Vampire Tagged Articles at Cinematical

As much as I enjoyed the shaky-cam mayhem of Cloverfield, I'm pretty bummed about the idea of Matt Reeves helming a remake of the 2008 vampire film, Let the Right One In. Even before the original film had hit theaters stateside, there were deals in place for Reeves to remake the film for U.S. audiences -- and that's what has me worried. Whenever something is remade for North America, what it usually means is that a little 'sanitation' is in order. For better or for worse, audiences tend to react badly to seeing children in a decidedly non-childlike way, and that's what made The Right One so memorable. But I guess I better get used to the idea, because Reeves recently told the L.A. Times that he's been scouting locations and that a second draft of the script has already been completed and now has the new title, Let Me In.

Let the Right One In was the story of Oskar, a young boy living in the suburbs of Sweden who begins a friendship with a vampire child named Eli who has moved in next door. For Reeves' remake, he's kept the time period in the 80's, but relocated the story to Regan-era Colorado. Most importantly, he's promised that he won't be making his Oskar and Eli any older in an attempt to appeal to the 'Twilight Crowd', and the success of his remake will all come down to who Reeves casts for his two leads. The director has already started working with Avy Kaufman to try and find the perfect cast, and luckily, Kaufman has experience when it comes to casting 'creepy kids', having been the casting director for The Sixth Sense and The Ice Storm.

After the jump: the original film's director and screenwriter give their two cents...

Can a horror movie have a political agenda? Well, that was the question I asked myself after reading '15 Horror Movies Socialists Could Love''. So as I started to think back to all the hacking and slashing I'd seen over the years, I looked for some some pattern or connection between what I choose at the box-office and what I do at the polling station -- and what did I come up with? Well, I'll get to that, but first I wanted to take a moment to look back at some of the films that have gained a reputation with critics and fans alike as movies with a so-called conservative or liberal state of mind:

'Red State Horror':

Friday the 13th (1980)
Conservatives supposedly love this movie because it's all about no-good kids getting what they deserve. Sexy teens don't stand a chance in this franchise from the moment they take a drink, get high, or get naked. Plus, it's one of the few horror films with a moral about the importance of a good work ethic.

Frankenstein
It's science vs. religion in the story of a man who presumes to know more than God...and I think we all remember how that turns out.

Lost Boys
Family values are all over this one, and when a divorced mom pays more attention to a her love life than her two sons, look what happens. So even with a pot-smoking grandpa, plenty of critics agree that this film is all about Regan's America and the triumph of family over no-good, rock n' roll loving, motorcycle-driving youth gangs.

Tremors
2nd Amendment fans praise this tale of a band of locals fending off giant worms and the gun-toting survivalists that help save the day -- Take that Brady Bill!

Check out the rest at HorrorSquad!

I was a 10-year-old girl when I first stumbled across a book about a vampire rock star, but from that moment on, I have always had a thing for the plasma-challenged. I've gone on to read everything from Penny Dreadfuls to Poppy Z. Brite, and to this day I will always watch a vampire movie, no matter how bad -- and there are no shortage of those. But there are some good ones, too, and one of my favorites is Kathryn Bigelow's Near Dark. I have plenty of reasons for respecting Bigelow's work (whose new -- and excellent -- film The Hurt Locker opens on June 26th), because let's face it -- there aren't very many female directors, especially female 'action' directors -- and thanks to her vampire-Western hybrid, I'm willing to give her a bit of slack for her lesser flicks. So to anyone out there who thinks girls can only do 'hearts and flowers' on the big screen, just watch the scene after the jump and tell me if you still feel the same way.

But back to vampires: ever since Dracula first stepped off the Demeter and into London society, vampires have usually been frock-coated aristocratic types, but not these guys. Bigelow's vamps are more Hell's Angels than love-starved dandies, and unlike a certain vampire who shall go unnamed, have no qualms about being the bad guy. I do like to think of myself as a connoisseur of all things 'vamp', and I have to say, this scene is a doozey. In less than 10 minutes this group manages to clean out an entire redneck bar, and it ain't pretty. But then again, that's why I love it. In the end I prefer my vampires to be a little more bloodthirsty and a little less sensitive, don't you?

After the jump: Near Dark fun facts and the Scene We (I) Love...

I don't know why, but vampires are back in vogue (I once read it had something to do with bad economies, but that might be stretching it). So even though we all knew this was coming, today it's official: Robert Pattinson (better known as dreamy bloodsucker Edward Cullen) will be returning for the fourth and final Twilight film, Breaking Dawn. The Hollywood Reporter confirmed that Pattison is "committed to starring in the final outing to date but doesn't know when backers Summit Entertainment will begin production because of the actor's jam-packed shooting schedule." The final book in Meyers series centers on *spoiler alert* Bella and Edward's marriage and her subsequent pregnancy -- and let me tell you, I read the book, and it's pretty out there.

