film of the same name, Blind Date is about an estranged married couple who, despite clearly loving one another, have all sorts of painful problems to work through. To that end, the couple stage a series of "blind dates" at the husband's seedy lounge -- most of which don't go off all that well. Toss in a clueless bartender who pops up every once in a while, and that's the long and short of Blind Date -- two great actors trying to breathe some life into a premise that begins as simplistically "symbolic," and gets progressively less subtle as the film moves forward.

Junket Report: Interview

Filed under: Comedy », Drama », Berlin », Sony Classics », Interviews », Cinematical Indie »




Last week I sat in on roundtables for Interview, the new Steve Buscemi-directed remake of a 2003 film by the same name. The film stars Buscemi and Sienna Miller and focuses on a night shared by a political journalist assigned to do a celeb profile and the celeb he's profiling, a television and movie actress known simply as Katya. The two start the night by hating each other -- he's offended that she shows up late to meet and she's offended that he's never seen her slasher film -- and they go from there. The roundtables were pretty short and sweet: one standout moment was when someone showed Sienna a copy of the new Factory Girl DVD that advertises itself as "Sexy" in big bold letters. "I'm not surprised," she said. "I wouldn't expect anything less. And I say that with absolute love." Another was when someone asked Buscemi to defend rumors that a movie he's soon to be appearing in, I Now Pronounce You Chuck & Larry, is anti-gay. Here's a sampling of the questions asked by everyone who was there.


Sienna Miller

What was the process of getting this role like?

It was really uncool. I got a call from my agent saying that Steve Buscemi had got in touch and was doing a film, directing and acting in it, and it was sort of a two-hander and 'would I be interested in reading the script?' And I said 'I'll do it, without seeing the script.' I figured if it was good enough for Steve Buscemi it was good enough for me. So I actually agreed to it, and they were like 'Surely you should read the script or talk to Steve' and I was like 'No, I'm doing it.' Then I spoke to Steve and he was like 'Please read the script' and I was like 'No, done. I'll come and make the tea on your set, let alone come and act.' So it was sort of a no-brainer, and then thankfully read the script and loved it and loved the character and loved the dynamic between the two people. So it was a really interesting project, and I really love the film as a film. It's the first one I've done that I've actually watch and think 'God, that's actually a cool movie. It's very European, yeah.'

Your character is sort of playing a character herself in the film.

Yeah, and it got really confusing. It's hard to talk about it without giving the entire thing away, but at the moment when that decision has to be made, to 'act', you know, I didn't know how to really portray that. I thought there has to be a flicker of some ... 'oh my God' ... and then a decision to sort of really go for it. But it was a hard thing to get in a look. But yeah, she's definitely playing a role. She plays several roles that night, like victim and helpless girl and evil woman and seductress.

Review: Interview

Filed under: Comedy », Drama », Romance », New Releases », Berlin », Sony Classics », Theatrical Reviews », New in Theaters »




An intriguing set-up is only half-realized in Interview, the Steve Buscemi-directed remake of a 2003 Theo van Gogh film. The premise: a political journalist, Pierre, is pulled out of his comfort zone to interview a popular actress known as Katya, who he's clueless about. Their initial meeting at a posh restaurant goes awry when she shows up late and he, not being steeped in the realities of celeb journalism, takes offense. Within minutes they are like lawyers, correcting each other's assertions and sniffing out any bad insinuation. "They certainly loved your slasher film," Pierre says, to which Katya replies coldly: "The horror film?" This opening interplay between Buscemi and Sienna Miller, as Katya, is fun, but the film stretches believability to get to its main action: after the two storm out of the restaurant in mutual disgust, Katya causes a fender-bender by catching the eye of a cab driver who is driving Pierre away. Pierre comes stumbling out of the cab, practically into the arms of Katya, and she, feeling guilty, invites him back to her apartment. Uh-huh.

Once interviewer and subject are where they need to be, there are a few ways the film can go: romance could bloom (a possibility seemingly short-circuited by Buscemi casting himself in the leading man role), a naturalistic film-length conversation could commence (the option I was hoping for, having never seen the van Gogh original), or we could have what's behind door number three: a night of teasing, false starts at intimacy, dramatic and melodramatic reveals, and the occasional sharp observation about the mutual parasitism of the celebrity-journalist relationship. It's door three. Interview turns out to be a mediocre 'night to remember' film in which the half-intrigued, half-bored actress and the caustic journalist try to get the best of each other. Their interaction in Katya's loft tends to go like this: Pierre finds an opening to serious conversation and then Katya's phone rings (the sound of a yapping dog, which Pierre rightly points out is incredibly annoying) and she runs into the nearby bedroom space and flops down on the bed, leaving Pierre alone to snoop around.

