A brand new trailer-ish preview for Hancock debuted on American Idol last night (see video above), and I'm still in the camp of people who are really looking forward to this one. I've spoken to some people who've seen a good amount of Hancock, and they say the flick is very heavy on special effects. Based on the original trailer and this preview, I'd say they're absolutely right. But this is a July 4th weekend movie -- am I the only one who expects a film that comes out over the July 4th weekend to be absolutely stocked with an unhealthy amount of special effects? Plus it's nice to see an original character sandwiched between a handful of established characters, not to mention the fact that Will Smith plays him.

Shouldn't have to say too much about the plot as the video above does a good job laying it our for us; the only thing I'm interested in seeing now is Charlize Theron's role in all of this. She's the only one who's been kinda absent in these previews. We know she's married to Jason Bateman's character, and, according to early script reviews, her and Hancock were supposed to have a little unspoken "thing" going on. Not sure if that's been removed or what, but here's hoping the next trailer shows us a little more of The Theron.

Hancock hits theaters on July 2.

The user-generated movie Faintheart begins shooting in the UK this week, according to The Hollywood Reporter. The first of its kind, Faintheart was put together via MySpace as the previously announced "MySpace Movie Mashup"; the writer, director, cast and other members of the production were apparently found via calls on the film's MySpace page. Some, such as writer David Lemon and director Vito Rocco, won competitions voted on by members of the networking site and a celeb jury, which included Sienna Miller and Anthony Minghella. Other positions, such as storyboard artist, could be acquired through job postings on the film's MySpace blog. The movie does feature some professional stars, though, including Jessica Hynes (you know her as Shaun of the Dead and Spaced's Jessica Stevenson -- she recently changed her stage name), Trainspotting's Ewan Bremner and Eddie Marsan, who will be making up for this by appearing in Mike Leigh's next film. Now the movie, a romantic comedy centered on the world of Viking battle re-enactments, which is being produced by Vertigo Films and FilmFour, with backing from the UK Film Council and Screen VM, is ready to go.

If we've learned anything from ideas like Project Greenlight and Spielberg's On the Lot, we can assume that the mainstream reception of Faintheart will not be too favorable. After all, the public likes its movies made by executives, businessmen, lucky "talents" and really talented people who have put in their time without success before breaking out. The same thing has been learned with the music business. Just because a person wins American Idol, that doesn't mean he or she is going to have a #1 album (nor does it mean he/she would make a good movie). Sure, the internet has possibly been helpful in suggesting things to filmmakers here and there, but overall, we can't trust people who live on the internet to make important decisions. Can we? There have been other internet-based film competitions, including two involving Spike Lee -- Babelgum's Online Film Festival and LiveMansion: The Movie (which seems to be competing with MySpace for the "first online-community-made" tag -- but obviously MySpace has them all beat with brand recognition. But then I wonder, will Faintheart even use a "MySpace Presents" banner? Regardless of the brand recognition, some people are sure to think such a connection is silly.

Forget a singing career, American Idol appears to be a better jumping ground for acting. So far, one Idol contestant has gone on to win an Oscar, and now Season 5 runner-up Katherine McPhee is building up a movie career. Currently, she's working on the comedy I Know What Boys Like (aka the Anna Faris Playboy Bunny movie), in which she plays a pregnant hippie in need of a makeover, and she just told MTV that she already has her next project lined up. Titled Success, the indie drama begins shooting in November, and the singer-actress compared its dark style to that of the Coen Brothers and Jim Jarmusch. She also said it features great writing and well-developed, quirky characters. Unfortunately, she couldn't give away any of the film's plot or much else, really, but she did reveal a bit about her character, which she says is a nice, sweet girl who seems to end up having to compete for the attention of a guy, though she admits it is much more complicated than that. Could Success be the same thing as "the dark romantic comedy" The Last Caller, which was announced back in June as McPhee's big-screen debut? Maybe.

McPhee isn't about to concentrate solely on her acting career, though, and already has plans for her second album, with which she wants to become the female John Mayer. Of course, Mayer doesn't do movies in addition to making music, even though he should (he was a great Henry Higgins in 6th grade -- I should know, I played his butler -- hmm, I wouldn't mind playing McPhee's butler, but in real life ... ). Meanwhile, Season 5 winner Taylor Hicks probably won't last as long in the limelight, considering he had the lowest-selling Idol debut, and doesn't seem to be trying for a film career. I have to salute McPhee, who was also rumored to be considered for the role of Wonder Woman, for being able to transcend her Idol loss -- if for nothing else, hers and Jennifer Hudson's success with movies should certainly make everyone dismiss From Justin to Kelly as a reason not to go from Idol to Hollywood.

