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I have a personal kink when it comes to a good old fashioned fairy tale subversion. I can't explain it, but there's just something about messing with those classic tales that never fails to amuse me -- so you can see why I have a soft spot for the Shrek franchise. News of a fourth film first hit back in 2007 and now USA Today gives us our first look at the fairy tale comedy, as well as (good?) news that the fourth installment of the franchise, Shrek Forever After, will be the last (and as much as I liked the first two films, I'll admit that by the time we had reached Shrek the Third, the charm was wearing a little thin).

Bill Damaschke, head of creative production at DreamWorks and Mike Mitchell (Sky High) gave some hints as to what we should expect from Shrek Forever After, and according to Mitchell, this time Shrek is feeling out of touch with his inner ogre, so he strikes up a deal with Rumplestiltskin (voiced by Walt Dohrn) to change his life. But things don't work out as planned and Shrek finds out that life in Far Far Away has changed for the worse in his absence. Franchise favorites Puss in Boots (voiced by Antonio Banderas) and Donkey (Eddie Murphy) will return and some of the new additions to the cast are Kathy Griffin and Kristin Schaal (Flight of the Conchords) as witches and part time Ogre hunters, and Mad Men's Jon Hamm as the leader of the ogre underground.

Hey, remember the Morgan Freeman / Antonio Banderas thriller, The Code (also known as Thick as Thieves)? No? That's ok, no one does! This poor film was doomed to go straight to DVD shelves, but there it was not forgotten. Home Media Magazine reports that the flick topped the rental charts last week, deftly knocking Gran Torino out of #1. (Mr. Freeman, did you call and crow over your pal Clint for that one? If not, you should. I'm sure he'll get a good laugh.)

Scott Weinberg believes this is the first DTV movie to ever top the rental charts. If anyone out there knows of another one that has, you should correct him. But for now, history has been made by Mimi Leder!

The plot follows an aging jewel thief (Freeman) and the uppity young Turk he recruits to help him pull off one final job. They're not going after just any family jewels, but those most treasured by the Romanovs -- Faberge eggs! The ultimate goal of the heist is to pay off the Russian mob, and I'd like to think Banderas and Freeman are stealing the Faberge eggs just to really piss them off. Meanwhile, Radha Mitchell gets in between them, and makes things sexy. Check out the trailer below the jump, and contemplate renting it for yourself. It topped the rental charts, and millions of people can't be wrong!

Poor Antonio Banderas. Once upon a time he was a hot and intriguing newcomer, God's gift to a rebooted Zorro franchise, poised to have his pick of of juicy Hollywood roles ... and now he's Puss n'Boots and the Nasonex Bee. So far has he fallen that the words "neo-noir" and "Banderas" together in Variety leave me unsettled.

Banderas has signed on to star in The Big Bang, a "neo-noir detective story," the feature directing debut of director Tony Krantz, and featuring a script penned by Erik Jendresen. Banderas will play an L.A. private eye who is hired to find a missing stripper. He follows her trail of pasties to the desert of New Mexico, where he finds dead bodies, a brutal Russian boxer, three LAPD detectives, and an aging billionaire who is trying to create a nuclear equivalent of the Big Bang. I assume nothing good can come of that. Darn those aging billionaires! Always getting into Bond levels of mischief.

The story is pulpy enough to be really intriguing, and Jendresen did some fine work on Band of Brothers. If it was any other leading man, I'd be really into it because of how over the top it sounds -- what do nuclear weapons have to do with missing strippers? I don't know, but I'd like to find out ... so Banderas, can you please make this fun? If you can, I won't ever refer to the Nasonex bee again.

For a 70+ year-old man, Woody Allen knows how to reinvent himself and keep us on our toes. These last few years, he's really upped the ante as he broke out of New York -- tennis, journalism, brotherly intrigue, and vacation romance. But while he might have gone back to Manhattan and back to his beloved May-December theme with Whatever Works, this is not a slip back into a New York state of mind. Word hit last month that Allen's next project would be an ensemble piece, with Josh Brolin and Anthony Hopkins leading the cast. And now his next London-based project is getting even better.

The Hollywood Reporter posts that Nicole Kidman has signed onto the cast, which also now boasts an international array of drool-worthy actors -- Antonio Banderas, Freida Pinto, and Naomi Watts. THR points out that this mixes Spain, India, Britain/Australia, Austrailia, Britain, and USA. While an international cast is notable, I wonder if this is some hint towards the theme of this yet-untitled, plot-under-wraps project.

