TransformersRevengeOfTheFallen Tagged Articles at Cinematical

It's a shame that with all the year-end awards being dished out by critics, awards where groups of individuals do their best to do the cinema world proud by honoring greatness, that one can't be devised to recognize articles that make us all look bad. Case in point: Iain Blair's Wednesday article in Variety about the disconnect between audiences and film critics, particularly where Oscar is concerned. His next article on tap is supposedly entitled "Water's Wet, Sky's Blue, Women Have Secrets." Every now and then some film journalist decides to write such an article, which is basically the same as the last one only with changed titles and tries to remind us how we occasionally don't approve of a film we deem poorly made to be smattered with an embarrassment of riches. Nothing we haven't heard before. Rarely though does one of the first sentences smack of the sort of half-hearted research that makes you instantly discount everything that comes after it. Blair writes:

"Sure, Titanic grabbed a ton of Oscars and racked up the biggest box office in history. But more recent critically acclaimed best picture winners such as Shakespeare in Love, A Beautiful Mind and Chicago did middling to poor business. And Crash and The English Patient simply crashed and, well, burned at the box office."

Really Iain? This is the best you could come up with to support your thesis on the divide between critics, the Academy and the "average American." Maybe Joe the Plumber doesn't follow the box office as closely as the publication that you write for but the first three films you cite all did over $100 million at the box office.

Transformers: Revenge of the Fallen
Shia LaBeouf and Megan Fox run for their lives as Michael Bay's giant robots trample onto the home video scene on DVD (single-disc or two-disc special edition) and Blu-ray (two-disc special edition). The special editions includes audio commentary by Bay and writers Roberto Orci and Alex Kurtzman, deleted / alternate scenes, a music video, and additional features, such as "A Day With Bay: Tokyo," "Giant Effing Movie," and "The Matrix of Marketing." To approximate the theatrical experience, play really, really loud, and sit as far back from the screen as you possibly can. Resistance is futile. Rent it.

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Blood: The Last Vampire
Chris Nahon's live-action adaptation of an anime series features a half-human, half-vampire samurai battling an infestation of demons. "the result is so laughably awful that it easily qualifies for so-bad-it's-good status," wrote Jeffrey M. Anderson. "As you may expect, the English-language dialogue is ultra-serious and absurd, the action is inept and shaky, and the visual effects look like they might have been generated on an old Atari video game." Also on Blu-ray. Skip it.

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Chéri
Michelle Pfeiffer's reunites with her Dangerous Liaisons director (Stephen Frears) and scripter (Christopher Hampton) for a movie based on a novel by French writer Colette about a passionate affair. "For some reason," Jeffrey M. Anderson wrote, "Chéri is dead on arrival, a cold fish. It just lies there, too lethargic to be funny and too timid to be sexy, but not deep enough for any real drama." Skip it.

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After the jump: Indies on DVD, Blu-ray Picks, and Collector's Corner!

The numbers are in. Moviegoers worldwide voted with their hard-earned dollars (and euros and other monetary currencies) and elected to go see Michael Bay's Transformers: Revenge of the Fallen. Box office receipts placed the sequel at the top of this year's heap o' blockbusters, and by the time all is said and done, the film could rank among the top box office earners of all time. But why did so many people go buy tickets? Why did you?

As pointed out by Eugene Novikov, Transformers 2 "received the most hysterically negative reviews of 2009." Only 21% of reviews by critics at Rotten Tomatoes were positive. (Surprisingly, it fared better at the pickier MetaCritic, with 36% positive.) Eugene acknowledged that it's the kind of movie that defines "critic-proof." So, obviously, critical opinion had no bearing on the box office. Why did this movie hit so big? In his analysis, industry observer David Poland felt that producer Don Murphy and director Michael Bay should be celebrated, the former "for truly believing in this concept being a big home run" and the latter "for understanding the images that will draw massive numbers of people based on 2 minutes or less of images." So was it all about the concept and the trailers?

Marketing obviously plays a huge role in determining how a movie opens, as does, to a somewhat lesser extent, the cast and director. But what was it about Transformers: Revenge of the Fallen that pushed your button(s), elevating it to "must see" status? Take our poll and let us know!

If you don't know your Megatron from your Optimus Prime, join the club! Most giant robots look all the same to me, and the first Transformers movie felt like a comedown for Michael Bay after the gleeful insanity of Bad Boys II. Still, I've gotten a kick out ot reading a few of the reviews, like the one penned by our own Todd Gilchrist, as well as the harsh critical takedowns by Roger Ebert and Manohla Dargis. And now I'm wondering how Transformers: Revenge of the Fallen will perform at the box office. Can it possibly recoup its huge production and marketing budget? How big is big?

The movie is off to a running start, earning an estimated $16 million from midnight screenings last night, according to Variety. That's less than The Dark Knight's $18.5 million last year, but Variety notes the Batman flick "had the advantage of opening on a Friday" and that Transformers 2 had "the best midnight run ever for a movie opening on a Wednesday." Transformers made $8.8 million on its opening night (Tuesday at 12:01 a.m.) in 2007 and went on to earn $146.6 million in its first six full days of screenings, including the July 4 holiday, per Box Office Mojo.

The record to beat for the first five days of release is $203.7 million, set by The Dark Knight. Can Transformers: Revenge of the Fallen get anywhere near that record? Take our poll and let us know: How much will it make in its opening five-day weekend?