Her name has been circling a bunch of projects as of late, but it seems American Idol runner-up Katharine McPhee has finally landed her first studio acting role (after already landing a part in the indie dark comedy The Last Caller). Take that Taylor Hicks! Mcphee has signed to star alongside Anna Faris in the untitled Happy Madison sorority flick we told you about recently. Columbia Pictures will distribute. Also joining the first female-driven comedy from Adam Sandler's shingle are Emma Stone, Rumer Willis, Kat Dennings and Dana Goodman. Fred Wolf will direct off a script penned by the Legally Blonde duo of Karen McCullah Lutz and Kirsten Smith. Story follows a Playboy bunny (Faris) who gets kicked out of the Playboy Mansion and settles into a role as house mother to the "lamest sorority on campus." I'm not exactly sure how one goes from Playboy Mansion to lame sorority house without at least stopping by Brett Ratner's casting couch first, but I guess we're supposed to suspend our disbelief a bit here.

Mcphee, for her first major role, will be playing a pregnant hippy. A pregnant sorority hippy, that is. Stone will act as the sorority's president, while Willis will play an insecure girl who wears an unnecessary backbrace, Dennings will show up as the token feminist (piercings included) and Goodman will take on the role of a girl who should have graduated years ago if she didn't constantly keep changing her major. (Hey, my best friend did that!) Like with most college comedies, there will be an evil, popular sorority -- and Sarah Wright has signed on to star as a conniving hottie from the other side. Shooting is set to begin later this month in Los Angeles. Personally, I'm just curious to see a female-centric Happy Madison flick. Since they're known for producing silly male-orientated films (mostly starring Sandler or one of his many pals), I wonder how this one will play out. Faris has potential if she's given the right material (a bit over-the-top in Just Friends, but I dug her), but I imagine the premise will rely on how "lame" they can make the rest of the cast, Mcphee included.

American Idol runner-up Katherine McPhee has decided the time is right to finally make her big-screen debut, and the Hollywood Reporter tells us she'll be doing so in the indie dark romantic comedy The Last Caller. Although the singer/songwriter (who finished second behind Taylor "Why Do I Twitch So Much" Hicks on the hit TV show two seasons ago) claims she's "up for a couple of big studio projects," McPhee was eager to make her first on-screen appearance in a starring role. (Guess someone wasn't keen on playing Mall Girl #5 in next summer's Iron Man -- not that we know she was offered it, but I imagine that's the type of stuff heading her way.)

Written by Michael Albanese, the story (as HR describes it) doesn't make much sense. They call it a "coming-of-age tale about a self-obsessed woman (McPhee) who searches for love, hope and meaning during a few random events with other urban seekers." Huh? What the f**k is that supposed to mean? Three gold stars to anyone (an "urban seeker," perhaps?) who can tell me what in the world this film is going to be about. With a budget that will fall somewhere between $5 million-$8 million, pic is scheduled to begin shooting this fall in and around New York. Hit and Run Prods. will produce along with Zenith Film Group, and the great Robert Hawk will serve as an associate producer (Hawk's involvement definitely makes me feel a bit better about the whole thing). What say you Idol fans -- does McPhee have what it takes to become the next big thing?

Hey, remember that fad about ten years ago to bring swing music back? Well, the music and the dancing may return to the spotlight once again thanks to a film called Love N' Dancing. The independent project, which begins shooting this summer, is being produced by a four-time U.S. Open Swing Dance Champion named Robert Royston (check out his pic!), along with Sylvia Caminer. Written by Tom Molloy, who will also co-star, the film follows a bored English teacher who partners with a West Coast Swing dancer in order to win a world title. Of course, she has a workaholic fiancée, who she likely abandons in order to fall for the dancer. Amy Smart (The Butterfly Effect) has been cast as the teacher.

Much of the popularity of swing back in the '90s was due to the success of Swingers, so there's a chance that this film could rejuvenate the past-time (look around L.A. and NYC -- swing isn't dead; it's only sleeping). However, if this means that we have to suffer through neo-swing garbage like "Zoot Suit Riot" again, I might have to kill someone. Love N' Dancing is being helmed by choreographer-turned-director Robert Iscove, whose American Idol-spawned From Justin to Kelly should give good evidence for why this new music-based film will not be the success that Swingers was. That and the fact that Vince Vaughn will not be in it.

My brother emailed me last weekend asking what I knew about Paul Weitz's American Dreamz, the new satire from the brilliant/idiotic (depending on your point of view on teen sex comedies) mind that brought us American Pie. Because I'm a helpful sister, I went to the IMDB and read him the summary - it turns out that, were he still living in LA (he's not), he could have gone to an advance screening of the thing. Basically, he just wanted to know what he'd missed by moving to the Midwest; based on the screening reports just posted at AICN, the answer is "not much."

Though it's sometimes a challenge to see the movie through the hyperbole in AICN's fan reports, one thing comes through clearly here: the movie is a bit of a mess. At best the narrative is poorly constructed ("very jumpy," if you will); at worst it's "90 minutes of 'Bush is dumb, American Idol is dumb,' man-handled by a writer incapable of reconciling the two concepts." Ouch. But hey, at least Dennis Quaid is good! Go read for yourselves, if you're curious about the film. Two warnings, though: one of the reviews is filled with annoying, over-the-top profanity, and both are heavily spoiler-laden.

Crappy or not, American Dreamz is released in the US on April 21.