alec baldwin Tagged Articles at Cinematical

When the comedy gods close a door, they open a window. Ben Stiller and Robert Downey Jr. said no to co-hosting next year's Academy Awards, and we barely had time to grieve for what might have been before we received this news: Steve Martin and Alec Baldwin have said yes. It's official, as detailed in a press release from the Academy of Motion Picture Arts and Sciences.

Martin has hosted the Oscars twice before, in 2000 and 2002, and he happens to be my personal favorite host. In fact, he's one of my personal favorite entertainers, period. The man is a straight-up genius, the terrible movies he's made in the last decade notwithstanding. Baldwin was nominated for Best Supporting Actor for The Cooler, so he at least knows his way to the theater, and he's currently enjoying a resurgence in popularity thanks to his top-notch work on TV's 30 Rock.

Martin and Baldwin have worked together several times thanks to their longstanding affiliation with Saturday Night Live. Martin has hosted 15 times -- more than anyone else -- and Baldwin is right behind him at 14. In 2006, Baldwin showed up on a Martin episode, followed a few months later by Martin crashing a Baldwin show, both times with Martin trying to kill Baldwin to prevent him from overtaking his hosting record. (In the Oscar press release, Martin says, "I am happy to co-host the Oscars with my enemy Alec Baldwin.") Martin guested on an episode of 30 Rock, and both actors will appear in It's Complicated this Christmas.

I think both of these men, separately and together, are hilarious, so I'm excited about the Oscars (to be held March 7, 2010). What do you think?

Of the many things we've learned from television pundit Stephen Colbert, one of the most important is the danger of bears. On Colbert's online resource Wikiality, the Truthiness Encyclopedia, the entry on bears tells us that "Bears' strong vitality and resilience makes them one of mother nature's nearly unkillable animals. A bear has never been downed by any less than five gunshots. Combinations of high explosives, assault weapons, and trebuchets have been known to only piss the bear off."

But, you may ask, do they count as villains? Aren't scary bears in movies merely monsters, without the intellectual capacity to plot and scheme? I say bears are definitely villains, and as proof I offer three movies that feature relentless bears with more on their minds than just eating berries and looking for places to poop in the woods. Bears with purpose, with vicious intent. Bears who are, again in Mr. Colbert's words, "Godless killing machines."


Grizzly (1976)
The posters promised "18 feet of gut-crunching, man-eating terror!" (alternately, some ads also promoted "18 feet of towering fury") and indeed, Grizzly featured one large, nasty ursine villain. Sure, the whole movie was a cheesy rip-off of Jaws, which had been a phenomenal mega-blockbuster the previous year. But as cheesy rip-offs go, Grizzly is one of the best. The flick features a laundry list of 1970's B-listers like Christopher George, Richard Jaeckel and Andrew Prine, but the true star is the grizzly bear, chomping and mauling his way through a buffet of idiot campers at a state park.During the course of the film, hikers are torn asunder, cabins are smashed to bits, and the occasional deer gets dragged off to serve as a snack.

Oh, Nancy Meyers. I thought The Holiday was endless pap, full of admittedly charming actors in predictable situations over the length of a Quentin Tarantino WWII riff or Michael Mann crime drama, and man, was I pleasantly surprised by Something's Gotta Give for precisely the first half before Diane Keaton's extended crying fit signaled the end of something playful and the beginning of something painful.

But this could be cute, this It's Complicated of yours. The trailer seems to suggest as much. Meryl Streep (in her third film of the year come Christmas time) finds herself torn between the renewed flame of her ex (Alec Baldwin) and the flirtations of her architect (Steve Martin). You know what, that actually seems surprisingly simple despite its title, and middle-aged romance is certainly in your wheelhouse, so the benefit of the doubt is indeed yours.

If I can just make one small request: keep it short. Keep it simple. The natural charm of even a cast like this can only go so far. Don't wear it out. Be romantic. Be comedic. And then leave us be. That'd be a gift I'd cherish above most.

