antichrist Tagged Articles at Cinematical

Indie Roundup, your weekly dose of what's happening (slightly) outside the mainstream.

Deals. Via our friends at indieWIRE, we learn that Brian Baugh's faith-based To Save a Life will be released by Samuel Goldwyn Films in January 2010. The film follows an "all-American teen" boy dealing with the aftermath of a friend's death. Cross-cultural romantic drama Cairo Time, starring Patricia Clarkson, will hit theaters and on-demand home viewing systems sometime in the new year, courtesy of IFC Films. Bradley Rust Gray's The Exploding Girl will open in early 2010 through Oscilloscope Laboratories. Zoe Kazan stars as a young college woman dealing with conflicting romantic feelings while home in New York for spring break.

Online / On Demand Viewing. Two recommendations this week, both for titles that are newly available through Amazon's VOD service. Susan Seidelman's Smithereens is a quintessentially New York picture and a fiercely independent experience from a time when indies were few and far between. It's a blast of fresh air about Wren (Susan Berman), a rough-talking young woman, and her travails through the seedier side of life as she tries to make something of herself. It's essential viewing, especially if you've been disappointed by one too many slick faux-indies. Musician Richard Hell is great, too.

Much less essential, but no less vital viewing, is Arlene Nelson's Naked States, which trails along as Spencer Tunick engineers massive works of art composed by live, naked human flesh. Tunick is a fascinating photographer / hustler, and so are the people who decide to bare all for the sake of art.

Activity of a different kind, Chilean cleaning, and AFI Fest -- after the jump!

Here's a quick look at what's opening in limited release this weekend. If they're not playing where you live, keep an eye out as they make the rounds. And if all else fails, there's always DVD....

Ong Bak 2: The Beginning (pictured) is something of a prequel to Ong Bak, the Thai sensation from a few years ago. Tony Jaa, whose multi-discipline fighting skills are beyond impressive, plays a guy who fights a lot. Cinematical's Todd Gilchrist sums up the way many of us felt when we first caught the film at South By Southwest: The fight scenes are spectacular; unfortunately, the plot that holds them together is incomprehensible and takes itself too seriously. At Rotten Tomatoes, the critics are almost evenly split between yea and nay, with the only question being whether the awesomeness of the fights is enough to compensate for the dullness of the rest of it. Playing on 10 screens in New York, L.A., San Francisco, Seattle, Boston, and Washington D.C.

Antichrist is an art-house horror film from Lars Von Trier, starring Willem Dafoe and Charlotte Gainsbourg as a grieving couple to whom some supernatural and terrible things happen. It's been appalling audiences since it premiered at Cannes this spring. The critics all seem to agree that it's repellent, grisly, unsettling, and hard to watch. Where they part company -- about evenly down the middle, so far -- is whether that's good or bad. Playing on one screen each in L.A., New York, Chicago, Boston, San Francisco, and Washington D.C. It will also be available through some Video On Demand systems starting Oct. 28.

The Toronto International Film Festival is definitely starting off with a bang this year. First,we learned that TIFF was ignoring the tradition of opening the fest with a Canadian film when Jon Amiel's Creation was selected to kick things off. (Even though there are a few free screenings earlier on Thursday's Day One, plus Lone Scherfig's An Education, which is starting a half hour before Creation around the corner from the opening-night Elgin Theatre.) But at least, while not official, the first TIFF film is actually a screening of Lian Lunson's Leonard Cohen: I'm Your Man, so some Can-Con informally starts things off.

But this twist was only step one. Next came the protests.

See, the festival is starting a new program this year called City to City, which showcases a group of films that are focused on a particular locale. The inaugural location: Tel Aviv. Soon, many began to protest the lack of Palestinians in the program, likening the choice as part of "the Israeli propaganda machine," and inspiring a group of famous names from Jane Fonda to Danny Glover to sign a statement against the choice. Toronto documentarian John Greyson withdrew his film Covered. Jon Voight spoke out against the statement and Jane Fonda. A Jewish professor in Halifax praised the protest, while others site it as a step towards more Anti-Semitism. And a press conference for the protest is scheduled to compete with the festival's opening day.

Nevertheless, TIFF soldiers on...

What does Willem Dafoe's junk, a talking fox, and a dead child all have in common? Well, they're going to star in a video game adaptation of Lars von Trier's Antichrist courtesy of Morten Iversen, a developer with some serious credentials in the world of game geekery. Formerly of Io Interactive, Iversen now works at von Trier's Zentropa production company.

