If someone were to get caught illegally recording a movie in New York City today, he would get charged with a violation (like a speeding ticket) and hit with, at most, a $250 fine. Not much of a deterrent, I daresay, for folks who make a criminal enterprise out of making and selling bootlegs. Furthermore, only the folks actually in the theater with the camcorder would get in trouble -- everyone else, like the people doing the selling, get off scot-free, assuming they're not breaking any other laws.
New York State Attorney General Andrew Cuomo was joined Monday by Tina Fey and a couple of other movie types for the unveiling of the "Piracy Protection Act," which would make piracy either a misdemeanor or a felony, depending on whether you're a first-time or repeat offender, and punish it with actual, y'know, jail time (up to a year for first-timers). They're hoping to have the law in place within the month. So, uh, if you're in New York City and you're planning to bootleg something, I'd recommend doing it now.
This law is obviously a result of movie industry lobbying, as evidenced by MPAA president Dan Glickman standing by Cuomo's side at the press conference. Does the new punishment fit the crime? Will harsher punishments make a difference? (I'm not so sure -- especially not if New York law enforcement doesn't dedicate more effort to actually ferreting out the bootleggers.) And are you surprised to hear that up until now people could record movies with virtual impunity, even if they got caught? ed note: Corrected Attorney General's name
In these supposedly progressive times, gender equality is one of those touchy issues relegated to the last paragraph of a trend piece nobody reads. When Katherine Heigl suggested to Vanity Fairthat Judd Apatow's movies were sexist, the assertion came across like an after-the-fact shrug of acceptance. Ever the galvanizing provocateur, New York Times critic Manohla Dargis confronts the issue head-on with a thorough analysis of the gender bias in this year's summer blockbusters.
With "Iron Man, Batman, Big Angry Green Man" and other massive expressions of virility invading the box office, female roles appear to be relegated to the back of the multiplex. Dargis touches on the rumors that Warner Bros head Jeff Robinov believes no woman has been able to sell a movie since Julia Roberts (a point that Natalie Portman might contest, but not Paris Hilton) before sizing up numerous upcoming studio releases, with particular attention paid to Anna Faris, "who could be the next Judy Holliday but without the right material will, alas, probably end up the next Brittany Murphy." It's the kind of pronouncement that hits you in gut.
Amy Poehler certainly didn't look pregnant when she showed up for a chat at the Apple store in Soho last weekend (as part of a series of talks taking place during the Tribeca Film Festival), but in retrospect, the Baby Mama star had the sprightliness of a gal with a special secret. Along with moderator and Saturday Night Liveco-star Fred Armisen, Poehler really worked the room, gently mocking the crowd ("I think all these guys are waiting to get into the Genius bar") while slipping in occasional hints that she actually has an authentic strategy behind her career.
"I would like to do more serious acting," she said, not mentioning her recent voiceover work for Hoodwinked 2: Hood vs. Evil. "I've been doing sketch comedy for a long time, and it'd be nice to turn the volume down a little bit and try other stuff. I have a secret desire to be on Law & Order, but I wish I could be on an old Law & Order, with Jerry Orbach." Armisen, somewhat facetiously, said he would never tire of comedy. "It's like eating to me," he claimed.
When I told a friend of mine that I was heading to a screening of Baby Mama, he immediately replied: "Oh, the Saturday Night Live movie?" Hmm -- well, sort of. The comedy -- which premiered at Tribeca and goes wide this weekend -- was produced by SNL honcho Lorne Michaels, and stars show veterans Tina Fey and Amy Poehler. On the other hand, it's not based on an SNL sketch, and doesn't feature any characters from the show.
Baby Mama's pre-release reputation as a "Saturday Night Live movie" probably isn't helpful: movies falling into that category don't have the best track record in the minds of people who pay attention. At the same time, the show has contributed a lot to the movies, mostly in its capacity as a breeding ground for comedic talent. This installment of Cinematical Seven collects films with an SNL connection that have actually been good, or in some way significant. I limited the pool to the last ten years; we all know that The Blues Brothers and Wayne's World are classics that started out as SNL sketches, but what has the show done for us lately?
The first time I heard the term "Baby Mama" was probably on either Maury or Jerry Springer (don't laugh... you hear a lot of things as you're flipping over to PBS). It and its male equivalent, "Baby Daddy," essentially describes a person with whom you've had a child, but no other relationship currently exists. It used to be street slang, but in a movie world where pregnancy of all types seems to be the hot, go-to topic (Juno,Knocked Up), the whole "baby mama" thing was sure to come up at some point. I just never thought it would come from Tina Fey and Amy Poehler.
