akira kurosawa Tagged Articles at Cinematical
Sundance Interview: 'Brooklyn's Finest' Director Antoine Fuqua
Filed under: Action », Drama », Sundance », Festival Reports », Podcasts », Interviews »

Cinematical spoke with Brooklyn's Finest director Antoine Fuqua on a sunny Saturday afternoon; within hours, Fuqua's gritty police drama would have sold to Senator Entertainment, the first distribution deal made at the 2009 Sundance Film Festival. Of course, as Fuqua talked with Cinematical about his exemplary cast, how exactly you make a cops-and-crooks film in the wake of The Wire and the challenges of shooting in New York, the film's sale was in the future. Fuqua also defended the film's controversial final shot, even as he noted he was willing to entertain discussions about changing it; "The whole point of the movie is that they don't have the proper help in the police force, and there's a huge piece in The New York Times about more police killing themselves than dying in the line of duty that just came out a few months ago ... and when you read that, it's so sad and heartbreaking, and you go "You gotta show that. ..."
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Asian Cinema Scene: 'Seven Samurai' Remade for Pachinko
Filed under: Action », Foreign Language », Fandom », Remakes and Sequels »
Prepare to roll your eyes in disbelief. The remake of Akira Kurosawa's venerated classic The Seven Samurai has been completed. But it's not the one planned by The Weinstein Co. And it's scored to The Rolling Stones?!!
Let's clarify: Don Brown at ryugangi says that Hiroyuki Nakano, director of the excessively stylish Samurai Fiction and Red Shadow, has been busy creating a new version of Samurai for a pachinko machine. (Yes, you read that right.) The official site features a half-dozen clips. The ones I've watched look surprisingly good and faithful to the spirit of the original -- except, er, for Mick Jagger singing "Paint It Black," "Jumping Jack Flash," and "Satisfaction."
How could this happen? Kurosawa's son Hisao has reportedly irked many by licensing his father's films and image for everything from remakes to a canned coffee commercial. Seven Samurai itself was made into a video game in 2004 (Seven Samurai 20XX) that was recently named one of the worst movie games ever by Wired.com. The same Japanese company that produced the video game (Sammy) also makes pachinko games, so I suppose this was inevitable.
Initially, I thought the article was either a bad joke or a slam at Nakano's directing style. Surely this was an advance peek at the Weinsteins' remake. But that project won't start shooting until later this year and the cast will feature American, European and Asian stars (per Variety), not just the Japanese actors pictured. My eyes are still rolling.
Jeffrey M. Anderson's 400 Screens, 400 Blows - Foreign Reform
Filed under: Foreign Language », Oscar Watch », Columns », 400 Screens, 400 Blows »

Okay. It's time to get down to brass tacks. I'm going to get up on my soapbox and hope that the right Academy members read the column this week, because it's time to re-do the rules of the Best Foreign Language Film Oscar category. Do you know how long it has been since a great film, a truly great film, won in this category? I'm talking about a film made by a genuinely great artist of the cinema, a film for the ages, and not just a perfectly good film, or a film about one of the great world wars. Here's your answer: twenty-five years ago. Ingmar Bergman's Fanny and Alexander (1983) was the last great one. That leaves 25 years of pretty good, just OK, forgettable, or flat-out awful winners (mostly forgettable). This year's winner, The Counterfeiters (41 screens) had to be one of the worst movies I saw all year; at it's center is a perfectly good (true) WWII concentration camp story, but it's warped by an entirely inept director, responsible for one of the worst movies I've ever seen, All the Queen's Men (2001). How did it win? How did it get past all the truly great films of 2007?
