american beauty Tagged Articles at Cinematical
Shelf Life: American Beauty
Filed under: Fandom », Home Entertainment », Shelf Life »

After Cinematical's new "Movies I Will Never See" series elicited a strong variety of reactions – both positive and negative - from readers, it occurred to us that there's a huge, untapped reservoir of existing films that we have actually seen, and it would probably be at least as interesting, if not more so, to go back and see how well they held up in the years since their release. These may be acclaimed classics that audiences simply haven't revisited on a regular basis, or condemned failures that might deserve a second look; but setting a statute of limitations of five years or more old (meaning before '04), we're going back to see how good are the bad movies, and how bad are the good ones - in other words testing their shelf life.
After last week's look at Titanic, it seemed somewhat appropriate to revisit other noteworthy Oscar winners. But while there were certainly a wealth of questionably worthy titles celebrated in the Academy's history, one in particular seemed especially ripe for consideration: American Beauty, Sam Mendes' directorial debut. Perhaps it's because so many movies followed its lead in deconstructing suburbia, or perhaps it's just because it's been ten years, but Mendes' film doesn't seem as relevant, important, or even as good as it once was – which is why we recently popped it in the DVD player for another look.
Review: Away We Go
Filed under: Comedy », Drama », Independent », Romance », Theatrical Reviews », Focus Features », Summer Movies »

Burt and Verona (John Krasinski and Maya Rudolph) don't quite have things figured out yet. I mean, they pretty much have each other pegged, enjoying a marriage-less relationship, keeping each other warm on those cold Colorado nights, and they know that they want to bring a kid into this world -- well, want to or not, the baby's coming, and so they'll keep it warm as well.
Their parents won't be of much help. After all, his (Catherine O'Hara and Jeff Daniels) are making plans to take off for Europe just before the baby's due, a trip years in the making and selfish as all get out, while hers passed away some time back. So Burt and Verona decide to visit other family and friends, looking for people they can depend on in places they could grow up in, let alone grow old in -- looking for a place that might help them figure out together the whys and hows of keeping it all together.
Discuss Pt. 2: The Soulful Bad Boy -- Love Him or Hate Him
Filed under: Romance », Fandom »

The other day, I decided to take on The Manic Pixie Dream Girl, but it got me thinking; what about us girls? Don't we have ridiculous expectations from our cinematic boy-toys? Of course we do, and that's why today's installment is all about the Soulful Bad Boy (or SBB). So what is an SBB? Well, the SBB is the guy who won't win any congeniality awards, but damn if his tortured and deep emotional side isn't enough to make you put up with just about anything (it helps if you think Wes Bentley in American Beauty, or Robert Pattinson in Twilight). Everywhere you look, these beautiful male specimens are emoting all over the place; I mean, you know you have reached a new level of 'sensitivity porn' when even Bond and Batman are getting misty-eyed.
But this isn't just about sensitivity; otherwise the Lloyd Doblers of the film world would be king. Because as much as we girls might like a sensitive guy, we like them more if they have a little 'edge'. If you don't believe me, take a look at some of the arguments out there on the web about the character of Edward in Twilight. You'll find equal amounts of people labeling him as an abusive boyfriend as their knight in shining armor, but what is that makes an SBB any different from your average villain? Well, to be blunt, the difference is probably that a Soulful Bad Boy is hot, and I mean like weak-kneed hot. So for anyone who wants to pretend that us gals can't be just as shallow as our male counterparts, I challenge you to explain to me why it just so happens that every SBB that has ever made the movie crush list is simply put, gorgeous. Seriously, when was the last time anyone said "you know that Joe Pesci? Well, in Goodfellas when he shot Spider in the foot? Ooh girl!"...not likely
Cont''d
TIFF Watch: Warner Independent Buys Controversial 'Nothing Is Private'
Filed under: Drama », Independent », Deals », Warner Independent Pictures », Festival Reports », Distribution », Toronto International Film Festival », Cinematical Indie »
Is Alan Ball's new drama Nothing Is Private really the most controversial film of the Toronto International Film Festival? You'll be able to find out when it hits theaters, courtesy of Warner Independent and Netflix's Red Envelope Entertainment, which bought the film for about $1.25 million, according to The Hollywood Reporter. Based on the novel Towelhead by Alicia Erian, the film reportedly includes graphic depictions of rape, pedophilia, menstruation, and racist dialogue. Fox News' Roger Friedman has already worked himself into a lather about it, calling it "the worst and most offensive movie I've seen in a while" and "the feel-awful movie of 2007." (What, he didn't see Bratz?)
Writer/director Ball (Six Feet Under, American Beauty) cast a young actress named Summer Bishil in the lead, playing an Arab-American girl who suffers all manner of abuse at the hands of her neighbor, her boyfriend, and her father. Aaron Eckhart (Erin Brockovich) plays the neighbor, whose actions toward the girl are despicable indeed.
