You Dont Mess with the Zohan Tagged Articles at Cinematical

Above: You Don't Mess with the Zohan, The Happening, Sleeping Beauty

You Don't Mess with the Zohan
Adam Sandler wandering into topical territory, actually making sense, and stll making the funny? I was surprised too! Don't worry, he still packs in plenty of juvenile gags about the outlandish size of his package and drags in every ancient ethnic stereotype possible, but as an Israeli intelligence operative who wants to become a hairdresser, he pulls off the neat trick of creating a completely silly character in a wish-fulfillment scenario that, well, nearly everyone wants to see. Rent it. Available rated (theatrical cut) on a single-disc DVD and unrated in single-disc and double-disc DVD editions. The Blu-ray includes both the rated and unrated versions.

The Happening
Maybe the inclusion of "over 1 hour of intense bonus footage not shown in theaters!" -- extended versions of "Lion Attack" and Survivalist Porch" among them -- will convert me. Maybe I'll watch M. Night Shyamalan's first R-rated horror flick again some day to see if it still makes me roll my eyes and laugh out loud at scenes that were evidently intended to make me shiver in my seat. Maybe one day pigs will fly. Skip it. Available on DVD and Blu-ray with deleted scenes and "making of" features.

Sleeping Beauty
Scott Weinberg has already written about the awesomeness of the new edition of Disney's animated treasure on Blu-ray. This is a classic no-brainer, a movie that both young and old can dip back into time and again. Buy it. Available on DVD and Blu-ray.

After the jump: Indies on DVD, Blu-ray, and Collector's Corner. Join us, won't you?

Adam Sandler's most recent not-very-funny comedy, You Don't Mess with the Zohan, has earned about 100 million U.S. dollars since its release in June. It's not going to be pulling in any Egyptian gineih, Lebanese lira, or U.A.E. dirhams, though, because the censors in those countries have banned the film from local cinemas. I'm tempted to say that for the first time ever I'm jealous of Middle Eastern moviegoers, but that would be a shallow joke. Besides, no matter how lousy a movie is, it's nice to at least have the option of watching it.

Film censorship is common in Arab countries. What's noteworthy here is that the film in question is about Israeli/Palestinian relations, a subject that's probably of some considerable interest to many people in that region. Sandler's character, a former Israeli spy, moves to New York and gets a job at a hair salon run by a Lebanese-American woman -- but people in Lebanon won't be able to see the film. I guess the movie's final message of looking past our differences and learning to get along with each other was deemed too offensive.

Well, OK, as noted in Variety, anything with a lot of sexual content, political messages, or religion bashing is liable not to make it past the censors in the Arab world, and Zohan has plenty of all three. The film's Middle East distributor, Circuit-Empire, is still showing the film to the other Arab countries' censorship boards, but they don't expect it to fare any better than it did in Egypt, Lebanon, and the United Arab Emirates. Sorry, Middle East! You'll have to view images of Sandler's comically oversized package by some other means!

After mysteriously positive reviews from unexpected quarters for You Don't Mess With the Zohan, I was worried that I had missed some kind of boat, a possibility that a commenter on my original review raised in passing in her thoughts on the film: Might there may have been plot points or laughs in the film I simply couldn't decipher because they called on some aspect of Israeli and/or Jewish culture I didn't get? (I grew up on the outskirts of the outskirts of a steeltown; until I hit 18, my primary exposures to Jewish culture were Mordecai Richler novels and Woody Allen Movies.) Was there a chance that deciphering some of the film's more baroque references and invented cross-cultural communication might yield laughs previously unknown to me? Was I too much of a goy to feel the joy?

The good news is that if I actually wanted to test this theory, Israeli film critic Yair Raveh has posted a great "Silky Smooth Dictionary to Zohanisms," at his blog Cinemascope, and it's a great demonstration of how minor works can inspire major scholarship. Raveh's glossary provides detailed notes on the etymology and cultural history behind a number of phrases casually tossed off during You Don't Mess With the Zohan, including "yofi-tofi" (slang for "hunky dory"), "Imma" (Hebrew for "mother") and even "Fizzy Bubbelech" (invented, according to Raveh, who then gives a brief, brisk product history of orange soda in Israel during the '70s and '80s that may have inspired "Fizzy Bubbelech"). The bad news is that if I actually wanted to test this theory, I'd actually have to see You Don't Mess With the Zohan again ... something I (and, judging by the film's second-week 57.5% drop-off at the box office, many other people, also) have no intention of ever doing.

