Some have said that The Darjeeling Limited is a movie for Wes Anderson's fans. While that description is fairly accurate, it also suggests that this is some sort of Jay and Silent Bob Strike Back project -- a self-indulgent film only for those filled with Anderson adoration. While it does tap into the magic that brings fans to the filmmaker -- the rich colors, quirky characters, and strange introspection -- it is also a study of grief, and a film that perfectly embodies the importance of charisma and chemistry.

As Erik Davis wrote in his NYFF review, it's hard to see Adrien Brody, Jason Schwartzman, and Owen Wilson as brothers, but from the minute they come together on screen, each mannerism and look makes them seem immediately comfortable with each other, as if they are actually related and intimately familiar. It doesn't matter that they all look incredibly different. Brody slips into Anderson's world fluidly, and the three leads play off each other, making the quirk not only palpable, but subtly genuine.

Most of us are probably painfully aware of the stress of the holidays when it comes to familial relationships. Films about families tell the one story that practically anyone can relate to. So in the spirit of feeling better about ourselves I've compiled a list of some of the most dysfunctional families in film. Maybe after taking a look at some big-screen dysfunction, we can sit back and take a little solace in that at least none of us have to sit down to Christmas dinner with any of the people on the following list.

1. Spanking the Monkey

Before he was famous on You Tube for his demented freak-out on the set of I Heart Huckabees, David O. Russell was famous for making the unthinkable; a comedy about incest. Monkey stars Alberta Watson as Susan Aibelli; a lonely and depressed mother who develops a sexual relationship with her son after they are left alone together for the summer. Jeremy Davis stars as her son and the subject of this unlikely coming-of-age story. The film might not be for the weak of heart, but it did manage to win an audience award at Sundance in 1994, and was responsible for turning Russell into the megalomaniac we've all come to know and love.

2. Ordinary People

Besides going down in infamy as the film that beat Raging Bull out of a 'Best Picture Oscar', this 1981 drama about a family dealing with the loss of it's 'favored son' was the directorial debut of Robert Redford. Timothy Hutton stars as the younger brother who is readjusting to life after a botched suicide attempt. Donald Sutherland and Mary Tyler Moore also star as the parents to Hutton and Judd Hirsch as the prototypical 'earthy NY Jewish' psychiatrist. So for anyone who watched Mary Tyler Moore as the epitome of 'chirpiness' during the seven year run of her self-titled series, get ready to be blown away, because her performance as a cold and repressed suburban mom is one of the best there is.

Well, it's official. The Writers Guild of America is going on strike tomorrow. Here's hoping the strike ends quickly and that all parties come away happy. And writers? Use this time off to study my choices for the seven best screenplays of the 2000's:

The 40 Year Old Virgin by Judd Apatow & Steve Carell

The blending of improvisation and the written word gives Apatow's two classic comedies -- Knocked Up would be the other -- a feeling of authenticity that is all too rare in today's film world. Apatow takes the strategy of writing for specific performers and their strengths, and it really pays off. Scoff if you want at a sex comedy making the list, but for a movie to be this incredibly funny -- while keeping an oddly touching romance and a spot-on character study afloat -- the screenwriters deserve high praise.

About Schmidt by Alexander Payne & Jim Taylor

One of the saddest comedies ever made, and one of the most truthful and painful portraits of old age. Payne and Taylor specialize in scripts about people on the verge of cracking, depressed souls who tend to find the smallest redemption possible. Payne/Taylor characters never go from Point A to Point B over the course of the screenplay, they go from Point A to Point A.1. The small, gradual changes in their characters are reflective of the way actual humans (as opposed to movie humans) work. Warren Schmidt's personal growth is so minor that it is confined to the last thirty seconds of the film, but when it comes it's an emotional punch in the gut.

On November 20, for the first time ever, a movie will be exclusively distributed via iTunes. Yes, we already heard about this briefly when our own Kevin Kelly talked with Edward Burns at ComicCon. But at the time, Burns had said he would be given a trial run, in which his latest film, Purple Violets, would be available on iTunes for four weeks beginning on October 9. That date has come and gone, and now the New York Times has revealed that the film will actually get a full, exclusive release on November 20. That means you won't be able to see it in theaters, or on DVD, or on Cable. Yet, anyway. Personally, I'm a bit shocked the idea didn't happen sooner. There's tons and tons of indie films out there that can't get good distro. Going with iTunes sounds like a great opportunity to get notice. Plus, with iTunes still only offering less than 1000 movies, and still unable to get titles from all the studios, the service would do well to increase its library with exclusives like this. The idea certainly worked for companies like Netflix, which started exclusive distribution via its Red Envelope Entertainment moniker. Maybe one day, like Red Envelope, iTunes could even produce its own movies.