Poor, poor Benicio Del Toro. A former resident of last February, last April and this coming November, his take on The Wolf Man has been bumped back to next February now. That's right: for all the re-scheduling and re-shoots, Joe Johnston's version of the classic monster movie has all but lapped itself on the release slate, hoping to serve as R-rated counter-programming on February 12th, 2010 to Valentine's Day fare and maybe rake in the kind of opening weekend that Friday the 13th had this year ($40 million -- albeit followed by a steep 80% drop in attendance).

I'm not ashamed to say that I cry at the movies. Not frequently, but occasionally a story and its characters will grab hold of me to the extent that I'm completely caught up in the emotions and feelings being expressed. Films as disparate as John Ford's The Searchers and Wong Kar-Wai's Chungking Express have caused me to weep with joy, relief, and sorrow.

Despite a relentless barrage of scenes evidently designed with the sole goal of jerking tears, Nick Cassavetes' My Sister's Keeper did not make me cry. It is, however, one of the most glorious-looking terminal cancer pictures I've ever seen. Cinematographer Caleb Deschanel (The Black Stallion, The Natural) paints the oft-mundane proceedings in an otherworldly glow, as though the transition to the next life had already begun. That's the guiding principle of the movie as a whole; even though an inflammatory and emotionally wrenching issue serves as the linchpin for the plot, great pains are taken to soften the blows so as not to inflict lasting damage upon the viewer.

Frankly, that latter point, much more than whether I personally shed tears, is what prevents My Sister's Keeper from escaping middlebrow territory. Cameron Diaz and Jason Patric are splendidly noble as Brian and Sara Fitzgerald, whose daughter Kate (Sofia Vassilieva) is diagnosed at a young age with leukemia. Brian and Sara conceive another child with genetic modifications so she can serve as a donor to her sister. Anna (Abigail Breslin) (*) seems fine with all the body part donations until Kate's condition worsens to the point that she needs a kidney transplant. Then 11-year-old Anna marches into the office of well-known lawyer Campbell Alexander (Alec Baldwin) and demands medical emancipation from her parents.

If you're currently living (or crashing) in and around the New York City area (and you like movies), then there's absolutely no reason why you shouldn't be checking out the Gen Art Film Festival, which kicked things off Wednesday night with the premiere of Lymelife, followed by last night's premiere of the quirky-but-huggable Gigantic, and continues through to Tuesday, April 7. This weekend features a rather fantastic line-up of Peter and Vandy, My Suicide and Punching the Clown -- three films I whole-heartedly vouch for -- so get your ass over to Gen Art's website and snag yourself a ticket. Not only do you get to watch a feature and a short, but you also gain access to a hip-hoppin' after party with a three-hour open bar. Yes, I did just say three ... hour ... open ... bar!

I was fortunate enough to be on hand for the opening night premiere of Lymelife -- a moody late-seventies dramady surrounding two dysfunctional Long Island families who desperately want, need and lust after the things they think they want or need in order to achieve the "American Dream". The film, directed by Derick Martini (and co-written by Derick and his brother Steven, inspired by their own lives growing up) boasts what is perhaps one of the best ensemble casts I've seen so far this year -- including Alec Baldwin (who was on hand), Cynthia Nixon, Emma Roberts, Jill Hennessy, Timothy Hutton and sensational scene-stealing performances from Kieran and Rory Culkin, the former of which reminds me of a young Tobey Maguire. I'll be back with a full review of Lymelife next week, but in the meantime check out this video of opening night from my good pal DavidJr.com.



For more on the Gen Art Film Festival (including ticket information), visit their official website ... and make sure to say hey if you're heading over there this weekend.

As a programmer (my first time!) for the 2009 Gen Art Film Festival, I can tell you that finishing this slate was not easy. It required me (and a small group of others) to watch a lot of films ... and I mean a lot of films. The awesome part of this, though, is the discovery. Sure, you'll get the occasional mess -- but then sometimes you stumble across a brilliant piece of work that hasn't been seen by anyone yet, and you just know it's destined for greatness. With that said, the programming is now complete and I'm able to share with you the names of the films playing at this year's Gen Art Film Fest in New York City from April 1 to April 7.

