One of my very favorite topics of film-related conversation would have to be that of the infamous "horror remake." Could be a J-horror re-imaganing, a revisit with truly classic material, or a quick-buck PG-13 junkpile that shames the name of its predecessor. (Heck, I posted a similar article last March, and I even went as far as to bang out a master list of horror remakes at my very own website!) Well, apparently the movie geeks over at Premiere.com are also big time horror nerds as well, because they've just posted their list of the 15 Best Horror Remakes.

OK, having just perused their 15 choices, I gotta say: I know it's got to be hard coming up with 15 really good horror remakes, but jeeeeez. Just lower it to a Top 10 and get The Fog, The Amityville Horror and 13 Ghosts OUTTA there. And ... am I on crack or did the Premiere squad neglect to mention Cronenberg's The Fly AND Carpenter's The Thing??? I mean, good job on throwing some love towards The Blob, Dark Water and the 1978 version of Body Snatchers, but come on! You guys omitted the two best horror remakes ever made!!!

(I'll include their full list after the jump, just to incite some discussion, but definitely check out the Premiere article before you dive in, you crazy gorehounds, you.)

So far the company known as Plantium Dunes, which is run by flashy director dude Michael Bay, has produced three movies: The Texas Chainsaw Massacre, The Amityville Horror and The Texas Chainsaw Massacre: The Beginning. Ah, and they have The Hitcher due in two weeks. That's three remakes and a prequel to a remake ... which I don't really count as an "original" concept.

But according to Bloody-Disgusting.com, Bay and producing partner Andrew Form have a nasty thriller on the way called The Horsemen. In this one, Dennis Quaid will play a detective gone sour after his wife's untimely demise, only to come across some terror of truly "biblical" proportions. (Hint: The (Four) Horsemen ... of the Apocalypse?) Quaid's the man, of course, and the story sounds pretty nifty, but The Horsemen was written by the guy who did Doom and directed by the guy who helmed the patently unwatchable Spun ... so this one's a total crap-shoot. But at least it's not a remake. Plus they got Zhang Ziyi to co-star, and that's always a smart thing to do.

Also on the Platinum docket are something "brutal" called Alone, that oft-discussed remake of The Birds and ... absolutely no chance of another Texas Chainsaw Massacre entry. Which is just fine by me.

[Previous report by Marky B. is accessible right here.]

• Christa McAuliffe: Reach For The Stars - Massachusetts native Christa McAuliffe has become quite inseparable from the image of the ghastly tendrils of smoke hanging over the Florida sky after the Space Shuttle Challenger exploded in January 1986, but she's also remembered as a schoolteacher who never stopped teaching. It is this second image on which first-time filmmakers Renée Sotile and Mary Jo Godges focus, going beyond blindly reverent fluff and digging into the humanity that made the loss of McAuliffe and the subsequent grounding of the Shuttle so much of a tragedy. With a warm, comforting narration by Susan Sarandon and a note-perfect song track by Carly Simon (whose tapes McAuliffe brought aboard Challenger), the film captures the spirit of exploration and discovery through McAuliffe's example, and not by just stating she was a shining star we should all try hard to emulate.
 

• Capote - Truman Capote spent five years researching In Cold Blood - the book that would be his last - and sophomore director Bennett Miller's film is a telling and rather literate fly-on-the-wall dramatization of that time. The biggest appeal is Philip Seymour Hoffman's bravura Oscar-winning performance as the eccentric author, which he takes beyond mere affectation and into full-on obsession as Capote's research into the 1959 murders of a Kansas family consumes him in every way. It is nice to see professional seether Catherine Keener in another nice-gal role, here as Capote friend and soon-to-be To Kill A Mockingbird scribe (Nell) Harper Lee. Miller and writer Dan Futterman (adapting Gerald Clarke's book) do not quite commit to a direction for the story, and humanizing killer Perry Smith (a dependable Clifton Collins Jr.) is time unwisely spent, though Hoffman, who also produced, sees that we remember the film for other reasons.