Of all the freakin' horror remake outrages, this one might take the cake. Candyman, the freakishly original 'Chicago projects urban legend' flick based on a Clive Barker story, might be remade by Sony with a Caucasian in the title role, according to Shock Til You Drop. The site says that Sony and the unidentified rights holder are in "early talks," with one idea being to change Candyman's skin color from black to white.

I know this is not confirmed, and many stupid ideas are undoubtedly floated in early conversations, but this is wrong on so many levels I'm left speechless. At the most basic level, it begs the question: has anyone contemplating the remake actually watched Bernard Rose's frightening original? In the movie, Candyman (the great Tony Todd) was the son of a slave who "suffered a hideous and unjust death," as Ryan Stewart described in his Retro Cinema appreciation. An urban legend developed around him in the notorious crime-infested Cabrini-Green housing project: say his name multiple times in front of a mirror and he appears. Virginia Madsen, as a sociology grad student, investigates, calls him back to life, and wishes she had stayed in the classroom.

Two sequels, which I haven't seen, followed Candyman to New Orleans and Los Angeles, but Chicago is where he belongs. The Cabrini-Green high-rise projects have been torn down and redevelopment is taking place -- that's your story, the horror of modern redevelopment. If you want to add a political edge, tie in the outcome of the Presidential election. But please, Sony, don't make Candyman a Caucasian.

Have you seen the recently-released trailer for the animated Wonder Woman? If not, you can check it out above.

Firstly, I must admit that they certainly did a great job portraying Wonder Woman's toughness, although it's a bit tainted by the lone piece of dialogue in the trailer: "It's not polite to hit a lady." There's nothing to weaken the muscles of toughness like references to ladies and impoliteness. If they changed "lady" to "goddess," then I'd be good -- it would be a nice play on words.

Anyway, what really surprises me is that there's no dialogue, save for the above quote. Sure, it's important to show the action, but considering the voice talent connected to this project, I see no better way to get people interested. Keri Russell is Wonder Woman, Virginia Madsen is Hypolyta, Nathan Fillion is Steve Trevor, Alfred Molina is Ares, Oliver Platt is Hades, Rosario Dawson is Artemis, and David McCallum is Zeus.

Now that's the sales kicker for me. The feature will hit shelves in February of 2009.

Some of cinema's most iconic shots of Chicago appear in Ferris Bueller's Day Off, and the film is certainly Matthew Broderick's most iconic role. So, it's hard to watch the actor in the Chicago-set Diminished Capacity and not ask yourself, "is this what's happened to Ferris?" He is now relatively passive, paunchy and pitiful in the role of Cooper, a newspaper editor who has recently suffered a mildly debilitating concussion. And the character could be classified as yet another sad sack, one of three such parts he can be seen playing at present (Then She Found Me opened in April and is still in theaters; Finding Amanda debuted last week).

But is it fair that we most associate Broderick with Ferris, thereby continuing our disappointment in seeing him play one nebbish nobody after another? Couldn't we redirect our memories and accept that Broderick's modern roles are more like grown-up versions of Eugene Jerome, of Neil Simon's plays Brighton Beach Memoirs and Biloxi Blues, who he portrayed on Broadway as well as in the film adaptation of Biloxi? Were Eugene not the fictional incarnation of Simon and had he not therefore become a famous writer (and were he not from an earlier time period), the character surely could have gone on to be the pathetic teacher of Election or Then She Found Me or the absentminded editor of Diminished Capacity.

Cinematical has just received this exclusive poster for Diminished Capacity (click to enlarge), starring Matthew Broderick, Virginia Madsen and Alan Alda. Based on Sherwood Kiraly's novel, the film is -- to borrow an old quote from myself -- a "quiet little comedy starring Matthew Broderick as a guy suffering from memory loss due to a concussion who joins up with his Alzheimer's-impaired Uncle (Alan Alda) on a journey to a baseball memorabilia expo to sell a rare card."

