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"I like being thought of as a toymaker who makes films." In the summer of 1971, George Lucas talked with critic / journalist / scholar Gene Youngblood for a program entitled "George Lucas: Maker of Films," which aired on public television station KCET in Los Angeles. Michael Heilemann of Binary Bonsai has made it available for online viewing, and it's a fascinating watch.

The interview takes place a few months after THX 1138, his first feature, opened and died a quick death at the box office. It would be two more years before American Graffiti ignited the box office and six years before Star Wars changed everything. Young Lucas was already mighty unhappy with the Hollywood studio system. Binary Bonsai provides context for his late 60s ventures, and then in the interview, Lucas says he started the feature-length version of his short THX 1138:4EB in the wake of the freedom created by the success of Easy Rider, but by the time he finished, the studio wanted something closer to the commercial fare of Airport and Love Story.

The program includes snippets from 6.18.67, a behind-the-scenes short doc that Lucas shot while on location for McKenna's Gold in 1967, and Electronic Labyrinth: THX 1138 4EB, as retitled by USC at the time. Despite Lucas' repeated assertions that he wants to make personal films -- something that his old running buddy Francis Ford Coppola is finally doing -- it seems that he will always be thought of as "a toymaker who makes films." And here he is, in a rare glimpse at the early years of his career.

After the jump: Watch the video!

Growing up in Los Angeles as an admittedly shallow, callow youth in the 70s, I always wanted a stylish hot rod so I could attract the girls who liked guys in fast cars. Alas, I had to be content with puttering around in very practical, somewhat beat-up used cars (1964 Chevy Corvair, graduating to a 1965 Ford Falcon), but dreams die hard. Even though I'm still driving a very practical, somewhat beat-up used car, I still yearn for a sizzling hot motor vehicle and an attractive lady passenger urging me to go faster, faster.

These thoughts are prompted by the imminent release of the hot rod-loving Fast & Furious, due in theaters tomorrow, which features the return of the gorgeous Jordana Brewster and the equally lovely Michelle Rodriguez, two talented ladies who have a definite need for speed. (Oh, yeah, Paul Walker and Vin Diesel are back, too, and so is director Justin Lin.) In their honor, we present our seven favorite, fabulous hot rod girls.

1. Tracie Thoms, Death Proof

Tracie Thoms packs an unbeatable combination of brains, beauty, and bravado as Kim, a stunt woman in Quentin Tarantino's twisted ode to 70s car chase movies and 80s slasher flicks. Kim is rowdy and rambunctious with her girlfriends, but her hot rod heart starts beating fast when she revs up the engine of a borrowed 1970 Dodge Challenger, with Zoe Bell precariously perched on the hood. Smashing!

For better or worse, I have had some experience in the "ultra-low budget" filmmaking world. So, it has fallen to me to create this particular list of the seven best films of that class. Before I go on, let us first define what exactly qualifies a film as "ultra-low budget." If we were to follow the Screen Actors Guild definitions for these things, then "low budget" films have a budget of less that $2.5 million, all the way down to $625,000. Really, I don't think that's exactly right for our purposes here. We're really talking about "ultra-low budget" films -- not "low budget" -- so how do we define the category? Some might consider a film "ultra-low budget" if its made in Des Monies by a teenager and some friends with a video camera and a credit card. That's certainly one way to look at it, but I feel that definition might limit us a little too much.

For our purposes, I'm going to consider films made for a million dollars or less to be "ultra-low budget." That way, we can have a much larger set of films from which to choose. By Hollywood standards, where the average "studio" movie costs over $60 million, a film made for a million dollars or less really should be considered "ultra-low budget." Heck, the catering budget of the average studio film is probably more than the total budgets of the films on this list. You know those big stars, they really love to eat. Anyway, moving on. Here is my list of the best "ultra low-budget" films -- in order of release. Enjoy.


THX 1138 (1971) -- George Lucas' first feature foray into sci-fi -- a genre that would, in a few short years, make him one of the most famous and successful filmmakers of all time. It's a rather dark and depressing tale of survival and forbidden love in a dystopian future city, with the lives of the city's inhabitants being closely regulated and medicated and with love and procreation strictly controlled and monitored by the state. The film, which is a more elaborate and elongated version of a Lucas' short film Electronic Labyrinth 1138 4EB, was shot in and around San Francisco and became notable for its use of the new, state-of-the-art BART system to help depict the city of the future.

Also notable is Lucas' use of students and military personnel -- who were learning filmmaking from Lucas at the time -- as crew and extras, and the elaborate use of sound and sound effects which would become a Lucas mainstay going forward. It's also notable that the actors, including Robert Duvall, had to shave their heads to better depict Lucas' vision of a future nearly devoid of hope. Finally, I really love the smoothly polished killer police robots -- a great contrast to Lucas' depiction of robots in subsequent films like Star Wars.

Our wonderful friends over at Autoblog have a few movie-related posts this week. I love when Cinematical and Autoblog can share in the interconnection between cinephilia and autophilia, because really what good is a movie without a couple cool cars? Plus, give or take a decade, film and automobiles are roughly the same age, and so their histories are interesting to parallel.

• Frank Filipponio posted Thursday about Hot Rod magazine's list of "Top 40 Car Movies." He points out the mag's editors were biased towards films featuring hot rods, such as #1 on the list, American Graffiti. He also mentions some titles he thinks deserved to be mentioned, such as The Transporter and Cars. I like the list, because I'm not a huge car buff, but I do love all the late '70s/early '80s cars/truckers/dumb cop movies like Smokey and the Bandit and The Cannonball Run, and I'm always happy to see them recognized. The list also gives credit to movies with famous car chases, such as The French Connection, and also to at least one historical car movie, Tucker: The Man and His Dream. Also, the list includes a cool key to help you find which movie to watch if you like hot babes, lots of music or teen angst, or if you have a preference for Fords, Chevys or Pontiacs.
  
• Also on Thursday, Alex Nunez wrote up a piece on an Australian promotional tie-in for the home video release of Cars. Inside those Down Under DVDs is a mail-in coupon with which you could win a Holden HSV GTS that is painted to slightly resemble the main character from the Pixar film. For those of you thinking about importing the DVD or even entering online, be aware that the sweepstakes is only open to residents of Australia.
  
• Sunday, Alex reported on the subject of Bond cars and how Ford is very happy to be featured in Casino Royale, not just with the new Aston Martin (typically associated with Bond) but also with their new Ford Mondeo. There's also a little bit of "dissing" going on from the car manufacturer in the direction of Toyota/Lexus.