Asian Films on DVD: 'Paprika,' 'Drunken Angel,' 'Dragon Tiger Gate'
Filed under: Action », Animation », Drama », Foreign Language », Independent », Noir », New on DVD », Comic/Superhero/Geek », Cinematical Indie »
Do you want to look forward or backward? Out on DVD this week are two Japanese films separated by more than half a century. Animation director Satoshi Kon first made his mark with Perfect Blue (1997), a trippy journey into a pop singer's psyche that transcended time and space. He reversed course with Millennium Actress (2001), which crossed decades to tell the story of of a reclusive movie star, and slid into the mainstream with the much more straightforward Tokyo Godfathers (2003) before returning to more familiar territory with the made for television multi-episode series Paranoia Agent (2003). His most recent film, Paprika, is a "visually rich tale," wrote Kim Voynar, "about a group of private scientists at a research facility who have invented a device called the DC Mini that allows 'dream detectives' to enter other people's dreams." The DVD includes a "making of" documentary, several featurettes and a filmmaker commentary.
Is it possible to summarize the career of Akira Kurosawa? Suffice it to say that his 1948 noir Drunken Angel was his first step into personal filmmaking and his first collaboration with the great actor Toshirô Mifune. As is their custom, The Criterion Collection has produced a DVD that features a new, restored high definition transfer, audio commentary by Japanese film expert Donald Richie, a "making of" documentary, a new "video piece" on the challenges that faced Kurosawa, and more.
Quite frankly, Wilson Yip's Dragon Tiger Gate is an unholy mess that tries to pretend 40-something Donnie Yen is about half his age -- and that's just the starting point for the foolishness unleashed. It could be argued that the action and the dramatics are intended to be over the top, since it's based on a popular manga, but I think that's probably insulting to the source material, which I haven't read. If you're a glutton for punishment -- or just a sucker for any kind of martial arts action and/or pretty boys Nicholas Tse and Shawn Yue -- you might like this more than I did. The DVD includes an audio commentary by Ric Meyers, a "making of" featurette and deleted scenes.
RIP: Reel Important People -- November 4, 2007
Filed under: Obits », Cinematical Indie »
Stanley S. Canter (1932-2007) - Producer of Greystoke: The Legend of Tarzan, Lord of the Apes and its sequel, Tarzan and the Lost City. He also produced St. Ives, starring Charles Bronson, W.W. and the Dixie Dancekings, starring Burt Reynolds, and Hornet's Nest, starring Rock Hudson. He died of cardiovascular complications October 12, in Santa Monica, California. (Variety) - Robert Goulet (1933-2007) - Singer and actor who appears in Beetlejuice, Scrooged, Atlantic City and The Naked Gun 2½: The Smell of Fear. He also provided the singing voice for Wheezy the Penguin in Toy Story 2. Read Patrick's full post here.
- Ray Gravell (1951-2007) - Actor and rugby pro who appears in Damage and Darklands. He died of diabetes October 31, in Spain. (BBC)
- Evelyn Hamann (1942-2007) - German actress who starred in Ödipussi, Pappa ante Portas and Piratensender Powerplay. She died of lymphoma October 29, in Hamburg. (The Hollywood Reporter)
Japanese Studio Remaking Kurosawa's "The Hidden Fortress'
Filed under: Action », Classics », Foreign Language », Casting », The Weinstein Co. », George Lucas », Remakes and Sequels », Cinematical Indie »
As much as I disapprove of most remakes, I don't really have an issue with Akira Kurosawa's films being redone. The thing is, Kurosawa was a master of remakes, having continually reworked John Ford and Shakespeare. And in turn, his films have been remade as or have influenced later classics, like The Magnificent Seven and Star Wars. Sure, it's worth complaining about The Weinstein Co. remaking The Seven Samurai, because, well, it's The Weinstein Co. But I see little issue with the news, courtesy of The Hollywood Reporter, that Japanese studio Toho, which produced the original, is working on a redo of The Hidden Fortress. This is the film, after all, that is constantly cited as the basis for Star Wars, and if it's good enough in the hands of George Lucas, it could be good enough in the hands of special effects wizard-turned-director Shinji Higuchi (The Sinking of Japan). Cast as General Makabe, the part originated by the legendary Toshirô Mifune, is super-tall (for his country) actor Hiroshi Abe (Godzilla 2000). The part of Princess Uehara will be played by Masami Nagasawa (Godzilla: Final Wars).