While it first premiered back at Sundance, I managed to catch this gem at the Gen Art Film Festival a few months later and really enjoyed it. If you're from Chicago or happen to be a Cubs fan, definitely check out this flick because it's tailor-made for you. Everyone else should enjoy the subtle performances and quirky characters (Alan Alda is a blast to watch); I know I did. As I said back when I first saw it, it's the kind of film that just leaves you with good vibes. And don't we all need a little of that every now and then? You can check out the film's trailer over on Moviefone, and make sure you head out and support this indie winner when it hits theaters in NYC (Sunshine Theater), Los Angeles (Music Hall Theatre), Chicago (Century Centre & Renaissance Place) and On Demand (Your living room) this July 4.

[Photo removed at request of 20th Century Fox]

This is too good not to share. It's no secret that I wasn't pleased with the last round of Amelia pics that hit the net. Hilary Swank just looked goofy, and the images did nothing to drum up excitement. In fact, it did just the opposite. But man, the picture above, part of a slew that went up on Oh No They Didn't, is definitely worth it.

Finally, we've got Swank in the flying ensemble! She's got on the obligatory leather jacket, cap, and goggles, although the wardrobe gurus seem to have decided against Earhart's oft-worn scarf, and selected a striped tie instead. But that's not all. We know that it's Richard Gere standing on the right, but do you recognize the woman on the left? I've loved her since Fire with Fire, but didn't notice at first that the lady in red is, indeed, Virginia Madsen. Okay, I'm a bit more excited now.

You?

I keep going back and forth on this whole Amelia Earhart project. On the one hand, I'm thrilled that her story is hitting the big screen. Amelia was one of the quintessential kickass tough-women, and one of my favorites along with the likes of Annie Oakley. But then Hilary Swank signed on -- a woman who can be an incredibly powerful actress and looks much like Amelia, but also really disappointed me with her Black Dahlia performance. Disappointing films are bad enough, but if the disappointment shatters your previous excitement, that's worse. However, this latest casting news helps.

Variety reports that Virginia Madsen has signed on to play Dorothy Binney in the film. The biopic, titled Amelia, will focus on Earhart's relationship with publisher and promoter George Putnam (Richard Gere), who she married, and Binney was Putnam's first wife. The reason Binney is in this story -- Putnam left her to pursue his relationship with Earhart. (Although to be fair, she was looking elsewhere as well.)

I can't wait to see Madsen in this role, but I wonder just how much of the flying Earhart we're going to get when everything is focused on the relationship between her and Putnam. Well, at least if they boil it down to only romance, it should still be interesting -- her ideas on marriage weren't exactly traditional.

There's another actor-backed production company in the biz now. The Hollywood Reporter posts that Virginia Madsen has formed Title IX Productions with Karly Meola, who used to be the actress' personal assistant. Talk about upward mobility -- I guess dealing with actor's incidentals can pay off!

It seems that the pair have been working on titles for the company over the last few years, and are kicking off with a senior-themed documentary called I Know a Woman Like That, about women ages 64-94, that just so happens to be directed by Virginia's mother, Elaine Madsen. They're also trying to score financing for an adaptation of Martha O'Connor's novel The Bitch Posse, and a remake of Madsen's 1984 film, Electric Dreams. I probably missed it in my Fire with Fire haze, but the original starred Lenny von Dohlen (Twin Peaks), Madsen, Maxwell Caulfield (Grease 2), and Bud Cort (Harold and Maude).

Title IX (which is named after the 1972 law that forbid gender discrimination in schools and universities) should also mean good things for women in film. They won't only produce female-driven films, but Meola says: "We kind of saw it as we want to be able to play on equal ground. Of course, we want to talk about female issues, but not just tell stories about women." Madsen added: "I like the idea we're leveling the playing field."

However they word it, good luck, ladies!

The squandered genius of writer-director Bernard Rose is a subject worthy of a documentary. After some steady work as a hired helmer in British cinema, Rose made his writing-directing debut with 1992's Candyman, a movie that, by all rights, should have been a forgettable B-grade chiller about a ghost who haunts a ghetto, but which I vividly remember seeing in theaters on a double-bill with Steven Seagal's Under Siege. Since I was only 14 at the time, I was very appreciative of Under Siege -- specifically Erika Eleniak's nude scene -- but I was absolutely terrified of Candyman, and remain so to this day. By the time Rose's second film, Immortal Beloved, rolled around, I was already a fan and fell for the lush, full-throated and historically absurd sophomore effort as much as I had for Candyman. Then came 1997's expansive, shot-on-location-in-Russia film adaption of Anna Karenina, starring Sophie Marceau, which took in less than a million dollars at the box-office, effectively ending Rose's Hollywood career just as it was beginning.