The Times goes into detail about iTunes distribution, mentioning the strategy of putting Wes Anderson's Hotel Chevalier up for free download, which sparked extra interest in The Darjeeling Limited. It also points out the benefit of having short films on iTunes in general, not just for well-knowns like Anderson. The move can affect DVD rentals, though, according to Burns, who has had difficulty securing video distribution for Purple Violets now that it will be available on iTunes. The movie, which stars Burns, Debra Messing, Patrick Wilson and Selma Blair, premiered earlier this year at the Tribeca Film Festival, where Eric called it Burns' "best film since The Brothers McMullen ... a more mature film than anything Burns has done in the past."

It's about time. And, well, a little late. It would have made perfect sense to release a Criterion Collection DVD of Wes Anderson's Bottle Rocket last year, when it quietly celebrated its tenth anniversary. But hey, better late than never, right? While promoting his latest film, The Darjeeling Limited, Anderson told MTV Movies Blog that he's begun work on a Criterion edition of his debut feature. The director said there's a lot of stuff to go into it, including a lot of footage that was left on the cutting room floor. And certainly he will have to put his original black-and-white short, also titled Bottle Rocket, on there. For those Anderson fans who haven't seen it, the short is basically just early versions of scenes that ended up in the later film, including the part in which Dignan (Owen Wilson) and Anthony (Luke Wilson) rob Anthony's parents' house -- with the soundtrack set to jazz rather than Love. When I first saw it -- Lincoln Center screened it with The Royal Tenenbaums on the eve of that film's release -- I thought it was a little bit funnier than the full-length. But looking at it now, I just think it's a neat curiosity for the fans. You can check it out on YouTube if you aren't willing to wait to see if Criterion includes it.

Bottle Rocket can feel pretty slow and uneven compared to Anderson's later releases, all of which have already received the Criterion treatment. But the crime caper comedy does feature a younger, funnier Owen Wilson, back when he was even more wide-eyed and excited than we're used to now. And it does at least have the obligatory homages to J.D. Salinger (think of Anthony as a grown-up Holden Caulfield) that links it up with the rest of Anderson's work. The main thing missing, of course, is Bill Murray, who has appeared in all of Anderson's films after this one. Maybe, as I suggested last week, somebody can do a special alternate version in which Murray is inserted into the film, possibly replacing James Caan. That would be a fun bonus feature. Or maybe Anderson and Murray could stage some fake auditions (like the real ones on the Criterion Rushmore) where Murray tests for each of Bottle Rocket's characters. Currently there is no release date, nor any news on the Criterion site, for Bottle Rocket, but hopefully we'll hear more about it soon.

There are many iconic pairings of actor and director: DeNiro and Scorsese; Bogart and Huston; Mifune and Kurosawa; Depp and Burton. One of the best recurring collaborations, though, is Bill Murray and Wes Anderson. The comedic actor appears in almost all of Anderson's movies (maybe one day he can be digitally imposed into Bottle Rocket a la Jabba in Star Wars), including The Darjeeling Limited, which opens tomorrow. I haven't seen the new movie yet, but I did read a great piece about Anderson in this week's New York magazine, and I have to say that Murray and Anderson were made for each other. Whether it is true or not that the filmmaker really had to deliver a suitcase with $14,000 in cash from Murray to a guy named Luigi is beside the point; the story just proves the duo have a fun sense of humor that can involve the other at any given time.

That's why it isn't surprising to learn that Murray will be voicing a character in Anderson's stop-motion-animated film, The Fantastic Mr. Fox (and I don't mean because Murray would avail his voice to anything). MTV Movies Blog chatted with Anderson about the film, which is still a few years in the making, and got other confirmations on its cast of voices. Yes, George Clooney is definitely on board as "Mr. Fox", and also Jason Schwartzman is doing a voice, too. There is no mention, however, of Cate Blanchett or Angelica Huston, both of whom are said to be part of the film. It also wasn't revealed which characters Murray and Schwartzman would be doing. The Fantastic Mr. Fox will be Murray and Anderson's fifth movie together (and Schwartzman's fourth with the director, if you count shorts), and will likely be far from the last. The film also reunites Anderson with his Life Aquatic co-writer Noah Baumbach; the script is based on the book by Roald Dahl.

Early buzz hasn't been too nice to Wes Anderson's The Darjeeling Limited, which opens this week, on the 29th. But does it really matter, at least, if you're a fan? I remember hearing a lot of bad things about The Life Aquatic with Steve Zissou, but Wes still caught me hook, line, and sinker. This time around, things are up in the air. Beyond some crappy response to the film, fans were dealt a blow when Fox announced that the prequel short, Hotel Chevalier, would not screen in its regular release like it did during festival screenings. However, Apple is coming to the rescue, at least for fans in selected cities, according to indieWIRE.