The film has garnered enthusiastic responses, both positive and negative, and surely the distributors know that controversy often equals cash. Furthermore, it's the first movie to be directed by Oscar-winning screenwriter Ball, and his first screenplay since American Beauty -- so it would have been a hot ticket even without the incendiary subject matter. No word yet on when Warner Independent will release it, but you can bet we (and Roger Friedman) will keep you posted.
Pics of Kate Winslet from 'Revolutionary Road' Arrive Online
Filed under: Drama », Fandom », Images »
At first glance, it's just another Kate Winslet looks for love-type flick. Look a little closer and you'll realize that Revolutionary Road marks the first on-screen reunion for Winslet and Leonardo DiCaprio since Titanic. Ooohh, the goosebumps! Some of the first pics of Winslet from the set of Revolutionary Road have arrived online, and from the looks of it she's gone all 1950s on us -- I mean, what's up with those weird button-like things on her dress? From what I can tell, there are a host of other pics online at the Kate Winslet fan website, but you have to register and stuff in order to see those galleries. I didn't have the time, but feel free to dive in you Winslet fanatics.
Based on the 1961 novel by Richard Yates (and adapted for the screen by Justin Haythe), Revolutionary Road is set in the 1950s and finds Winslet and DiCaprio married and stuck in a boring, same-old-routine kind of marriage. In an attempt to spice things up, the couple (along with their two kids) move to France, but not even a geographical shift can save these two from jumping ship. Directed by Sam Mendes, pic seems to place the helmer back in American Beauty mode as both films appear to share similar suburban themes, except for the fact that one takes place a few decades before the other. Another interesting little sidenote is that this will mark the first time that Mendes and Winslet (who are married in real life) work together on the same film. (I'm not aware of any Little Children-esque sex scenes, but I imagine it would have to be tough for a guy to watch his wife with another man, let alone be the one giving directions.) Due out in 2008, there's currently no release date. But, as soon as we have pics of both Titanic stars together, you'll be the first we share them with.
Unsinkable Molly Joins Jack and Rose in 'Revolutionary Road'
Filed under: Drama », Casting », Deals », Newsstand »
Looks like we're going to get a tasty Titanic reunion for Sam Mendes' Revolutionary Road. Not long after Leonardo DiCaprio and Kate Winslet signed on to star, comes word from the Hollywood Reporter that Kathy Bates (who played the unsinkable Molly Brown in that ship flick) has joined a cast that also includes David Harbour, Michael Shannon and Zoe Kazan. It's weird, for someone who appeared in five films last year, currently has four in post-production and one in pre-production, I feel like we never see her. Perhaps it's because Bates has made a name for herself by taking on smaller, more memorable roles -- stuff that sort of blends her into the background, until you leave the theater trying to come up with the name of the actress who stole the show. "Oh yeah, Kathy Bates. That's it. Didn't she try to kill James Caan once?"
Based on the 1961 Richard Yates novel, Revolutionary Road places Mendes back in a familiar, comfortable, award-worthy arena. Somewhat like his break-out Oscar-winning hit American Beauty, Road is a 1950s-set drama which chronicles the life and times of a married couple whose relationship is sinking faster than ... well, ya know. Bates will play the friendly woman who sells the couple their new home and helps introduce them to the town. The film begins shooting outside New York in June, with an eye on a (fall?) 2008 release. Though it's a fine novel, I'm worried too many people will immediately compare this pic to American Beauty; I mean, it's set in suburbia, features a guy so fed up with his corporate job that he turns to the bottle (instead of pot) and embarks on an affair with his secretary. All we need now is a trippy soundtrack and rose petals, and we have ourselves a sequel. In all fairness, it's a different story with some fantastic talent involved. I'm a huge fan of Mendes' work (even if Jarhead felt like an awkward acid trip following the gems that were Beauty and Road to Perdition), and so I'm sure his take on troubled marriage in the 1950s will, at the very least, be entertaining to watch.
Premiere Gets Brave: Knocks 20 Classics as "Overrated"
Filed under: Classics », Fandom », Newsstand », Lists »
I haven't picked up an issue of Premiere Magazine in quite some time, but a friend of mine recently recommended I visit the publication's newly refurbished website. So I did. Pretty solid content across the board, I'm happy to opine -- but one particular article caught my eye, tickled my fancy, and squatted in my brain long enough to recommend it here.Basically, a bunch of the Premiere writers were asked to come up with their picks for Most Overrated Film of All Time -- and while most of the sacred cows slaughtered here are pretty darn obvious ones, the opinions and explanations as to why each film was chosen, well, I thought they were fairly compelling. Frankly, I'm thrilled to see someone call Field of Dreams "just too on the nose," because it absolutely is.
Fully prepared for the onslaught of How Dare YE!! hate mail, the Premiere posse has wisely decided to add an equally pithy rebuttal in defense of each movie. So when someone has the audacity to impugn The Wizard of Oz, we sane people have a defender who'll say Dude, Please. I've placed the 20 titles under the jump, just to help spark discussion, but do not let that stop you from reading through the whole article. It might make you think a little differently about some of those Unquestioned Classics that everyone's afraid to admit they don't really dig. (Yep, 2001: A Space Odyssey is overrated; I said it and I'm proud.)
