Imagine how happy your life would be if you forgot the last 15 years. That would mean you no longer had any memory of a certain nude scene in About Schmidt. But it would also mean you no longer have any memory of the rest of About Schmidt. Anyway, the reason I mention that movie is because two of its stars, Hope Davis and Dermot Mulroney, will be reunited for a film about memory loss titled Driving Lessons. Not to be confused with the British coming-of-age movie starring Harry Potter's Rupert Grint, this Driving Lessons is about "a troubled family who gets a second chance at happiness when the mother (Davis) suffers a memory loss and can't recall the last 15 years of her life."

That synopsis sounds a bit sad to me. It sounds like the family did something unforgivable to the mother but now they can celebrate thanks to her amnesia. Sure, Mom suffers, but at least they all have a second chance at good times. I guess memory loss is often the subject of laughs and duplicity. Think Overboard. Think 50 First Dates. Think Good Bye, Lenin! -- sort of. Don't it all just make you want to maybe knock your mother or girlfriend or a rich lady you want to pretend is your mom or girlfriend in the head in the hope she'll receive a blank slate? OK, well don't it at least make you want to watch another movie about something akin to that? Driving Lessons was scripted by Mark Lisson (Return to Horror High) and will be helmed by Finnish director Vivi Friedman. Shooting begins in March.

Well, it's official. The Writers Guild of America is going on strike tomorrow. Here's hoping the strike ends quickly and that all parties come away happy. And writers? Use this time off to study my choices for the seven best screenplays of the 2000's:

The 40 Year Old Virgin by Judd Apatow & Steve Carell

The blending of improvisation and the written word gives Apatow's two classic comedies -- Knocked Up would be the other -- a feeling of authenticity that is all too rare in today's film world. Apatow takes the strategy of writing for specific performers and their strengths, and it really pays off. Scoff if you want at a sex comedy making the list, but for a movie to be this incredibly funny -- while keeping an oddly touching romance and a spot-on character study afloat -- the screenwriters deserve high praise.

About Schmidt by Alexander Payne & Jim Taylor

One of the saddest comedies ever made, and one of the most truthful and painful portraits of old age. Payne and Taylor specialize in scripts about people on the verge of cracking, depressed souls who tend to find the smallest redemption possible. Payne/Taylor characters never go from Point A to Point B over the course of the screenplay, they go from Point A to Point A.1. The small, gradual changes in their characters are reflective of the way actual humans (as opposed to movie humans) work. Warren Schmidt's personal growth is so minor that it is confined to the last thirty seconds of the film, but when it comes it's an emotional punch in the gut.

Anyone who enjoys movies keeps a secret tally of any movie's strengths and weaknesses. Like an Olympic judge rating an athlete's performance, the final score determines whether a movie rates a recommendation or is forgotten as an also-ran.

As far as formula fare goes, one could do worse than the above-middlin' romantic comedy Failure To Launch starring Matthew McConaughey as a 30-something who still lives with his folks (Kathy Bates and Terry Bradshaw) until they hire a motivationalist (Sarah Jessica Parker) to help him fly the nest. Naturally and against all odds, McConaughey's and Parker's completely artificial relationship blossoms into something more. Here's how I broke it down:

First, it's funny. Not just an occasional giggle, sit-com kind of funny but infused throughout funny. TV vets Tom J. Astle and Matt Ember, who are attached to this year's Steve Carell update of Get Smart, may be green as screenwriters, this being their first project produced, but with that inexperience comes a kind of hunger. Of course, most first-timers become well-fed and lazy after a taste of success like this, but for now, proof of their talent is apparent. Each character is created with a specific purpose, as is every scene, sequence and act. It's all very textbook, but it works. Mark one in the "plus" column.