Russ Frushtick over at MTV Multiplayer tracked down Iversen to ask him what the hell is up with this project, so to speak, and here's what he had to say.

"Von Trier has been extremely fond of video games for ages, and has been an avid player of 'Alone in the Dark,'" explained Iverson. "He's been circulating the idea internally... that making games would be a good idea." He describes it as "a nightmarish version of 'Myst.'"

("Alone in the Dark"? Really? Come on, Lars!)

More on HorrorSquad!

Nothing like a little war movie to bookend a day at the Cannes Film Festival. Lines began forming at the crack of dawn to see the first screening of Quentin Tarantino's Inglourious Basterds this morning, and, still, many were shut out. (Erik Davis rounded up the first reactions from those who did manage to gain admittance.) Evening brought the glamour, as Brad Pitt and Angelina Jolie led a parade of celebrities down the fabled red carpet for the black-tie and gown gala presentation. As a cherry on top, Sam Raimi's Drag Me to Hell screened at midnight.

Films Sold. Amazingly -- or maybe not, when you consider all the free publicity it's already accrued -- Lars Von Trier's highly controversial and divisive Antichrist sold to IFC Films. The company says they will release the same version as the one screened in Cannes, according to indieWIRE. Specific release plans were not announced, but expect it this fall, in order to capitalize on the buzz. Also, I suggest a poster highlighting Willem Dafoe's previous, religiously-titled movie: "From The Last Temptation of Christ to ... Antichrist!"

Much less controversially, IFC also picked up Ken Loach's Looking for Eric, which the company describes as the director's "most accessible, crowd pleasing film." More details at indieWIRE.

Key Screenings. Competition: Alain Resnais' drama Wild Grass, starring Mathieu Amalric (the reviews so far, collected by David Hudson at IFC's The Daily, range from reserved to rave). Un Certain Regard: Pen-Ek Ratanaruang's supernatural-tinged drama Nymph (Todd Brown at Twitch reviews), Luc Mullet's Land of Madness. Directors' Fortnight: Axelle Ropert's The Wolberg Family (a small town mayor's obsession with his family), Ho Tzu Nyen's Here (a middle-aged man deals with life as a patient in a medical institution).

The uproar about Lars Von Trier's Antichrist spurred interest even higher for attendees who wanted to decide the film's merits for themselves. (For one thing, rumor is circulating that the Cannes version will never be seen again. For another, Mick Jagger hated it, calling it "horrible.") During this morning's screening, however, the "projector broke thirty seconds in," says Todd Brown at Twitch, and this afternoon's was "shut down by a major power outage." His conclusion? "God hates Lars."

Robert Pattinson flew in from filming New Moon in Canada and posed on the beach. He confirmed that the fourth film in the Twilight saga, based on Breaking Dawn, will be made as soon as possible. Penelope Cruz suffered food poisoning last night, but recovered sufficiently to promote the new Almodovar flick (see below). She's also talking about her upcoming musical Nine.

Key Screenings. Competition: Pedro Almodovar's Broken Embraces (a writer / director grieves for his lost love), Marco Bellocchio's Vincere (Mussolini's secret wife and son). Un Certain Regard: Tales From the Golden Age (urban myths of ordinary people during the Communist era in Romania), Denis Dercourt's Tomorrow at Dawn (one brother tries to save another who is lost in his addiction to historical battles). Directors' Fortnight: Cherien Dabis' Amerrika (Palestinians try to find their place after emigrating to America). Special Screenings: the Dardenne Brothers' Lecon de Cinema.

Films Sold. IFC Films picked up Francois Ozon's "fantastical thriller" Ricky and plans a 2010 release, according to indieWIRE. The flick follows a "unique little boy and the struggles of a working-class single parent in contemporary France." Oscilloscope Pictures will re-release Jules Dassin's 1959 drama The Law in theaters later this year. Check the description at indieWIRE. The film stars Gina Lollobrigida (va-va-voom!) and Yves Montand.

After the jump: Choice Review Quotes!

And on the fifth day of the Cannes Film Festival, it snowed (actually, part of a promotion for Robert Zemeckis' A Christmas Carol, starring Jim Carrey, due out in November). Meanwhile, Rachel Weisz walked the red carpet and talked about her role as a fourth century astronomer, and Lars Von Trier's Antichrist provoked both boos and applause.