The Sundance and Toronto hit Lymelife (we premiered the poster here) was chosen as this year's opening night film. It's a gem of a family drama starring Alec Baldwin and Cynthia Nixon (watch the trailer on Moviefone), and you should definitely look for it in theaters on April 8. Also from this year's Sundance fest is the romantic dramedy Peter and Vandy, starring my gal Jess Weixler and Jason Ritter. One of the more experimental and cult-ish films screening is My Suicide, which I whole-heartedly recommend as a deep, dark and oddly hilarious flick about the Me Generation. Julie Davis' Finding Bliss (starring Leelee Sobrieski, Denise Richards and Jamie Kennedy) was chosen to close out the fest, while Gigantic (Paul Dano, Zooey Deschanel), Punching the Clown (Slamdance audience award winner) and Picture Me: A Model's Diary (doc about a model) round out this year's slate.

As always, I'll be on the ground at the Gen Art fest looking for whatever I can wrap my brain around -- so definitely stay tuned. But, heck, if you're in the NYC area, you may as well check this sucker out for yourself. The fest runs from April 1-7, and you can find out much more (like how to buy tix) over at the official Gen Art Film Fest website.

Full press release after the jump

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Cinematical has just received this exclusive poster for the film Lymelife, which will enjoy its US Premiere at the Sundance Film Festival on Saturday, January 17th. Starring Alec Baldwin, Cynthia Nixon, Emma Roberts, Kieran Culkin and Rory Culkin, Lymelife -- which first premiered at the Toronto International Film Festival to some pretty good buzz -- follows the trials and tribulations of a family from Long Island during the late 70's. Variety called it "violently funny" -- a "leaner and meaner American Beauty" that "gradually reveals itself as a film about the pressures and consequences of upward mobility and ordinary adolescence." Lymelife will also hit theaters in New York on April 8th and Los Angeles on April 17th before expanding to other cities. Click in the box below to view the full poster.

If you were checking out the casting bites back in August, you might recall that Meryl Streep was looking to sign on to a new romantic comedy penned by Father of the Bride and Irreconcilable Differences scribe Nancy Meyers (which Meyers will also direct). The film was said to focus on a love triangle, and now Variety reports that the beaus fighting for her affection will be: Alec Baldwin and the just-signed Steve Martin.

But still, we know nothing about the plot other than the fact that both will play rivals fighting for Streep's affections, and that this mysterious project will leap into production during the month of romance -- February.

At the very least, it looks like this could bite on the question: Which do ladies prefer -- the sexy guy or the funny man? Baldwin comes from a pack of bros so sexy that his last name became a term for hotness in Clueless. As for Martin, well, he might be a wild and crazy guy, but he's also a bit of a goof.

If you had your choice, who would you pick?

Yesterday, Jeff Wells over at Hollywood Elsewhere put up the poster for the new comedy My Best Friend's Girl, starring Kate Hudson, Dane Cook, Jason Biggs and Alec Baldwin. The poster (which premiered online earlier this summer) is boring in the extreme, making the film look like your typical snoozerific rom-com, and the digital altering on the photo makes everyone involved look rather ... freakish.

My first reaction on seeing the poster was, "Boy, somebody's screwing up the marketing on this film," quickly followed by "Hey, I don't remember Dane Cook's complexion looking quite so dewy-fresh ... "

I've seen the red-band trailer, which is actually pretty funny, if you can overlook the more misogynistic elements (or at least, in my own case, overcome the feminist tendency to be immediately annoyed by blow-job jokes) , and the film being marketed in that trailer and the film being promoted on this poster are not the same film. Not that it looks like something I'd choose to see over a good indie flick, but if I wanted a lightweight comedy film, and I'd already seen Tropic Thunder and Pineapple Express, and couldn't find anything else to do here in Seattle on a nice day, I'd maybe see this.