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I'm in Savannah, Georgia to spend a week as a guest blogger for the Savannah Film Festival, an eight-day fest hosted in the historic Southern town by the Savannah College of Art and Design (SCAD). [Read my entries in the "Voices from the Fest" section on the festival website.] As the town prepares to kick off the 12th annual festivities with the Iraq film, or rather post-Iraq film, The Messenger, I'm wondering how SFF's growing success might reflect or even influence the rise of film festivals that similarly fall somewhere in between the biggies (Cannes, Sundance, Toronto, Venice) and the little guys.

For starters, a brief look at SFF's line-up and star-studded guest list. The festival begins today, October 31, with The Messenger, a Sundance entry that has Oscar possibilities but more likely will make a run at the Indie Spirit Awards. Stars Woody Harrelson and Ben Foster will be in attendance. (I will be attempting to run into them at the local Starbucks or wherever it is that Hollywood actors hang out when they visit other cities.) Another Oscar hopeful, the Emily Blunt-starring period biopic The Young Victoria, is screening the following day.

And then there are the almost certain Oscar pictures: George Clooney in The Men Who Stare At Goats; Lone Scherfig's An Education; Michael Haneke's Cannes winner The White Ribbon; Kathryn Bigelow's The Hurt Locker, with star Jeremy Renner in attendance; and Precious: Based on the Novel Push by Sapphire, which will bring both director Lee Daniels and his star Gabourey Sidibe to town.

Read on for more about this year's Savannah Film Festival.

One of my absolute least favorite genres is the "disease of the week" movie. There are lots of genres I prefer less than others, but in the case of this one, I can't understand why people like it. Why would anyone want to go see a movie about people getting sick and probably dying? The nearest I can figure is that, for viewers who like to cry, this is an almost certain tearjerker. Otherwise, perhaps it makes viewers feel good about not being sick. Who knows? But this week, fate has handed me an almost perfect example of what I hate about this genre, as well as an alternate example of just how it can work.

My Sister's Keeper (262 screens) is the bad one, though it does begin with a good idea. Anna Fitzgerald (Abigail Breslin) was created in a test tube essentially to provide "spare parts" for her older sister, Kate (Sofia Vassilieva), who is stricken with leukemia. When Anna reaches the age of ten, she approaches a lawyer (Alec Baldwin) to sue for the rights to her own body. But rather than following that lead, the movie then spends the bulk of its running time in the hospital with Kate, watching her get sick and throw up while others weep and study test results. She gets a little brief romance, but it ends tragically. The worst thing of all is that, despite all this focus on Kate, she never emerges as a character. She's always good-natured, strong and loving. (We see her dark side only once, in a flashback.) Essentially, she is defined by her disease. She is "cancer girl" and nothing more.

Indie Roundup reviews the past week of news from the independent film community and provides a peek at what's coming soon.

Festivals. Its official name is the Traverse City Film Festival, but unofficially it's "the Michael Moore fest," thanks to the filmmaker's role as founding father. Good reports on the fifth edition, which wrapped last weekend, can be found at Spout (by Karina Longworth) and indieWIRE (by Thom Powers).

Deals. Image Entertainment acquired Adam Salky's Dare, which premiered at Sundance earlier this year. Emmy Rossum, Zach Gilford, and Ashley Springer star as "high school students that enter into an unusual triangle of friendship and love." Tim Grierson of Screen wrote: "As refreshing as it is legitimately sexy." Release plans have not yet been announced. [Per indieWIRE.]

Online / On-Demand Viewing. If you hurry, you can still watch the acclaimed documentary 45365 at SnagFilms for free. it's available through tomorrow (Thursday, August 6) as part of their SummerFest preview series. The doc examines life in Sidney, Ohio, as filmed over the course of nine months by two men raised in that small town.

If you're hungry for more (legal) online viewing, check out the newly-launched SpeedCine, a very simple search engine that lets you find out what movies are available to watch through various providers like Amazon, Hulu, and Netflix, either free of charge, for a one-time fee, or by subscription. It's in beta, which means they're still working on it, but right now it flies along very quickly and efficiently. I'm rather amazed -- and very pleased -- to see so many movies that are available at no charge.

Who won the battle for the Indie Weekend Box Office crown? Find out after the jump.

Here's a quick look at what's opening in limited release this weekend. If they're not playing where you live, keep an eye out as they make the rounds. And if all else fails, there's always DVD.

Adam (pictured) is an unusual romantic comedy starring Hugh Dancy as a man with Asperger syndrome, a mild form of autism, who develops a relationship with his new neighbor (Rose Byrne). It has a 70% approval rating at Rotten Tomatoes, including my own Cinematical review from Sundance, where I wrote: "This isn't some cheesy TV movie about a wise "special needs" person who teaches life lessons to those around him.... It's a simple, light comedy with dramatic underpinnings, and a pleasant way to spend an evening." Now playing in New York and L.A.