EXCLUSIVE: New Poster for Sienna Miller's 'Interview'

Filed under: Drama », New Releases », Sundance », Sony Classics », Politics », Images »




Our pals over at Sony Pictures Classics just sent Cinematical a new poster for Interview, directed by Steve Buscemi and starring himself and Sienna Miller. The film is a remake of Dutch director Theo van Gogh's 2003 film of the same title, and is about a political journalist (Buscemi) who is forced by his boss to interview a popular but vapid soap star, played by Miller, even though there's a big White House scandal going on at the time that he'd rather be covering. Thus begins a sort of psychological duel between the two, but since I haven't seen the film yet, there's no more I can tell you. Those interested in learning more can check out Erik's Berlinale review of the film; Interview is opening in theaters on July 13.

John Turturro Will Direct '1-900'

Filed under: Drama », Foreign Language », Romance », Deals », Remakes and Sequels »

Back in September of 2005, Martha Fischer posted about three remakes in the works to honor slain director Theo van Gogh. The three films were 06, Blind Date and Interview, to be shot by Bob Balaban, Stanley Tucci and Steve Buscemi, respectively. All were to be filmed last year on digital video, but things have been stretching out a bit. Buscemi has finished Interview, co-starring Sienna Miller, which will see its theatrical release on July 13. The next finds the Tooch helming Blind Date at the end of the month -- starring Stanley, Tony Shalhoub and Patricia Clarkson. Finally there was 06, which Balaban was going to direct. But for some reason, he is out and John Turturro is in.

This will be the actor's first feature since Romance & Cigarettes in 2005 -- which was definitely an interesting movie, but a bit irksome to have actors trying to sing over the original songs, rather than re-recording them. Since the remake is a film about sex lines, and 06 refers to the numbers associated with phone sex lines in the Netherlands, the title is being changed to 1-900. When this will gear up, and whether he will also star is anyone's guess. Considering the delays on this project, I don't think we'll know for a while. That's probably a good thing, because I'm still torn. The three films are definitely getting interesting choices for directors, and I love the Tooch most of all, but I'm still finding it hard to stomach. When the news first broke, Martha said it was "a move that either callously takes advantage of van Gogh's tragic fame or hopes to bring his work to a wider audience." I'm thinking the former -- how many people actually go to see the original foreign movie after an English remake?

Slain Director Theo Van Gogh Gets a Screaming Memorial

Filed under: Foreign Language », Independent », Celebrities and Controversy », Cinematical Indie »

It was a shock when director Theo Van Gogh was brutally murdered, a note pinned to his chest with a knife. While it's nothing new for a filmmaker to have their work invoke anger and threats, most are lucky enough to escape any seriously dangerous or immediately-finite fate. However, for Van Gogh, his work and expressions of free speech brought him death, and a trio of English remakes of his leading films. I don't know. I'm just not sure how people re-making his films are in any way a tribute to the man. It seems as silly as someone saying that they love your art, but instead of buying a piece or a copy, they're just going to re-create it and make money on it.

Anyhow... This isn't the only interesting way his life and work are being remembered. A memorial to the director was revealed yesterday in Amsterdam. Aptly called The Scream, the sculpture features a progression of profiles, meant to be Van Gogh's, of a mouth opening into a scream. It obviously reflects the director's life and pursuit of free speech, but it also has that eerie invocation of the man's death -- even more-so because the memorial rests near the spot where he was murdered. It definitely says a lot more than a bust of a famous person, a general on a bucking steed or any other type of typical monument fare. For the foreseeable future, Theo will be screaming, reminding people of his death and his belief in free speech.

Sony Gets Buscemi's Interview

Filed under: Drama », Deals », Distribution », Exhibition », Newsstand », Remakes and Sequels », Cinematical Indie »

Sony Classics has picked up U.S. rights to the feature film Interview -- starring, produced, written by and directed by the talented (and very busy) hyphenate Steve Buscemi. The film, based on the original of the same name by the late Theo Van Gogh who was murdered by Muslim extremists, teams Buscemi with co-star -- and opinionated actress -- Sienna Miller and tells the story of a washed-up political journalist (played by Buscemi) who has a falling out with his editor over a story and is about to be fired.

He's given one more chance to redeem himself, however, when he's told to interview one of America's most popular soap actresses -- the ditzy but surprisingly deep and interesting Katya (played by Miller). Of course, at first the two don't want to do the interview and want nothing to do with each other. But as the film progresses and liquor, violence and other substances get into the mix, the two begin to open up and eventually become friends -- and potentially more.

Interview also features up-and comers Jackson Loo and the super cute Tara Elders. This English-language remake was originally set to be directed by Van Gogh. But after his tragic death, Buscemi stepped up to save the project by agreeing to direct and star in the film. One more reason to like Steve Buscemi. The film is scheduled to be released in the U.S. in April.
 
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