Then again, Woody likes to keep us guessing, so anything is possible. I just hope it has the same sort of bright whimsy as Vicky Cristina Barcelona. Production kicks into gear this summer, so we should hear more then.

Just after we headed into our new century, Bernard Schlink had a selection of short stories published called Flights of Love. One of the tales published in the collection was The Other Man. Just like its title suggests, the story is about a love triangle of sorts. After a man loses his wife to cancer, he receives a letter from her lover. What would seem like a huge blow to an already-mourning man actually does him good. The two men begin a correspondence, and the widower finds comfort in his letters to the other man.

Now Variety reports that writer/director Richard Eyre (Notes on a Scandal) has adapted the story with Charles Wood, and has put together quite a cast to star -- Liam Neeson, Laura Linney, Antonio Banderas, and Romola Garai. Sure, it's way too early to make any real judgments, but I'd be beyond surprised if this doesn't work itself into one hell of a film. However, I'm a bit curious about the plot. The story's layout sounds decent, but Variety describes the film this way: "the story of a husband who starts to suspect he's not the only man in his wife's life, and sets out to track down his rival."

If this is how the film will play out, that means he doesn't find out post-death, and that it's more a story of tracking down the other man than bonding, or finding comfort with him. On the other hand, a synopsis on IMDb says it's "the story of a widower's slowly-developing revenge against his late wife's secret lover," which "reveals to him his own compromises and failings." Who knows?! I guess we'll just have to wait and see. Production will get going next month, appropriately on Valentine's Day, in the UK and Italy.

On behalf of fans of vampire movies everywhere, I certainly hope we can chalk this one up to just a silly rumor. Bloody Disgusting is reporting that United Artists is pushing to snap up the rights to the fourth novel in Anne Rice's Vampire Chronicles, The Tale of The Body Thief. According to BD's sources, "here's speculation on my behalf, but UA = Tom Cruise, right? Might we be seeing Tom Cruise back as the Vampire Lestat?" The casting of Tom Cruise as the Vampire Lestat in Neil Jordan's 1994 adaptation of Rice's bestselling novel, Interview with The Vampire, caused an uproar among fans (and the author for that matter). Rice had been quoted as saying that Cruise was, "no more my Vampire Lestat than Edward G. Robinson is Rhett Butler".**

The story of Body Thief picks up with Lestat who has made a deal with a "body thief" to get the chance to switch bodies and to live like a mortal again. This would be the third attempt to make an Anne Rice book into a film, the last being the disastrous Queen of the Damned with Aaliyah and Stuart Townsend as Lestat. I'm going to go out on a limb and say that Townsend's Lestat wasn't too bad all things considered. He definitely had the Lestat pout down pat, something that Cruise could just never quite pull off in Interview. Not to mention Cruise's avoidance of the obvious homoerotic content to the original story -- although kudos to Antonio Banderas and Brad Pitt for being the only two actors in that film to even hint at a little vampire on vampire action.

As we all know, Cruise's relationship with Paramount ended badly back in '06. Now that Cruise is calling shots at UA, could Tom be planning to "ruin" yet another Anne Rice property? Until we get some kind of official word on the project, lets just keep our fingers crossed that Cruise is going to leave the fangs to someone else this time.

**Rice did eventually back-track and reverse her statements once she actually saw the film and Cruise's performance.

If you wondered when it came out if there needed to be a third Shrek film, all you need to do is ask the kids. Adults may be growing tired of the clever plays on modernity -- mascot contests, bubblegum-blowing teeny-boppers, endless takes on modern store names made to sound "fairy-taleish" -- but kids never seem to tire of the toilet humor that permeates the Shrek series.

The advantage of making a film with ogres and a donkey at the center is that you can acutally (kind of) justify the endless stream of projectile vomiting and fart jokes, and my own kids, at least, never seem to tire of them. And when you have the film on DVD, well, they can rewind to watch the baby spewing green-pea vomit out of the baby carriage over, and over, and over again. So, rejoice, parents, Shrek the Third is here.

Actually, for a third film in a series, Shrek the Third isn't a terrible effort. While it's not as strong as the first two films (the second was surprisingly good for a sequel) and at times it feels that the filmmakers are really reaching by stretching the franchise to support a third film, if you compare it to, say, the dreadful Happily N'Ever After, it's pretty tolerable. Any time you can find a kids' film that the adults in the household can stomach watching multiple times, that's a good thing -- but you might want to make sure to have Shrek and Shrek 2 on hand as well.