Key Screenings. Out of Competition: Alejandro Amenabar's Egyptian historical epic Agora (with the aforementioned Rachel Weisz). Press screening: Lars Von Trier's polarizing Antichrist. Competition: Johnny To's Vengeance (with Johnny Hallyday as a French chef with a murderous past), Brillante Mendoza's crime-themed drama Kinatay. Robert Guediguian's tale of Nazi resistance during World War II, The Army of Crime. Un Certain Regard: Pavel Lounguine's Russian historical drama Tzar. Directors' Fortnight: Denis Villeneuve's school shooting recreation Polytechnique, Riad Sattouf's teen coming of age flick Les Beaux Gosses.

Films Sold. The festival is a great time to conclude and/or announce distribution deals. indieWIRE brings word that Regent Releasing / Here Media have acquired Lucia Puenzo's The Fish Child and Eran Merav's Zion and His Brother. The former, from the director of XXY, tells of a romance between an upper-class teenage girl in Argentina who falls in love with her family's 20-year-old Paraguayan maid. The latter, from a debut director, is a coming-of-age drama about two brothers, "set in a gritty neighborhood in Haifa, Israel." Look for both films in theaters early next year.

Thomas Balmes' doc Baby(ies) is still in post-production, but Focus Features has seen enough; they picked up US and other rights to the film in a deal announced today. They plan a release in 2010. The film "simultaneously follows four babies, in Mongolia, Namibia, San Francisco, and Tokyo, respectively, from birth to first steps," according to indieWIRE.

After the jump: The critics divide on Antichrist.

When it was revealed that Tim Burton and Dorian Gray ( I mean Johnny Depp) would be taking us all down Lewis Carroll's rabbit hole in 2010's 3D IMAX adaptation of Alice in Wonderland, a million bat-filled brains exploded with joy. Burton, who could perhaps be held personally responsible for the popularity of black-and-white striped stockings, has stocked his fantasia with a panoply of freaky faves, from Crispin Glover ("I can kick high!") and baby mama Helena Bonham Carter to Hammer Horror super-spook Christopher Lee. Anticipation is already running high just from the names attached and the few photos floating around the Internet. Empire Magazine has an interview with Burton in its issue coming out Thursday in the UK, along with a few photos from the movie.

But what about the other flicks that are getting our fishnets in a tangle? Naturally, Burton has a slew of projects coming up, including a big-screen adaptation of Dark Shadows with Depp rumored to be Barnabas Collins, and a full-length version of Frankenweenie, but there are a few other films coming out or in production (or in perpetual production) that make it a good time to get your goth on.

Armored
A group of armored car guards plan to swipe several million dollars that have been left in their care. The presence of Laurence Fishburne and Matt Dillon offers some hope, but the basic premise recalls everything from Reservoir Dogs to the Oceans' series. When the youngest member of the gang makes Matt Dillon promise that no one will get hurt I cringed a little. This one hits theaters on September 18.

The Skeptic
I'm torn about how I feel about this one. In the plus column this haunted house flick seems to have some real creep out moments and reminds me a bit of The Changeling. On the other hand I've never seen Tim Daly carry a feature before and the rest of the cast, which includes Tom Arnold, makes me feel like this is a TV movie. For those less skeptical (d'oh!) it hits theaters on May 1.

The Countess
The Hungarian Countess Elizabeth Bathory (1560-1614) has been the subject of more horror films than I can count thanks to her habit of bathing in the blood of virgins in hopes of preserving her own youth. This film aims, presumably, at a more historically accurate portrayal of the Countess, making this a period costume drama with a grisly edge. No U.S. release date just yet.

Finally we can see a little more than just a sexy snapshot of Willem Dafoe bonking Charlotte Gainsbourg on a mass of tree roots that are sprouting human arms. In other words, the trailer for Lars Von Trier's Antichrist is here.

Besides being a Von Trier fan, I've been eager for him to take the chills of The Kingdom and throw them up on the big screen. The man has got a way to make simplicity super creepy, much like David Lynch's Twin Peaks, and Antichrist seems to deliver. The basics seem almost too typical -- the cabin in the woods, the crows, the isolation, the creepy wind -- but that subdued and creepy filmmaking is front and center. I say anything that can make those oft-used images seem creepy, in the confines of an all-too-brief trailer, is worth the effort.

Many blogs, like Spout and CHUD say the same thing: creepy, but conventional. However, The Guardian's Xan Brooks remains unconvinced. In fact, he says: "The omens for Antichrist are not encouraging," and goes on to describe it as "oddly uninspired."

Are those recognizable tropes too much for you? Or, are you falling for Von Trier's horror eye?


Lars von Trier's Antichrist - Official Trailer from Zentropa on Vimeo.