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A couple of people have been griping about Wall-E director Andrew Stanton's refusal to admit that his cute little movie about a robot in love actually contains some pretty upfront green politics, but there's a far more polarizing reference in the film than its harmless pro-environment agenda. It's no major plot spoiler to reveal that, about an hour or so into the story, Fred Willard appears in a recorded message as the mysterious president of Earth's corporate government and orders the ship's captain (Jeff Garlin) to "stay the course." Wait, we've heard this one before: It was the go-to statement used by the Bush administration for about three years or so when describing its modus operandi in Iraq (the term was abandoned when staying the course started to sound like a bad idea). In Wall-E, the context is quite different -- it's an order to not do something, rather than take action -- but hard to ignore nonetheless.

Certain critics with (surprise!) conservative slants have taken issue with this. At Dirty Harry's Place, John Nolte expresses his disappointment in the first paragraph of his review: "Have we lost the wonderful studio who brought us The Incredibles and Ratatouille to Bush Derangement Syndrome?" he asks. New York Post critic Kyle Smith picked up the rant and decided to write his own, even though he hadn't seen the film yet: "This kind of crack, lame as it is, also breaks the spell of the movie by hurling you out of the theater and back into reality."

If there was one list I wouldn't even try to make, it's the top 25 animated movies of all time. I'm sure I would drive myself crazy trying to pick between all of them, torn between nostalgia and story, hand-drawn animation and the wonder that's come from computers. And then trying to rank them? No way. However, Moviefone did just that and compiled what they think is the Top 25 Animated Movies -- films that span studios, techniques, and decades.

I'm not sure what to type right now because I'm still in awe that what I consider one of the best animated films of all time, and one that I adore, didn't even make the list. What did make it, for the most part, you can guess: There are toys that can talk, television shows brought to the big screen, a little bit of foreign fare, and of course, lots and lots and lots of Disney -- dogs, beasts, dwarves, mermaids, and more.

But really, how could my movie not be there? It's almost like I've become one of those uber fans who feels shunted, but I'm more surprised because I know that I'm not the only one. Its almost-bankrupting budget, the stylized art, and the Oscar-nominated score have made it a noteworthy gem over the years ... and my face is sort of resembling Woody's over there.

But go look at the list and check it out for yourselves. Are there any animated films that you feel should or shouldn't be there? And, can you figure out which one I'm talking about?

NPR talked about the onslaught of children's films at the box office lately on Day to Day last Friday and wondered about the quality control going on behind the scenes. They interviewed film historian Charles Solomon, who comments that the scarcity of animated and children's films used to make them an important part of a childhood experience, but things have changed. These days, the sheer amount of films pile on so quickly that before you blink, three different animated movies have been released at the box office. Suddenly you're buying everything from Flushed Away action figures to Over the Hedge video games, but your kids aren't getting the same messages and experience that you had when you saw The Rescuers for the first time.

It's no secret that kid's movies can rake in a ton of dough; the studios are busy falling all over themselves trying to make them. It seems like as more get churned out, fewer of them that have great stories and characters. They'll just market the hell out of them so that every box of cereal, kid's TV show, and billboard is plastered with images of the upcoming film and your children will refuse to eat anything green or brush their teeth until you take them to see it.

Now, I love animated films probably more than an adult should, but the problem is pretty rampant with the films aimed at children that are being released today, as we posted about previously on Cinematical. The trouble is that for every Spirited Away released, there comes a slew of films like Happy Feet, Barnyard, and The Ant Bully. These films took some critical hard hits, but they've made bags of cash (the seemingly unstoppable juggernaut of Happy Feet has almost cleared $200 million already). Studios are more concerned with cranking out a product in a timely manner, even if it's sub-par and relies on fart jokes and recycled plots. As a result, quality children's entertainment is getting harder and harder to find. Parents may appreciate the fact that they can now take their kids to see a movie aimed at children almost any weekend now, rather than having to wait ... but at what cost?

What do you think, parents? Is the onslaught of animation worth the decrease in quality kiddie fare? Or is it enough just to be able to plunk your tot down for 90 minutes with a kiddie-pack combo, even if what they're seeing isn't quite up to the standards you remember from your own childhood hours at the movies?