College professors rule! Well, at least the one that Richard Jenkins plays so well in Tom McCarthy's The Visitor (Overture Films). The comedy-drama expanded to 18 theaters in its second week of release and averaged $9,055 per-screen to remain in the #1 position, according to estimates compiled by Box Office Mojo. Check the film's web site to see where it will be opening in the next couple of weeks (click on "in select theaters now").

Debuting indie films did not fare so well, judging strictly by per-screen averages, but it's notable that Expelled: No Intelligence Allowed (Rocky Mountain Pictures), opened on more than 1,000 screens and made $2,997 per location for a total of more than $3 million for the weekend. The doc follows Ben Stein as he chases down Ferris Bueller ... oops, wrong movie! This one's about "intelligent design" in the classroom.

Opening on just one screen, Anamorph (IFC Films) grossed $3,000. Willem Dafoe stars as an NYPD detective investigating a serial killer. Critics were not kind: Anamorph scored just 28% positive at Rotten Tomatoes. David Hudson at GreenCine Daily rounds up pertinent quotes.

Two other holdovers did better as they expanded their runs. Young At Heart (Fox Searchlight), the "elderly folk chorus that sings modern rock songs" documentary, increased its theater count to 33 and averaged $4,393 per screen. Hou Hsiao-Hsien's gentle drama The Flight of the Red Balloon (IFC Films) proved its appeal beyond New York City, making $3,572 per-screen at 11 locations.

Ah, serial killer movies -- always becoming more and more convoluted by the second. It seems like every film has to have the worst killer ever known to man, or the most bizarre motivation, to keep the audiences interested. The Hollywood Reporter announced that IFC has picked up the rights to the crime thriller Anamorph. The film stars Scott Speedman (Underworld or Felicity, depending on your age group) and Willem Dafoe, and centers on a bizarre and vicious killer who re-creates anamorphic paintings in his crime scenes. After a quick Wikipedia search, I discovered that anamorphic painting is a style that uses a "distorted projection or perspective requiring the viewer to use special devices or occupy a specific vantage point to reconstitute the image." So, if our killer is using this technique in his crime scenes, I can only imagine how freaky some of it might get.

The film was written and directed by Henry Miller, who has only worked on a few comedy shorts up until now; Anamorph will be his first full-length feature film. Joining Speedman and Defoe in the cast are Peter Stormare as an art gallery owner and Clea DuVall (Heroes) as a troubled girl put in danger by the killer -- what were you expecting? She might as well be listed as bait/love interest in the credits. It looks like the film was originally set for release in 2007, but they didn't quite make it. Speedman has wrapped up two films since finishing Anamorph, just to give you an idea. But, I guess the old adage of better late than never is still in full effect, and the film is scheduled for release this November.

For its first feature, Kamala Films has selected Anamorph, a thriller with a plot that sounds pretty much like one of any 12 episodes of SVU, except with a killer instead of a rapist (which, I hasten to add, is not necessarily a bad thing). The movie is about a detective who, after five years away from the job, returns with the requisite rookie partner only to find that a serial killer with whom he was once obsessed may be back in action. Willem Dafoe will be on hand to make the detective the creepiest man in the movie, and Scott Speedman - Felicity's favorite vampire-werewolf hybrid - has just signed on to play his partner. Also recently added to the cast were Peter Stormare (as an art gallery owner) and Clea DuVall, who will play the (also requisite) troubled woman befriended by DeFoe's character.

The movie, which has a fairly small budget of less than $15 million, is currently filming in New York and hopes to finish principle photography by the end of March.