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alexa davalos Tagged Articles at Cinematical

Neeson and Fiennes Clash with the Titans

Filed under: Action », Sci-Fi & Fantasy », Casting », Remakes and Sequels »

The only thing worse than remaking an adaptation rather than tackling the source material is getting two actors you'd love to see go head-to-head. When this project bubbled up in 2007, I mentioned greats in the original Clash of the Titans cast like Laurence Olivier and Burgess Meredith. While this new concoction has been grabbing fresh names like Arterton, Worthington, Mads Mikkelsen (Le Chiffre in Casino Royale), and Alexa Davalos (the electric Gwen from Angel), it's also getting some critical heavyweights.

The Hollywood Reporter posts that Liam Neeson has signed on, and Ralph Fiennes is in final negotiations, to play warring gods in the Louis Leterrier remake. Oh, yes -- Neeson will play the ill-tempered Zeus, king of the gods and father of Perseus (Olivier's part), while Fiennes plays Hades, ruler of the underworld who wants to bring down Zeus and become supreme ruler. Even if the rest is terrible, I'd pay to see them go head to head.

Fans of the original will note that Hades wasn't in the first film, and that's because while this has been touted as a remake, they're going in a different direction with this story -- Perseus is on a mission to save the lady once again, but this time he has to defeat Hades. Yeah, that makes it pretty much a totally different project, but maybe they loved the name too much to not call it a remake...

Review: Feast of Love

Filed under: Drama », Romance », New Releases », MGM », Theatrical Reviews »

No director alive can make family melodramas as brilliantly as Douglas Sirk once did, but I'd suggest that Robert Benton comes the closest. Though filmmakers continue to grind out weepies by the truckload, it's extremely difficult to find that exact thread between heavy and hammy, perhaps even more difficult than making a funny comedy. Weepies generally tell depressing stories, about death, disease, failed romances, unrequited romances, estranged romances, etc. The trick is not to make the film itself depressing. Most directors make the mistake of shooting the material head-on, which has the effect of bludgeoning the audience rather than coaxing them in. Part of Sirk's genius was his timing; he made his best films in the 1950s when you couldn't show everything. He used his skills, his palate of colors, space and the elements, to suggest, rather than tell, his stories.

Admittedly, Benton isn't as visually astute as Sirk, but he's a good writer, good with words and characters. He has lots of different kinds of films on his resume -- he's often attracted to crime stories -- but his melodramas almost always hit home: Kramer vs. Kramer (1979), for which he won a Best Director Oscar, Places in the Heart (1984), and Nobody's Fool (1994). Even his previous film, The Human Stain (2003), worked on a basic, emotional level, though critics generally dismissed it because of its failure to live up to Philip Roth's novel and its mismatched casting of Wentworth Miller as a young Anthony Hopkins. Benton's new movie has less of a pristine literary pedigree, and so perhaps it will go down easier.

Casting Update: Feast of Love, The Ramen Girl and Hot Rod

Filed under: Comedy », Drama », Casting », DIY/Filmmaking », Newsstand »

In case you're interested, here are some casting tidbits from the past couple of days:

 
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