Should Rose ever be given entrance into the brass ring again, we can only hope his skills are still sharp enough to make movies like Candyman, which does so many things right I can hardly list them all. This is a horror movie that gets depressing right -- how many movies can hit that note? After you've seen it, you don't feel like you've had a "thrill ride" or a "good scare"-- you feel like the world is a grim, depressing and inescapably hopeless place. The plot: two sociology grad students at the University of Illinois, played by Virginia Madsen and Kasi Lemmons, decide to investigate a locally born urban legend figure known as Candyman (Tony Todd) -- say his name a few times in the mirror and he'll appear and gut you with his hook. Their research leads them to Chicago's Cabrini Green, a notoriously gang-infested housing complex that's sort of like a North Shore Compton, only scarier because it's comprised of dilapidated high-rise buildings with rotting walls and empty staircases that just scream out 'very bad things have happened here.'

As someone who grew up in Connecticut, I can agree the state is good for two things, Christmas and hauntings. We've already seen a few versions of Christmas in Connecticut, and now it is time for us to see a movie called The Haunting in Connecticut. I only wish that Ed Warren, one of the state's legendary and expert ghost experts, was still around to offer some help with it. At least his wife and partner, Lorraine is still with us. Anyway, now that Connecticut is welcoming so many film productions to shoot in state, it is only fair that our reputation for spookiness be well represented. And hey, if such a movie wants to use my last name, then that's cool, too. Like countless other residents of the state, my family thought our house was haunted. Of course, The Haunting in Connecticut is not based on my family; instead it is based on a documentary titled A Haunting in Connecticut, which presented the true story of the Parkers and the evil ghost that terrorized their home.

We already learned The Haunting in Connecticut would star Virginia Madsen, as Sara Campbell (again, no relation), but now, according to The Hollywood Reporter, we have more of the Campbell clan: Martin Donovan (Weeds) will play Madsen's husband, while Kyle Gallner (Big Love) will play their cancer-ridden son. Also joining the cast is Elias Koteas (Zodiac), who will play the obligatory priest who comes to help the family. In my day, you'd either call The Warrens -- who actually appear in the original documentary -- or someone from the local historical society (this is what my mom did), but seeing as how the convention of this genre is to follow the model of The Exorcist, a priest is a requirement. And yes, it seems there was at least one in A Haunting in Connecticut, so I shouldn't complain. Ironically, despite Connecticut's currently trendy tax breaks, The Haunting in Connecticut began shooting this week in Winnipeg.

Virginia Madsen is all over the place lately. Since getting nominated for an Oscar for her stint in Sideways, she's been a Dangerous Woman, chilled with the Justice League, been involved with an Astronaut Farmer and spent some time on television. Now, although The Number 23 failed to impress, Madsen is already gearing up for another thriller. This time, she's going back to the supernatural and dealing with some pesky ghosts in the upcoming film, A Haunting in Connecticut.

If the film sounds familiar, that's because it was part of a series of documentaries called A Haunting in 2002. The story details a family who moves into a new house to be closer to the clinic where their son is getting cancer treatment. For some reason, they never thought to go into the basement before buying it, because they discover an embalming room and realize that they've bought an old funeral home. Their cancer-stricken son begins to see things, he is sent to a mental hospital and then the rest of the family gets the ghostly troubles. Of course, like any good haunted story, they look to some psychic investigators and a priest for help. Tim Metcalfe and Adam Simon wrote the screenplay for the feature, and the film should step into production in the late summer. Will this be more akin to her older, better thriller stints like Candyman and The Prophecy? Or, should she stop entertaining creepy flicks? Personally, I'll see this if they cast Craig Sheffer and have a Fire with Fire reunion.