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Review: Tears of the Black Tiger

Filed under: Action », Drama », Foreign Language », Romance », New Releases », Theatrical Reviews », New in Theaters », Cinematical Indie »





Tears of the Black Tiger feels like a movie made a hundred years from now, when filmmakers have only the vaguest notion of the boundaries we in the past recognized between genres. It's one part Rebel Without a Cause, one part bloody Peckinpah, one part early Sam Raimi, and one part Bollywood-style frivolity with a Thai twist. Despite the love and enormous amount of work that obviously went into the making of it, I can't honestly say the film works. It's too eager to please, too overconfident in its ability to impress, and generally too over-the-top to make for a good experience. The press materials claim that Tears of the Black Tiger "offers nostalgia as future shock." I don't know what that means, frankly, but I guess it has something to do with the fact that one minute the film can be presenting itself as a serious western, and the next minute it is showing us animated bullets knocking against each other in mid-air like something out of a Tex Avery cartoon.

Written and directed by Wisit Sasanatieng, the film is the story of Sera Dum (Chartchai Ngamsan), a poor peasant who falls in love with Rumpoey (Stella Malucchi) a girl who lives in a giant, antebellum-style mansion and has little to do but lounge around all day in gazebos and wait for someone to come along and throw her over their shoulder. The murder of Dum's father causes him to descend into an outlaw circuit, where he soon distinguishes himself as "Black Tiger" a straight-shooting gunslinger who can actually direct the ricochet of a bullet to its intended target. (uh-huh) By the time Black Tiger has blown enough holes through people to work his way back to Rumpoey's world, she is already betrothed to a slimy police captain who has no intention of giving up any ground. It's The Departed, only with bad humor instead of good, an unnecessary Pulp Fiction-style time jumble, and a palpable absence of seriousness that makes us care very little whether the good guy or the bad guy gets the girl.

Tears of the Black Tiger to Finally Come to the US

Filed under: Action », Foreign Language », Romance », New Releases », Cannes », Cinematical Indie »

As fast as the film process travels these days, there are still films that take years to come out. Although Bubba Ho-tep evoked a melange of laughter and praise at festival screenings, we had to wait eons for the film to reach theaters as it slowly made its way from cinema to cinema. Others like Prozac Nation, which was filmed during the height of Jason Biggs and Michelle Williams' teen celebrity, could only make it to DVD four years after its TIFF premiere. And then there is Tears of the Black Tiger.

After premiering in the Vancouver International Film Festival in 2000, Wisit Sasanatieng's directorial debut was the first Thai film to be accepted at Cannes in 2001. Although it went on to tour a number of festivals, garnered praise, and opened in a number of European cities, it was bought by Miramax Films and never released. Now, six years after its premiere, indieWIRE has reported that Magnolia Pictures has acquired the rights.

Black Tiger
is the classic bad guy-good girl love story. There's Rumpoey, the wealthy girl whose father wants her to marry a police officer, and Dum, a poor young man who is torn between his love for Rumpoey and his desire to avenge an attack on his father. If you're curious about the film, and the color techniques used to enhance it, check out this Preview Online article that was released in 2001. If you're anxious to see the film, an uncut version will be shown on January 12 at New York's Film Forum with national release dates to follow.

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