Lucky fans in New York, Chicago, San Francisco, and LA will be able to see the short in all of its 12-minute glory, tomorrow, September 25, at 9 pm. Sweetening the pot even further -- Anderson, Jason Schwartzman, and Natalie Portman will be at the SoHo store in New York, and co-writer Roman Coppola will make an appearance at the Chicago store. Darjeeling is about three American brothers, Schwartzman, Adrien Brody, and Owen Wilson, who head to India on a spiritual quest and then find their journey veering into unexpected territory. Chevalier is a prequel to the story, which stars Jason and Natalie in a Paris hotel room -- the end of their love, and the prologue of the journey.

Fox Searchlight sent us this exclusive first look at a clip for The Darjeeling Limited . The more I see glimpses of this film, the more I can't wait to see it. It would be enough for me just to have Wes Anderson working with Jason Schwartzman again, but to make it even better, Owen Wilson, Adrien Brody and Schwartzman seem to be hitting just the right note as the three brothers on a spiritual quest through India ... it's kind of feeling to me like there's a bit of a "City Slickers" vibe to the film (with brothers instead of just friends, which gives you that whole delicious layer of drama and trauma that comes with spending time with the people with whom you shared a childhood), only set in India and sans Billy Crystal spoofing "Rawhide".

Are you on the edge of your seat waiting to see Wes Anderson's newest project?

Say what you want about Wes Anderson's last film The Life Aquatic (which I happen to really like -- don't tell anyone), but you have to give him credit for his commercial work. He last showed up with an American Express commerical that absolutely rocked; not only did Anderson direct that one, but he also starred as himself -- a guy who calmly walks through a frantic film set, and always has his AMEX card there to bail him out. I love every aspect of that commerical, especially the part where Anderson is introduced to a little girl who apparently loves his work. "That true," Anderson asks her. And she just shrugs her shoulders, as if to say "No, but I've been told to love your work." I dig it.

Well now, Anderson is back with a group of AT&T commercials, all of which can be viewed in their entirety over at SlashFilm. While I don't adore them as much as that American Express spot, they're very well done and definitely worthy of your time. Each spot displays Anderson's love for those long one-shots, and they're sure to remind some (as they did with Peter from SlashFilm) of that one-shot of the submarine from Life Aquatic. Basically, the ads are "designed to highlight how AT&T helps connect people to their worlds wherever they live and work," and each follows one person on a rotating set to the various locations in which they'll need to use AT&T's service. It's pretty cool stuff, and I especially liked the one with the TV reporter. So head on over to SlashFilm to check them out, and stay tuned to Cinematical for our review of Anderson's latest, The Darjeeling Limited, which will screen at the New York Film Festival prior to its theatrical release on September 29.

Just last month, Kim had brought us a behind-the-scenes look at Wes Anderson's long-awaited, The Darjeeling Limited. While expectations for the film are running high, there's already bad critical response to the film -- and the review from The Hollywood Reporter isn't exactly helping matters. Unfortunately for fans of Anderson, the bad news doesn't end there. Hollywood Elsewhere reports that Anderson's short film Hotel Chevalier will not accompany screenings of The Darjeeling Limited as it had during its festival run. Audiences first got a look at the short film when Darjeeling premiered at the Venice Film Festival, and according to reports, the short film acts as a prequel of sorts to the feature. Chevalier stars Jason Schwartzman and Natalie Portman, and is," a short epilogue of one heartbreaking history of love and the prologue of the travel told in 'The Darjeeling Limited". It's a clever idea, and other filmmakers have tried it before -- the short prologue at the beginning of P.T. Anderson's Magnolia comes to mind. The Darjeeling Limited stars Adrien Brody, Owen Wilson, and Jason Schwartzman as three brothers attempting to 'bond' during a spiritual quest in India.

According to trade reports, the short will only be shown during festival screenings and will not accompany Darjeeling when it hits theaters on September 29th. I can't say I understand the logic of not including the short in the theatrical release, it's not like Wes Anderson fans would not be willing to sit in their seats for 17 more minutes -- if anything, the addition of the short could help generate a little extra buzz for the film. Although some are saying that Natalie Portman goes nude -- in the flesh -- for the first time, but the film is already rated R so I'm not sure that's a reason. But, if Searchlight decides to keep Hotel Chevalier off the theatrical cut, then at least there is something to look forward to for the DVD release.

[via Dark Horizons]