In Baby Mama, which opens the Tribeca Film Festival tonight and arrives nationwide on April 25, Fey plays Kate Holbrook, a successful vice president of a Whole Foods-esque organic supermarket chain. She's got the great job and the stunning Philadelphia apartment, but at 37, she longs for something more. You guessed it: Kate wants kids, and doesn't want to wait until she gets married to have them. One little problem: her chances of actually having a child are one in a million ("I just don't like your uterus," is what Kate's fertility doctor, played by The Daily Show's John Hodgman, tells her).
Everyone who took part in last week's competition, myself included, failed to foresee The Forbidden Kingdom outdoing Forgetting Sarah Marshall, but the martial arts actioner was the clear winner. Prom Night held on to third place, content in the knowledge that it had already earned back its $20 million budget last week. Here's the rundown: 1. The Forbidden Kingdom: $20.9 million 2. Forgetting Sarah Marshall: $17.3 million 3. Prom Night: $9.1 million 4. 88 Minutes: $6.8 million 5. Nim's Island: $5.7 million
What's It All About: Tina Fey plays an executive dying to be a mother, and when she finds out she's unable to conceive, she must turn to a flaky but fertile Amy Poehler Why It Might Do Well: Fey is awesome on 30 Rock, and though I usually get flack for saying this, I thought the Fey/Poehler Weekend Update team on SNL was one of the best in the show's history. And with a supporting cast that includes Sigourney Weaver,Steve Martin and Maura Tierney, I am so there. The 88% fresh rating from Rottentomatoes.com is icing on the cake. Why It Might Not Do Well: The poster is so darn zany I could just puke. Number of Theaters: 2,500 Prediction: $18 million
You enjoyed them for a long time on Saturday Night Live, and then one of these girls ran off to do her own show (the nerve!). But now Tina Fey and Amy Poehler are back together AND on the big screen in Baby Mama, which arrives in theaters on April 25. Both women sat down for one of those nifty Moviefone Unscripted segments recently -- ya know, the one where they interview each other with questions you submitted (through this very blog), as well as their own. Above you can check out an exclusive clip from their chat that's not included in the actual Unscripted installment. (And yes, to that boy picking his nose in the back corner -- that does mean you can only view it here on Cinematical.)
In Baby Mama, Tina Fey plays a straight-laced New York yuppie who desperately wants a baby, but is unable to conceive. Her only option is to bring on a surrogate mother (Poehler), but problems arise when that surrogate acts more like a child than a baby mama. So head on over to Moviefone's Unscripted area to check out their chat, which includes all kinds of tasty tidbits like what Amy Poehler wore to her prom, as well as which male celebrity Tina Fey would choose as her surrogate. Oh yes, it gets nasty. Enjoy.
Welcome back to another fun-filled edition of Insert Caption -- the game Totally Wicked Awesome Magazine called, "Delightful, Delicious and a Damn Good Time!" Last week we asked you to give us your bestest captions for a photo from this week's new release, The Forbidden Kingdom -- starring Jackie Chan, Jet Li and some white kid, who, judging from the picture, is quite obviously stuck in the middle with you ... and I'm wondering what it is I should do. Clowns to the left of me, Jokers to the right ... okay, that's enough. Congrats to our three winners below ...
1. "The MPAA's ongoing battle with illegal movie downloads in China as an interpretive dance routine." -- Todd G.
2. "This is my dance space, this is your dance space. Spaghetti arms!" -- Kathi F.
3. "Oh I know this! Wax on! Wax ggghhhhttt!" -- Paul R.
And speaking of things stuck in the middle, this week we're catching up with our old SNL pals Tina Fey and Amy Poehler as they prepare to launch their new comedy, Baby Mama. The three winning captions this week will carry away one Baby Mama poster, one Baby Mama t-shirt, one Baby Mama baseball hat and one Baby Mama baby blanket. (One Baby Mama baby unfortunately not included since you have to make that yourself.) Now push ... harder ... and sound off below!
An upwardly mobile career woman wants to have a baby -- but she's fertility-challenged; so she enlists the help of a surrogate, who's unexpectedly free-spirited, immature, quick to speak her mind and nothing at all like the aspiring mama-to-be.
Sound a little like ... Juno? Well, sort of, only sort of not, since Baby Mama was written and directed by veteran Saturday Night Live scribe Michael McCullers -- and, most importantly, stars former and current SNL regulars Tina Fey (as the career woman) and Amy Poehler (as the free-livin' surrogate). Expect more laughs, more physical comedy, less indie music -- and of course, a whole bushel of Fey and Poehler, two of the most gifted comic actors working today.