That's a bit misleading there, in the title; Adam Sandler's You Don't Mess with the Zohan wasn't able to claim the weekend's top spot over Dreamworks Animation's Kung Fu Panda, but a) no one was really expecting it to do that, and b) Zohan's $40 million opening weekend is at least par for Sandler, roughly tying Click's opening weekend, and beating I Now Pronounce You Chuck and Larry by a handy $6 million. Sandler has only done measurably better with The Longest Yard, Anger Management and Big Daddy.

Panda, meanwhile, is an unadulterated victory. Its $60 million weekend beats everything in the Dreamworks Animation canon except the two Shrek sequels, and wouldn't have been a disappointment for any Pixar film. Good reviews and a witty, appealing ad campaign certainly helped, though I was kind of hoping that airing that insufferable Jack Black "silence is golden" intro in AMC theaters for the past, oh, eight months, would have backfired.

The 62% drop for Sex and the City shouldn't surprise anyone, though the folks at New Line/Warners probably had a reasonable hope of a bit more staying power. The 55% drop for The Strangers isn't too horrendous, and the $38 million cume on the micro-budgeted horror flick is a big win for Rogue regardless. Cinematical darling The Promotion debuted on 6 screens to a respectable but unspectacular $28,900 ($4,816 per screen).

Check out the top 10, and a look forward to next week, after the jump.

It would be one thing if You Don't Mess With the Zohan was simply bad; after the recent string of Adam Sandler comedies like I Now Pronounce You Chuck and Larry, Click and The Longest Yard, You Don't Mess With the Zohan continues the Sandler career path where low comedy is intended to result in high profits. Sandler's films now seem to function mostly as a kind of philosophical experiment: How lazy, sloppy and stupid can a film be and still make money? And let's not mince words here, or hem and haw and add caveats about a few laughs or good intentions: You Don't Mess With the Zohan is astonishingly, impressively, depressingly bad.

And no, this is not some sneering, soft-handed ivory-tower resident looking down on Sandler's work from a lofty height; this is someone who loves a good smart dumb comedy telling you that if you see You Don't Mess With the Zohan, you'll witness a moment where Zohan -- the Israeli commando-turned-hairdresser played by Sandler -- wishes a sad farewell to someone with his junk. We get a close-up of it -- bulging, frame-filling -- and it waggles a little wave to us, sadly, as Zohan wishes goodbye to a girl he might have loved, eyes sad and crotch engorged.

Sex and the City surprised a lot of people, not by doing well, but by doing extremely well, pushing Indiana Jones back to the number two spot for its second week of release. Last week's other new release, The Strangers, starring Liv Tyler, scared the American public out of a respectable amount of cash as well. Here are the numbers:

1. Sex and the City: $56.8 million
2. Indiana Jones and the Kingdom of the Crystal Skull: $44.7 million
3. The Strangers: $20.9 million
4. Iron Man: $13.5 million
5. The Chronicles of Narnia: Prince Caspian: $12.7 million

We've got two more new releases this week, both of which are going for the laughs.

What's It All About: A Kung Fu loving panda (voiced by Jack Black) must put work in the family noodle shop on hold when he is chosen to fulfill an ancient prophecy. Now he studies alongside martial arts experts Tigress, Crane, Mantis, Viper and Monkey -- under the leadership of their guru, Master Shifu.
Why It Might Do Well: With all the big releases lately, there haven't been many geared toward the little ones, so I can see this one filling a void and Rottentomatoes.com gives it a 92% fresh rating.
Why It Might Not Do Well: Come on, he's a panda. What are you, some kind of panda hater? Heck, I suspect this will be next week's number one movie.
Number of Theaters: 3,600
Prediction: $56 million

Adam Sandler's movies haver never represented the apex of cultural awareness, but they do tend to grapple, if somewhat brashly, with the finer points of human relations. In his latest raunchfest, You Don't Mess with the Zohan, the insolent comic creates "his stupidest character ever" (as an audience member muttered five minutes into last night's New York preview screening), but it's also his most symbolic one: Sporting a hyperbolic flair for disco music and using hummus as toothpaste, hardened Israeli soldier Zohan is a bloated creature of Semitic extremes.

Overall, however, the movie uses metaphors more than stereotypes. When Zohan and a furious Palestinian terrorist (John Turturro) use paddles to bat a live grenade back and forth, the result is a lowbrow editorial cartoon.