One issue that Kurosawa fans may have with this remake, and The Hollywood Reporter already points this out, is that the two comical peasant characters, Tahei and Matashichi, are being condensed into one character called "Takezo". The character will still serve the same function, with his point of view being the film's perspective, but unless he talks to himself a lot, he just won't be the same. Aside from inspiring R2-D2 and C-3PO, Tahei and Matashichi have obviously influenced other pairings, including the recent characters Ragetti and Pintel from the Pirates of the Caribbean movies. Perhaps Toho believes we've seen enough of such duos? The new singular version, "Takezo", will be played by Jun Matsumoto, best known as a member of the boy band Arashi.
Learning Japanese with Akira Kurosawa
Filed under: Classics », Foreign Language », Fandom », Cinematical Indie »
I've heard of people learning English from watching movies and television shows -- usually friends of friends, as the stories went -- but I didn't realize it was such a cottage industry until I typed "Learning English from movies" into a search engine. (Go ahead, try it. I'll wait.) The search results from Google show that a lot of people have put a lot of thought into this idea, far beyond teaching somehow how to say "I'll be back" with a menacing Teutonic air that might one day vault you into the California governor's mansion. In a similar way, some movie buffs have learned French or Italian in hopes of better appreciating their favorite auteurs, while even I have picked up a couple of Cantonese phrases just from watching movies -- though when I've tried them out on native Cantonese speakers, they look at me as though I'm speaking Martian. So why not try to learn Japanese by watching Akira Kurosawa movies?
The folks at Mahalo.com have assembled what is, in effect, a lesson plan based on the notion that "listening to Japanese in a dramatic setting can provide an emotional and contextual background absent in textbooks." They outline activities for watching and learning from the Kurosawa classics Rashomon, Ikiru, Yojimbo, and Drunken Angel. In Rashomon, for example, it suggests noticing the difference between how an old man and a young girl might say "I don't understand," which might be a very useful phrase for a new Japanese speaker. Personally, I'd like to learn this quote from Ikiru: "I can't afford to hate anyone. I don't have that kind of time." That might be helpful if I get drunk in a karaoke bar and insult a yakuza. How about you? Have you ever learned any helpful foreign-language words from watching a movie?
RIP: Reel Important People -- May 28, 2007
Filed under: Obits »
Edward Behr (c.1926-2007) - British writer of Half Moon Street, starring Sigourney Weaver. He also appears as himself in Otto Preminger's doc Rosebud. (International Herald Tribune) - Jo Durden-Smith (1941-2007) - Documentary filmmaker who wrote and directed A Horse Called Nijinski, which was narrated by Orson Welles, and produced the rock docs The Stones in the Park, The Doors Are Open and Johnny Cash in San Quentin. He died following a stroke May 10, in the UK. (Guardian)
- Kei Kumai (1930-2007) - Japanese filmmaker who directed The Sea Is Watching (pictured), which was written by Akira Kurosawa. He also directed Tunnel to the Sun, Lady Ogin and Death of a Sea Monster, all starring Toshiro Mifune, and The Sea and Poison, which won the Silver Bear at the 1987 Berlin Film Festival. He died of a brain hemorrhage May 18, in Tokyo. (Variety)
- Bruno Mattei (1931-2007) - Italian cult filmmaker who directed Hell of the Living Dead (aka Zombie Creeping Flesh), Womens Prison Massacre, Violence in a Woman's Prison, Rats: Night of Terror and Zombie 3. He was also the co-editor of Jesus Franco's 99 Women, for which he also directed the hardcore sequences, and Count Dracula. He died of cancer May 21, in Rome. (Contact Music)
- Bud Molin (1925-2007) - Editor on all of Carl Reiner's films between 1970 (Where's Poppa?) and 1993 (Fatal Instinct). He also edited They Call Me MISTER Tibbs!, Police Academy 3: Back in Training, The Man With One Red Shoe and Up the Academy, for which he was also the second unit director. He died May 21 in Rancho Mirage, California. (Variety)