When the production for The Code gets into swing this month in Bulgaria, there will be more than a Morgan Freeman thief-like mentor and a younger Antonio Banderas crook. Variety reports that Radha Mitchell has signed on to star with the duo in the upcoming caper drama, which will be brought to us by director Mimi Leder and screenwriter Ted Humphrey. Unfortunately, they're not saying what her role is. Will she play Banderas' wife? Someone in the Russian mob that Freeman's character owes? The person the duo will rob to get that money? Who knows.

Mitchell made a name for herself in films like Phone Booth and Finding Neverland before heading Melinda and Melinda, Woody Allen's dual-story movie trek. Now she's got a handful of movies on the way that definitely hit some different themes. First up is a B movie named Rogue, which has her taking a cynical American writer on tour of the Outback when they get attacked by a crocodile and end up in some sort of horrific Gilligan's Island scenario. After that she goes back in time for The Children of Huang Shi, a period drama about journalist George Hogg who saved a group of orphaned kids, with help from a nurse and partisan fighter, during the Japanese occupation of China in 1937. Then things get lighter with Luke Wilson's Henry Poole is Here, and then darker again when she co-stars in The Seed -- about a "killer [who] returns from the past, forcing a young detective to return to a case that took her mother's life years before."

I guess that once you hit the age of 70, it's hard to not get that indelible stamp that says you're ready for movies about kicking the bucket, or playing the mentor figure over, and over, and over again. Even after playing the ultimate spiritual mentor, God, Morgan Freeman is jumping into another flick where he'll play an experienced man with a younger recruit. This time around, according to Variety, he's signed on for Mimi Leder's caper drama The Code, with Antonio Banderas.

This will reunite the actor and director, as Freeman starred in her 1998 film, Deep Impact, as the hole-making president trying to save a million Americans. This time around, the feature is a little more self-serving. Code, based on a script from Ted Humphrey, is about an old, "veteran thief who recruits a younger crook, played by Banderas, to help him pull off one final job in order to repay his debt to the Russian mob." Granted, Freeman's age isn't completely pigeon-holing him. I'm sure many an actor, especially those who get stuck in horror typecasting, wouldn't mind playing many different kinds of mentors and leaders. Not every man could jump from a stint as Lucius Fox to a tasty role as Nelson Mandela. As for Banderas, it should he a nice reminder that he can do more than fluffy dance films or kid flicks. Production begins this month in Bulgaria.

Variety is reporting that director/choreographer Rob Marshall and uber-producer Harvey Weinstein have started putting together a cast for Nine, a film adaptation of the hit Broadway musical. Javier Bardem was just offered the role of director Guido Contini, who "experiences a creative and personal crisis as he tries to balance all the women in his life." The musical was inspired by Federico Fellini's classic 8 1/2, and the Contini role was originated onstage by the great Raul Julia. In its recent Broadway revival, Contini was played by Antonio Banderas. I love Bardem, but I have to wonder why Banderas isn't reprising his role here. He played the part in 2003 and he still looks like a million bucks, so the reason can't be that he's gotten too old. Curious.

Regardless, the real appeal of this film is going to be its women. If Marshall gets his first choices, this will be one beautiful cast. Marion Cotillard (Russell Crowe's love interest in A Good Year) is set to play Contini's wife. Penelope Cruz, whom I never thought too highly of until her terrific work in Volver, is in talks to play Contini's mistress, Carla. Marshall hopes to sign his Chicago co-star Catherine Zeta-Jones to play "the director's muse." Zeta-Jones isn't signed yet, but judging by what she told MTV's Movie Blog last month, she's a done deal. Said Jones, "I'd read the phone book with Rob Marshall. To put a musical in a director's hands, for me it can only be [him]." Marshall is also trying to get Sophia Loren, one of the sexiest women of all time, on board to play Contini's mother, who comes to Contini as a ghost. Michael Tolkin, best known for adapting his novel The Player for Robert Altman, is adapting the script. I'm no fan of Marshall, I thought Chicago was insanely overrated, and Mem-Snores of a Geisha was agony to sit through. Still, I dig musicals and it'd be great to see all of these gorgeous women on the big screen at once.