Bad Trailers And Bad Women: Entertainment Weekly In 60 Seconds
Filed under: New Releases », Entertainment Weekly in 60 Seconds », Newsstand », Home Entertainment », Movie Marketing », Lists »
Lisa Schwarzbaum discusses the really misleading trailer
for ATL.
It's a roller skating movie!- In honor of Sharon Stone's return as Catherine Tramell in Basic Instinct 2, EW lists 10 femmes fatale. Some great choices, but do Renee Zellweger and Nicole Kidman really deserve to be in the top 10 of all-time? Who's missing from this list?
- Is American Beauty really the worst film ever to win the Best Picture Oscar?
- New movies: they give Basic Instinct 2 a B-, Ice Age 2: The Meltdown a B , and Slither a B .
- New on DVD (not online, for some reason): they give a B- to The Mel Brooks Collection, a B to The Billy Wilder Collection, an A to 9 to 5, and a B to the Director's Cut of Crash.
American Gangster Officially Back On!
Filed under: Casting », Deals », Universal », Scripts », DIY/Filmmaking », Newsstand »
You know the rule: If a film has the word American in its title, then that means
it's going to kick ass. C'mon, you've got American Pie, American Beauty, American History X, American Splendor...oh, it is so a rule. If that's the case, then
Universal's American Gangster should thrive, assuming this
time it's finally moving
forward.
Awhile back, Steven Zaillian wrote a script for Gangster that was to star Denzel Washington and Benicio Del Toro, with Antoine Fugua (Training Day) attached to direct. However, feeling the story was a bit too edgy and afraid the budget would soar to over $100 million, the studio put the project on hold.
Afterward, Terry George was brought on to re-write the original script and tone things down, though producer Brian Grazer was having a hard time letting go of Zaillian's version. That's when Ridley Scott became interested in directing and, after convincing Russell Crowe to jump on-board, Universal decided to go back to Zaillian and pay him a sweet seven-figure deal to, well, re-write his own damn script. The good news is that the film is now on the move and Washington is still attached - and the budget will remain the same as it was before. Yeah, you figure it out - because I sure as hell can't. That's Hollywood for ya.
New On DVD - Harry Potter 4, Howl's Moving Castle, Jarhead
Filed under: New Releases », DVD Reviews », New on DVD », Home Entertainment »


- Breaking News - Hong Kong action director Johnny To delivers this watchable Woo-alike about a police force that loses the support of the public when a robbery goes bad and is covered by a local news program. The set pieces are pretty tight, even if the drama and the statement To tries to make about the power and responsibility of the media doesn't fully come through.
- Free Enterprise: Special Edition - A self-effacing turn akin to Marlon Brando's in The Freshman and Pauly Shore's in Pauly Shore Is Dead is William Shatner, sending up the cult of personality that has followed him since the original Star Trek series ended its five year mission two years early in 1969. When fanboys Rafer Wiegel and Eric McCormack meet their boyhood idol, he is far from the super-cool man for all seasons they have long worshiped. He's bent on staging a one-man musical version of Shakespeare's Julius Caesar, a great running joke that culminates in the brilliant payoff that is the Shatner/The Rated R rap duet, "No Tears For Caesar". Writer-director Robert Meyer Burnett has created a love letter, not just to Trek, but to anyone who has ever loved anything with fanatical passion, and this long-overdue 2-disc treatment gives it the respect it was not afforded when it was first released in 1999. Check out the Pop-Up Video style trivia track, which annotates the geekery, new special effects, the making-of feature Where No Man Has Gone Before, and the unaired TV pilot, Café Fantastique, which features the real fans who inspired this smart, hardy-har-har trek. A sequel, My Big Fat Geek Wedding, has been listed on the IMDB for nearly 3 years now, and Mindfire Entertainment's website features a rudimentary mention of it, though no firm details are available as yet.
- Harry Potter and the Goblet of Fire: Special Edition - Death, and the gloomy heft that comes with it, visits Hogwarts in the fourth and most satisfying installment in the ongoing series so far. When an evil thought vanquished literally rears its ugly head again, Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermoine (Emma Watson) team up to expose it. Like the overwhelmingly dark Revenge Of The Sith, this is the first to bear the PG-13 rating (for "sequences of fantasy violence and frightening images"), though its decidedly down ending makes it feel more like The Empire Strikes Back. It is not unreasonable to expect studio Warner Brothers to keep their three leads on through Harry Potter and the As-Yet-Unwritten-and-Untitled Year 7 Story. This, of course, is despite the fact that they will be in their early 20's by then, but let us not forget that at least one of the 90210 kids was practically eligible for Social Security by the end of that run. Even at 157 minutes, the book has still been truncated, but it is doubly encouraging to know that kids will know what is missing and will sit still for that long in order to be able to go on smartly about it. The second disc is chock-full-o' extra goodies, and is available in full- and widescreen editions. A single disc version is also available.









