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alejandro gonzalez innaritu Tagged Articles at Cinematical

Fan Rant: Latin American Cinema's New Classics

Filed under: Foreign Language », Fandom », Lists », Cinematical Indie », Fan Rant »



In case you don't read Entertainment Weekly and didn't see this week's double issue on "The New Classics," or you didn't see my post last week about their list of the best movies from the last 25 years, here's a sad fact: only six foreign-language films made the list. They are: Wings of Desire (#28); Crouching Tiger, Hidden Dragon (#49); The Lives of Others (#56); All About My Mother (#69); Y Tu Mamá También (#86); and In the Mood for Love (#95). OK, so 6% is not terrible for a mainstream entertainment magazine, but EW had to add insult to injury with an accompanying map labeled "Movies: Breaking Down the List," which points to a number of locations around the globe in which some of these new classics are set. The only continent on the map without any love is South America (Antarctica was not included in the visual aid).

Now, before I get into my love letter to new Latin American cinema, I have to note that no film produced in Africa made the list either. However, on the map the continent was at least given some minuscule bit of love via the filming locations for Casino Royale and Gladiator. Yet despite the fact that South America was definitely used as a location in a few of the 100 films, it's shown no respect. And on top of that, Central America isn't even included on the map. For some strange reason there's just a gap between Mexico and South America. Meanwhile, Latin America's sole representative on EW's list, Mexico's Y Tu Mamá También, is left off the map so that no location from this area of the world, from the Mexican-U.S. border to Cape Horn, receives any recognition.

DGA Announces Noms, With No Love for Eastwood

Filed under: Comedy », Drama », Foreign Language », Independent », Music & Musicals », Awards », Mystery & Suspense », Oscar Watch », Cinematical Indie »

The DGA announced its noms a few moments ago, and I, tragically, had only one right: Martin Scorsese for The Departed. The five official nominees (drum roll, please):

Martin Scorsese (The Departed)
Bill Condon (Dreamgirls)
Jonathon Dayton and Valerie Faris (Little Miss Sunshine)
Alejandro Gonzalez Innaritu (Babel) and
Stephen Frears (The Queen)


Well, well, well. I suppose it's not shocking that the DGA nommed Condon for Dreamgirls -- they did, after all, shell their award out to Rob Marshall in 2002 for Chicago -- but I'm disappointed that they'd nom Condon over Cuaron. Oscar tends to march to the DGA's beat on Best Director (they've been a matched set for five years running), so it's a pretty safe bet that whoever ends up with the DGA's big gold plate will be counting their chickens in the days leading up to Oscar night.

This was largely a crap shoot, but I am rather shocked not to see Eastwood's name up there. Scorsese wasn't a shocker -- every last film journo whose predicitions were listed on Oscar watch had him on their lists.

My other predictions were Clint Eastwood (for Letters, not Flags), Paul Greengrass (United 93) and Alfonso Cuaron (Children of Men), and Guillermo del Toro for Pan's Labyrinth -- I was really hoping the recent critical surge for both those films might give them a leg-up, but alas, it was not to be. The Hollywood Reporter's Anne Thompson came the closest to nailing all five -- she's just that good, folks. She was the only hold out who didn't have Eastwood on her list -- the rest of us had him as a shoo-in, but clearly she pegged that one.

The only thing Thompson missed was the Dayton-Faris nod -- to give cred where its due, only Jeff Wells from Hollywood Elsewhere pegged that one (and no doubt he'll be crowing over it, but we'll grant that he has the right to do so). I'm surprised by that nom (especially in light of Cuaron and del Toro, the other two of the Three Amigos) getting the cold shoulder, but nonetheless delighted for the Little Miss Sunshine gang -- that film is just the little movie that could.

So, now that the noms are announced, who do you think will win? And will the winner take the Oscar, to boot?

**UPDATE: I should have looked closer at the predictions grid (that's what I get for writing before I've had my coffee). A second glance showed me that Thompson wasn't the only one whose crystal ball was in top form. Five other pundits scored 4/5, all of them missing only Little Miss Sunshine. The other top predictors were:

Scott Bowles (USA Today)
Pete Hammond (Hollywiretap)
Kris Tapley (InContention)
Sasha Stone (OscarWatch)
Susan Wloszczyna (USA Today)

Film Blog Group Hug: More From TIFF

Filed under: Comedy », Documentary », Drama », Foreign Language », Horror », Independent », Romance », Sci-Fi & Fantasy », Awards », Mystery & Suspense », Sony Classics », Festival Reports », Toronto International Film Festival », Cinematical Indie »

The Toronto International Film Festival has come to an end, but we'll still be wrapping up coverage with reviews and interviews over the next week or so. In the meantime, I thought I'd peek around and check in on what some of our fellow film journalists and bloggers had to say about the fest.

Over at the Hollywood Reporter, they have a ton of TIFF coverage, including a fest wrap-up by Anne Thompson and Gregg Goldstein. THR is usually pretty smart about the biz side of the film world, and Thompson and Goldstein nicely sum up that side of the fest. Also on her Risky Biz Blog, the erudite Ms. Thompson writes about Mexico's Big Three directors, Alejandro Gonzalez Innaritu (Babel), Guillermo del Toro (Pan's Labyrinth) and Alfonso Cuaron (Children of Men), and has an interesting piece up on Todd Field, writer-director of one of my fave films from Telluride and Toronto, Little Children.

 
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