Producer Scott Faye is keeping the faith -- but fans of the Electronic Arts video game American McGee's Alice will have to wait an indeterminate amount of time to see a movie version. According to McGee's own blog (and thanks to Shock for the tip), Mr. Faye has announced that Universal has placed the project into turnaround -- which essentially means it's comatose until another backer snags the property. (IF another backer snags the property.)

Here's what the producer had to say: "Jon and Erich Hoeber have written a very compelling feature film screenplay adaptation of the Alice game. Their screenplay will certainly serve as a jumping off point as we find a new studio home for the project. In terms of the realistic chances of seeing the Alice project being produced, all I can say is that I have invested (along with Julie Yorn and Karen Lauder, my producing partners on the project) a lot of time and effort in this project. We will get it made." Just not at Universal, unfortunately. Earlier reports indicated that actress Sarah Michelle Gellar and director Marcus Nispel were attached to the project, but as Inspector Clouseau used to say "Notennymore."

For those who are unfamiliar with American McGee's Alice (I really should play this game already), it's sort of a dark semi-sequel to Lewis Carroll's Alice's Adventures in Wonderland (or Alice in Wonderland, if you prefer). Filmmakers previously (and temporarily?) attached to the project include director Wes Craven, screenwriter John August, and actress Jean Marsh. (Thanks to Wiki for the reminders.) So to those who've played (and hopefully enjoyed) this video game, here's my question: Who should direct the thing?

Production will begin next year on Last House on the Left, a remake of the 1972 Wes Craven film about some killers who break into the home of the parents of one of their victims. This is one that I'm curious about, only because the very notion that the remake will be as 'realistic' as the original -- a film infamous for its graphic rape and murder scenes -- is completely off the table. The MPAA will laugh in their faces. So what in the world is Wes Craven thinking? Yeah, he's totally behind this, producing the remake with Sean S. Cunningham under his Midnight Pictures label. The remake will be directed by a guy named Dennis Iliadis, who has little to no credits, to my knowledge. It will be written by a guy named Adam Alleca, who has little to no credits, to my knowledge. Was Aja unavailable to shepherd another Craven vehicle into the new millennium? Is he too busy trying to figure out that Piranha remake?

According to Variety, Craven wants the remake to "retain the spirit of the original ... but aim for a more realistic tone." What does that mean? Close-ups of penetration? Money shots? This just doesn't make sense to me on any level. The story also notes that scripter Alleca had previously approached Craven about remaking The People Under the Stairs, which is even more baffling. As for Sean S. Cunningham, I'd be interested in knowing if there's been any movement in the long talked-about plans to remake the first Friday the 13th film. Has anyone heard anything about that? Last time I checked, it was with Michael Bay's company.

Having just come off the Tribeca film festival, I should be perfectly attuned to an experimental short film anthology like Paris Je T'Aime, (Paris, I Love You) and some segments of it are definitely enjoyable, but the overall hit-miss ratio is too low to ignore. This, despite a juggernaut talent bench that includes the Coen brothers, Wes Craven, Natalie Portman, Maggie Gyllenhaal, Alfonso Cuaron, Nick Nolte, Miranda Richardson, Bob Hoskins, Elijah Wood, Steve Buscemi, Gus Van Sant and Juliette Binoche. In fact, these are only a few of the notable performers and directors who contribute to the 18 shorts, only a few of which actually intersect with the others. My favorite of the lot is the one that the Times' Stephen Holden declared to be the worst: a snappy little love note to Parisian vampires titled Quartier de la Madeleine. Starring Olga Kurylenko as a classic vampire with opaque, milky eyes who is interrupted in the midst of her work by Elijah Wood, it's a beautifully photographed little love story with lots of blood that seems made of melted pink plastic.

Strangely enough, that's not the short directed by Craven (even though he makes a cameo in it -- how could he not?) Craven's entry is Pere-Lachaise, focusing on a visit to that famous cemetery -- where Oscar Wilde, Marcel Proust and Jim Morrison are buried -- by a squabbling couple played by Rufus Sewell and Emily Mortimer. Just when Sewell's character has run out of things to say, the ghost of Wilde actually shows up to give him some advice. Like many of the films, however, it feels like a 30-minute short that was cut down to about one-third of that time in order to squeeze it into this crowded phone-booth of a feature format. If you don't pay careful attention, you might actually miss Wilde's appearance and wonder what happened to wrap up the segment. Still, the acting drags it over the finish line. The same can be said for Quartier des Enfants Rouges, starring Gyllenhaal as an American actress shooting a costume drama in Paris and possibly falling for her Parisian dope dealer.

When the guy who directed The Last House on the Left, The Hills Have Eyes, A Nightmare on Elm Street and Scream decides he wants to share his five favorite horror films with the world, two things are certain: 1. Horror fans should probably sit up, take notice and jot the titles down (if they haven't seen 'em yet), and 2. The news will be carried in (of all places) The Wall Street Journal.

Yes, Wes Craven was asked to list his favorite fistful of fright flicks, and here's what one of the modern masters of macabre had to offer: the original Frankenstein (Craven's going out on a limb already -- although I do give the man credit for not going with the more popular choice of Bride of Frankenstein), Mervyn LeRoy's The Bad Seed (does that include the final scene, Wes?), The Exorcist (another potentially controversial pick), the original Texas Chainsaw Massacre (darn good pick -- albeit another fairly obvious one) and Ridley Scott's Alien -- which, as anyone who reads Film Critic Hunk Magazine can tell you, is my very favorite film of all time, horror or otherwise. God I love that film....

And that's pretty much it! Tune in next month when John Carpenter tells us he loves Tod Browning's Dracula, Stephen King expresses some affection for Freaks, and Eli Roth breaks the news that the original Halloween "rocks!!"