The Cove, another Sundance alumnus, is already one of the year's most acclaimed documentaries, with a 94% positive rating at Rotten Tomatoes. It's about a cove in Japan where thousands of dolphins are slaughtered every year for shady reasons, and it plays out like a thriller. Cinematical's Scott Weinberg called it "brutally honest and effortlessly fascinating" and "easily one of the most powerful, heartfelt, and ... important 'nature' documentaries I've ever seen." Playing in New York and L.A.

Transformers: Revenge of the Fallen
There's a new full length trailer out for the Transformers sequel and it's chock full of... well, pretty much the same stuff we got the first time around: a whiny lead actor, the superhumanly hot Megan Fox and giant mechanoids beating the 10W-40 out of each other. In a film where cars turn into giant alien robots credibility is further strained when Shia LaBeouf's character tells Bumblebee he won't be taking him to college. What college freshman doesn't want a car? I guess we find out on June 24.

G.I. Joe: The Rise of Cobra
Speaking of movies based on cartoons that were based on toys, there's a new trailer out for G.I. Joe. This one can go either way; the cast is decent and the explosions are plentiful. Watch for the Real American Heroes on August 7, and check out the trailer below.




Adam
A young man with asperger's syndrome falls in love with the new woman who has moved into his building. Nothing about this one really grabs me and it feels like so many other quirky romantic comedies. It goes into limited release on July 29.

If I told you that Adam was about a man with Asperger syndrome, a form of high-functioning autism, you would instantly lose all interest in seeing it, right? Yeah, that's what I thought. If Fox Searchlight's marketers are smart, they'll keep a lid on that aspect of the film, because it's actually a humorously bittersweet story buoyed by likable performances, and not an oh-geez-here-comes-another-film-about-a-saintly-disabled-person movie.

The Adam in question, played by Hugh Dancy, is an electronic engineer whose current job has him working on a toy company's new talking doll. Adam's father has just died, leaving him alone in the spacious Manhattan apartment they once shared, with Harlan (Frankie Faison), a family friend, to keep an eye on him

Adam can mostly take care of himself, though. People with Asperger -- Aspies, as Adam calls them -- take things literally and have trouble knowing what other people are thinking, and they tend to misread facial expressions. Aside from that, they do OK. Adam is happiest when following a routine, and he gets particularly excited by astronomy. He doesn't seem much different from your average nerd.

The new tenant in his building is Beth (Rose Byrne), an elementary school teacher who is immediately fascinated by Adam's quirky personality, not realizing it's an actual mental disorder -- and after all, where is the line between "interesting" and "diagnosable"? Adam and Beth begin a tentative friendship and eventually a romance, though both are aware that such an arrangement will be difficult at best. Beth's father (Peter Gallagher), a corporate accountant who's just been indicted for shady bookkeeping, is adamantly anti-Adam for that reason.

The dam finally burst and a flood of deals were unleashed today in Park City, Utah. (Please note: for the purposes of this article, we define "a flood of deals" as three (3)). But don't worry, America: Sundancers stopped to watch the inauguration live on TV.

Deals. (1) Fox Searchlight got things rolling with a worldwide deal for Max Meyer's romantic comedy Adam, starring Hugh Dancy, Rose Byrne, Peter Gallagher and Amy Irving; a 2009 release is planned. indieWIRE has the details. (2) Sony Pictures Classics picked up big buzz title An Education, Lone Scherfig's coming of age romantic tale, "after a heated bidding war," says Anne Thompson of Variety. Sony Classics reportedly paid $3 million for North American and Latin American rights and is eyeing an awards campaign launch in the fall. Thompson describes the film's star Carey Mulligan as a (the?) "Sundance 'It Girl.'" (3) Lionsgate acquired James Strouse's comedy/drama The Winning Season, starring Sam Rockwell as a high school girls basketball coach, for North America and the UK, per Gregg Goldstein at Movie City News.

Reviews/Interview. James Rocchi caught the "surprise," work-in-progress screening of Steven Soderbergh's The Girlfriend Experience and interviewed Paul Giamatti about Cold Souls. Meanwhile, Erik Davis saw Michael Cera * Jesse Eisenberg and Kristen Stewart in Adventureland, "a sometimes subtle dramedy that's more touchy-feely than it is funny." Scott Weinberg slammed the Brett Easton Ellis adaptation The Informers as "nearly unwatchable" but thought the doc Good Hair was "well-crafted and consistently entertaining" and says the drama Five Minutes of Heaven proved to be "refreshingly humane and hopeful." (All of our Sundance coverage can be found at our Sundance hub at Moviefone.)

Blog Talk (after the jump). Why tonight's unexpected screening of The Girlfriend Experience frustrated one veteran journalist.