Parts two and three of the series are already in production in Vancouver, and as much as I giggled my way through Twilight (and brother, did I giggle), I have higher expectations for New Moon. But that has a lot to do with the addition of Michael Sheen and Dakota Fanning as the kind of vampire I'm a little more familiar with -- you know, the kind that are a little more bad-ass. In New Moon, Bella (Kristen Stewart) is struggling with the loss of her pigment-challenged boyfriend and growing closer to her childhood friend, Jacob. But don't worry girls, Pattinson's role has been beefed up in the second installment, and he told THR it was no easy task to make the role a little more exciting: "You're playing a figment in Bella's imagination so I was trying to do it in a 2-D way. I hope it doesn't translate onscreen as being boring." Pattinson's schedule is filling up, and he will take a break from all that 'glittering' to start work on the romantic drama Remember Me before heading back to Vancouver to start work on Eclipse (the third film in the series) in October.

After the jump; how Pattinson is trying to beat the curse of typecasting...

Holy Cullens! Hold onto your seats, all you Twilight fanatics. This is the first official ensemble piece with final hair, makeup and costume (those other photos, we believe, were test shots, but this one gives our first official look at the characters inside the Twilight universe) Click on the image for a larger view -- you know you want to -- then let's take a moment to dissect the loveliness, shall we?

I know all you hardcore Twilighters know these characters, but for those who don't, we have, from left to right: Ashley Greene as Alice Cullen; Kellan Lutz as Emmett Cullen; Kristen Stewart as Bella Swan; Robert Pattinson as uber-hot vampire Edward Cullen; Nikki Reed as Rosalie Hale; and Jackson Rathbone as Jasper Hale.

We've been covering the various bits of Twilight news, set visit write-ups and behind-the-scenes goodies extensively here, but this is the first time that we've seen the cast in character like this. Aside from the fact that the image looks totally cool and perfectly captures that "Twilight-vibe," can I just say that any doubts anyone out there is still harboring about Robert Pattinson as Edward should be totally laid to rest by this picture?

I'm getting a feeling that I should get used to the idea of seeing a lot of vampire movies over the coming year. Variety reports that Bionic Woman writer/producer Laeta Kalogridis has been hired to do a major overhaul of the script for New Line's vampire action flick, Darksiders. The story centers on an FBI agent who teams with a group of vampires to stop an arms dealer in possession of some particularly nasty biochemical weapons. Now maybe I'm just picky about my bloodsuckers, but the idea sounds a little lame on paper, so I hope Kalogridis is planning some major changes. The original script was written by Tom S. Parker and Jim Jennewein and was purchased by New Line back in 2001. Parker and Jennewein's last writing credit was the disastrous Ri¢hie Ri¢h adaptation back in 1994.

Unfortunately, Kalogridis also has a spotty record when it comes to scripts, having written both Alexander and Pathfinder. But I guess it's still better than being responsible for Ri¢hie Ri¢h. Kalogridis will be continuing to work on NBC's Bionic Woman, and has already committed to working with James Cameron on the graphic novel adaptation Battle Angel, and The Dive for Fox. New Line is going to have to wait until the finished script is ready before they can begin looking for a director. In the past, both David Goyer and Jonathan Hensleigh were attached to Darksiders to direct. But considering Goyer already has a vampire flick of his very own, I doubt he'll be returning. Unless Kalogridis and New Line can work quickly, I wouldn't expect the film to go intro production before the dreaded Hollywood strike begins.

So I guess now vampire flicks are the new Western. No sooner did we get news on two new vamp flicks in development and now there is already another one to add to the pile. Shock Till You Drop is reporting that Mick Garris (creator of the Masters of Horror and Fear Itself series) will be at the helm for a remake of the obscure 1979 Australian vampire flick, Thirst. The story centers on two women who are decedents of the infamous Elizabeth Bathory and are caught up in a plot for a 'blood-harvesting' facility -- for the Buffy fans out there, just think back to the episode The Wish. Garris tells Shock, "Not many people know the film (Thirst). I love the take on it - the blood farm of acolytes, the sycophants who are willing to give blood to the regal, but setting it in something contemporary and American". Thirst was directed by Rob Hardy, who fans of the new Battle Star Galactica might recognize as director of a few episodes.