- Charles Nelson Reilly (1931-2007) - Actor and television personality who played "Don Don Canneloni" in Cannonball Run II and appears in an uncredited role in Elia Kazan's A Face in the Crowd. He also voiced characters in Don Bluth's All Dogs Go to Heaven, Rock-A-Doodle and A Troll in Central Park. He died of complications from pneumonia May 25, in Los Angeles. (NY Times)
- G. Srinivasan (c.1958-2007) - Indian producer of Mani Ratnam's last four films, including the director's latest, Guru, which stars Aishwarya Rai. He died May 27 when he fell into a 50-foot gorge near Halan, India. (Earthtimes.org)
- Robert Sully (1918-2007) - Actor who appears in Meet Me in St. Louis, A Guy Named Joe and When Worlds Collide. He died May 15 in Santa Barbara, California. (Santa Barbara News-Press)
- Alberto Verso (1941-2007) - Italian costume designer for Ripley's Game and The Truce and assistant costume designer for The Night Porter, Waterloo and Visconti's L'Innocente. He died May 16 in Rome. (IMDb)
- Ben Weisman (1921-2007) - Composer of the scores to Andy Warhol's L'Amour and Ed Wood's short Crossroads of Laredo. He also wrote tunes for many of Elvis' movies, including Jailhouse Rock, King Creole, Clambake, Blue Hawaii and Roustabout. He died May 20 in Los Angeles. (Variety)
- Gretchen Wyler (1932-2007) - Actress who played one of the few female characters in The Devil's Brigade and "Aunt Kissy" in Private Benjamin. She died of complications from breast cancer May 27, in Fresno, California. (FresnoBee.com)
Get Ready For the Mother of All DVD Box Sets
Filed under: Classics », Foreign Language », New Releases », Distribution », Newsstand », Home Entertainment », Cinematical Indie »
Everyone has a different opinion regarding the greatest films in history. Since half the fun is in the arguing, pity the poor cinephile who thinks they've got it all figured out. A new DVD box set from Criterion and Janus may not claim to have finally compiled the greatest films ever, but they've gotten off to a pretty good start.Janus was a distribution company founded in 1956 by Bryant Haliday and Cyrus Harvey. They had been showing foreign films in their Massachusetts theater for a few years before becoming the premiere distributors of foreign films in the US. Janus has teamed with their sister company Criterion to create Essential Art House: 50 Years Of Janus Film. This whopper of a collection is now available and includes films from directors like Federico Fellini, Ingmar Bergman, Luis Bunuel and Akira Kurosawa -- you can read about Criterion's remastered Seven Samurai here. In total, this box set contains 50 different films, numerous extras, and a 240-page book with an introduction written by Martin Scorsese. Most of these films have been available through Criterion for years, but not in one collection.
All of this film history doesn't come cheap though, the set has a retail price of $850. If that seems a little excessive, don't worry; Criterion is also planning on releasing individual discs from the series as well.
[via CNN Entertainment]
Magnificent 'Seven'
Filed under: Classics », Foreign Language », Newsstand », Home Entertainment », Cinematical Indie »

If you thought that DVD's effect on film preservation and restoration was minimal -- or only for hard-core film nerds -- think again: CNN.com is running an excellent piece (including before-and-after comparisons of individual frames) about the restoration of Criterion's new Seven Samurai DVD that does a great job of articulating the challenges of repairing a classic -- without completely altering it, or falling into the abyss where the perfect becomes the enemy of the good. Criterion Technical director Lee Kline is quoted as saying "For the most part, you wish you had a few more weeks ... people are used to pristine. But if we did that, we'd never get it out." Has DVD made people expect perfection? And can you make an older film 'perfect' without losing its soul? I for one love the Criterion Samurai, right down to the flaws and scratches that remain -- but are there film fans out there who, in this bit-heavy, high-def day and age, would turn off a film that offered anything less than perfect image quality, regardless of how great the story is?