OK, so maybe the Juno reference was a stretch (it's Monday, cut me some slack). It's more like if Liz Lemon wanted to have a baby and hired ... well, any character Amy Poehler's ever played. It's Fey's first big-screen starring role, and we're eager to see what she does with it when Baby Mama opens on April 25.
Fey and Poehler have signed on to interview each other for Moviefone's Unscripted series, and we need your questions to make it happen. Please submit a question for either Tina Fey or Amy Poehler (or double your chances, and submit one for each!) by this Friday, April 11; then come back here on April 21 to see if your question made the cut. Don't forget to include your first name and the city and state where you live. Good luck.
I was drawn into this whole story by the thought of Tina Fey, but be still my comedic heart, she's not the only one involved. As Jessica posted earlier this month, Ricky Gervais has a blog for his upcoming comedy, This Side of the Truth, and he's just announced the final casting. He writes in an entry: "We are trying to avoid the 'Hollywood actor look'. No botox, perma-tans, or unfeasibly white teeth..."
Who could that mean for casting? Well, there's a short little blip that says Tina Fey and Christopher Guest have signed on, along with Jeffrey Tambor and John Hodgman (The Daily Show). This flick sounded good, but now it's downright irresistible! While I would rather have Guest do more mockuwonders, I won't pass up the chance to see him reunite with Gervais, with a helping of Fey, Tambor, and Hodgman. And, we can't forget the already-cast players -- Louis CK, Rob Lowe, Jonah Hill, and Jennifer Garner.
Just the thought of these actors taking on Gervais's deceit-creating character... Are there any of you out there who are not itching to see this now?
Almost one year ago, I fell head over heels for Annie Leibovitz's photographic recreations of famous, animated Disney scenes. She shot Scarlett Johansson as the running Cinderella, Beyonce Knowles as Alice in Wonderland, spinning around in teacups that came from Disney World, and David Beckham as the Prince who fights off Maleficent in Sleeping Beauty. Now the next set of images have hit the net. They are housed over at The Disney Blog, and I'm still swooning.
I think that what I like most about these images is that they're awesome even if I don't particularly care for the people in them. Leibovitz knows how to capture the essence of each scene, and it makes me wonder just how stunning a carefully-plotted, full-length feature would look. (D*mn good, but long to do, and expensive to boot!) This time around, we've got the above, which features Mikhail Baryshnikov as Peter Pan with Gisele Bundchen as Wendy Darling and a teeny Tina Fey as Tinker Bell. But there's also images with Jessica Biel as Pocahontas, Jennifer Lopez and Marc Anthony taking a magic carpet ride in Aladdin, and one more from that film, which looks split from the first, that has Whoopi Goldberg as the Genie.
As an added bonus, TDB also has a bunch of behind-the-scenes pics, which help you see how these great images came to be.
Considering what a convincing badass Sigourney Weaver is, it's easy to forget that the lady can be funny. The Hollywood Reporter announced that Weaver is in talks to sign on to the Tina Fey and Amy Poehler comedy Baby Mama. Last month, Erik had news that the film was set to start shooting in NYC, so I guess the addition of Weaver is going to be the final piece of the puzzle. Written by Michael McCullers (an alum of SNL along with Fey and Poehler), the story focuses on a career woman with baby ambitions (Fey) who decides on the surrogate route. Weaver is angling to play the owner of the agency that represents Poehler's character. The premise might not sound hilarious on paper; but, I am a big enough fan of both Fey and Poehler, that I have some pretty high expectations of how funny it could be.
Weaver has just finished work on the assassination drama Vantage Point, and will be providing the voice of the narrator in the animated film The Tale of Despereaux. But of course, the real news is her work on the highly-anticipated James Cameron film Avatar. Since Baby Mama is already scheduled to have started production, it looks like it could be a quick shoot or a relatively small part for the actress to fit into her schedule. Weaver has done a handful of comedies over the years, with varying success. Some of the high points include Ghostbusters and Galaxy Quest, but there has also been the occasional miss. I'll keep my fingers crossed that Baby Mama is not going to be one of the misses.
If someone were to get caught illegally recording a movie in New York City today, he would get charged with a violation (like a speeding ticket) and hit with, at most, a $250 fine. Not much of a deterrent, I daresay, for folks who make a criminal enterprise out of making and selling bootlegs. Furthermore, only the folks actually in the theater with the camcorder would get in trouble -- everyone else, like the people doing the selling, get off scot-free, assuming they're not breaking any other laws. 
In these supposedly progressive times, gender equality is one of those touchy issues relegated to the last paragraph of a trend piece nobody reads. When 
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