Thirst would be Garris' second attempt at directing a feature film; back in 2004 he had written and directed an adaptation of Stephen King's Riding the Bullet. Garris also told Shock that he still has designs on adapting another King title, Bag of Bones. Garris will also produce Tobe Hooper's adaptation of From a Buick 8 (another King story). Garris was keeping most of the details about Thirst to himself, telling Shock, "I'm not going to give anything away about it, but it's a really different take". Luckily, the original is not that well known, so most of us won't even know the difference. Well, those of us who don't have a thirst for blood, that is.

It was almost a year ago when Jette brought us a first look at some of the behind-the-scenes for the big-screen version of 30 Days of Night. Since then, there have been teaser posters, fancy websites, the promise of new short films, and the R rated trailer released in August ( who could forget, of course, the image of Josh Hartnett hacking at a child with an ax -- something like that tends to stay with you). Shock Til You Drop is now hosting three new posters for the vampire flick. Fans of the graphic novels have been pretty eager to see what Ghost House and director David Slade (Hard Candy) have planned for the story of a group of vampires descending on a small town in the wilds of Alaska for a 30-day feeding frenzy.

Based on the graphic novel by Steve Niles, Night stars Josh Hartnett as the local sheriff and Melissa George as his wife -- it's up to both to save their town before the vampires wipe it clean. Ben Foster (3:10 to Yuma) also stars as "the harbinger of the vampires. Well really a scout who was sent into the town because he can be out during the day. He is tentatively known as a "bug-eater", not a vampire but something akin to a ghoul. They find him snooping around town and trespassing so they arrest him" -- at least according to the message boards at IMDB, and since I haven't read the original graphic novels, I'm just going to have to take their word for it. 30 Days of Night is set for release on October 19.

[via Solace in Cinema]

I'm a big fan of author Bret Easton Ellis' work. Since many of his novels rely on the inner workings of characters' minds, they can be difficult to adapt to the big screen. The film version of Less Than Zero made cocaine addiction look like Pretty in Pink. I know I'm in the minority, but I detested Mary Harron's American Psycho. The only adaptation I feel got Ellis exactly right was Roger Avary's excellent take on The Rules of Attraction. Now three more films are going to try and re-create Ellis' world. Darren Star is working on The Frog King with Joseph Gordon-Levitt. There is no director yet, but a movie version of Lunar Park has been announced. And director Gregor Jordan (Ned Kelly) has put together a cast for the film translation of Ellis' 1995 novel The Informers.

The Hollywood Reporter writes that Billy Bob Thornton, Kim Basinger, and Superman himself Brandon Routh are in "various stages of negotiation" to star in the ensemble film. The Informers is set in Los Angeles in 1983 and it tracks seven stories. The major characters are: a movie executive (played by Thornton), his wife (Basinger), his mistress, a rock star, a kidnapper, and a vampire (Routh, apparently looking to darken up his image). Rounding out the cast are Ashley Olsen as a "sexually promiscuous girl" (doesn't it seem like those twins are getting a ton of work these days?), Jon Foster (Stay Alive), Austin Nichols (John Monad on the baffling John From Cincinnati), and Lou Taylor Pucci (star of the very good Thumbsucker and the not very good Chumscrubber -- yes, they're different movies). Sounds like it could be a great flick! Now, whatever happened to Roger Avary's planned Glamorama movie? I would love to see that come to light. Did Zoolander steal its thunder?

By the looks of the new site for the vampire flick 30 Days of Night, this movie is going to be one nicely designed bloodbath. Sony just launched the fancy flash site for the film version of Steven Niles' graphic novel about a group of vampires descending on a small Alaskan town for a non-stop feeding frenzy.

Night is directed by David Slade (Hard Candy) and the script was written by Stuart Beattie (3:10 To Yuma). Josh Hartnett stars as a local sheriff trying to keep a group of locals alive, and Ben Foster (who gave us a behind the scenes look at the film, last February) is an ancient vampire that is none-too-pleased with the attention-drawing antics of his kind. The site looks like it was designed in the spirit of the original graphic novel, plus, along with the teaser clips and downloads, there is the promise of a nifty-looking shooter game.

There has already been talk of shorts set in the Night universe produced by Sam Raimi's Ghosthouse, more comic books, and don't forget the possibility of multiple sequels (Ryan got the chance to speak with Niles about the film, as well as female lead Melissa George). So, combined with the solid teaser trailer Scott told us about last month, it's looking like this graphic novel has the potential to spawn a whole new horror franchise. The film is also expected to get a little extra buzz with the cast, along with Slade and Raimi, answering questions about the film for a ComicCon panel this weekend -- stay tuned for that report. 30 Days of Night hits theaters October 19th.