Cinematical

Remember Broken Lizard's Beerfest? Whatever you thought of that 2006 comedy, it's difficult to dispute how incredibly astute the filmmakers were with rattling genre expectations in just a single scene. See, the American team's greatest beer guzzler, "Landfill", has passed away under shady circumstances, and right when everyone's ready to throw in the towel, in walks Landfill's identical twin brother, who they knew nothing about but who happens to have been told everything about each of them. Better yet, he's more than willing to even adopt Landfill's name, in an effort to bypass that whole awkward 'getting-to-know-you' stage.

It's every end-of-second-act "what do we do now, coach?" dilemma from an inspirational sports movie mercifully condensed to a couple of rapid-fire beats, and even if the rest of the film otherwise adheres to said sports movie formula, it's nice knowing that audience and actors alike were not going through the paces entirely unaware of how clichéd the entire narrative was.

Call me crazy, but Bram Stoker's Dracula (the book, not the movie) ends pretty definitively. Dracula gets a bowie knife in the heart, and crumbles into dust in the red sun of the Transylvanian dawn. The wiggle room has been taken care of in a score of movies, books, and television shows -- and we have plenty of new vampire stories, so must we really dig up Dracula again? Well, according to ShockTillYouDrop, yes.

They say a sequel is coming -- and this time it's getting a literary and big screen outing. For the first time, the Stoker estate has authorized an official Dracula sequel titled Dracula: The Undead. Written by Dacre Stoker, Bram's great-grandnephew, and Dracula historian Ian Holt, the story uses characters and plot threads that were edited out of Stoker's original novel in 1897. It hits store shelves in October 2009, just in time for Halloween. And don't think it's the only sequel you'll be getting -- publishing house Penguin-Canada (who describes the book as having done a"fantastic job melding the old with the new"), has already signed up for two more.

But you won't get to read it before film production starts -- Holt and Alexander Galant have already completed and sold the script, and production is slated to begin in June 2009. Jan DeBont is one of the producers and I'm sure he's debating whether or not to direct as well.

I might be interested in this if estate authorized sequels were ever good -- I can't think of one that was, but there's always a chance this could be it. Besides, I think the definitive Dracula sequel has already been made -- Dracula 2000, starring a baby-faced Gerard Butler. I just know you've all forgotten about it, like Butler and Christopher Plummer probably want you to, but why wait until 2009 for sexy vampire times? Just rent this one.

I think I may have heard just a little buzz regarding this Twilight movie. Apparently it's based on the first book in a somewhat popular series that deals with young lovers and vampirism -- OK, I'm kidding. You can't work in the movie-news biz without knowing that Catherine Hardwicke's Twilight is one of the most hotly-anticipated films of late 2008. The project may be supported by only a few demographic groups (mainly young women and their moms, I believe), but those fans have been powerfully vocal in their excitement for this movie. Which is how it should be, if you ask me.

Twilight hits the screens on November 21, and each new bit of news has the loyal fans squeeing with delight. And so we're all very happy to give those fans their first peek at the final one-sheet. I've cropped a small section up there in the top right, but for the whole dang poster you'll have to enter ... beneath the jump! (In other words, just click on "continue reading," and maybe be prepared to change your desktop wallpaper.)

Iceland has a more robust film industry than you might expect from a small island nation of only 320,000 people, but still, it ain't exactly Hollywood. So when an Icelandic film gains worldwide attention, it's newsworthy.

Such is the case with Jar City, an excellent mystery thriller that Cinematical's Kim Voynar raved about last year at Telluride. It's the highest-grossing film in the country's history, from one of its most successful (and prolific directors), and it won a top prize at the 2007 Karlovy Vary International Film Festival.

And now it gets the ultimate honor: an American remake! (There may have been sarcasm in the word "honor.") According to The Hollywood Reporter, Overture Films has bought the remake rights and will employ the original writer/director, Baltasar Kormákur, as a producer. No word yet on who will direct the U.S. version, but a writer has been attached: Michael Ross, who wrote Turistas and who THR says is also penning the Near Dark remake.

The Icelandic setting will be changed, of course, to its logical American counterpart: Louisiana. No, really. I'm curious to see how the story transfers, since some of its details relate to the insularity of those small Icelandic communities. Also, I loved that the detective in the original was a total badass despite looking like a nerdy college professor. (That's him in the picture.) I hope they keep that element for the remake. William H. Macy would be perfect.

As far as I can determine, this is the first time an Icelandic film has officially gotten an American remake. If anyone knows differently, let me know. Otherwise, I'm marking this as a historic first for our friends in the North Atlantic.

Winners
Rachel Getting Married (Sony Pictures Classics)
The Duchess (Paramount Vantage)
Fireproof (Samuel Goldwyn)

Riding a wave of positive buzz and the rising stardom of Anne Hathaway, Jonathan Demme's Rachel Getting Married crushed all comers, earning $33,667 per screen at nine theaters in New York, Los Angeles, and Toronto, according to estimates compiled by Box Office Mojo. Hathaway appeared everywhere to promote it, even gamely spoofing herself as host on Saturday Night Live. (Loved her as Mary Poppins!)

Too much attention may be paid to Keira Knightley's ribs, but she was undoubtedly the reason that The Duchess made $7,047 per screen as it expanded to 127 locations in its third week. Keira and costume dramas seem to be the right fit; I wouldn't be surprised if this one drew an older audience that consistently attends British historical flicks.

Still ignored by the mainstream press (in contrast to Bill Maher's Religulous), faith-based Fireproof dropped just 40.5% (about the same as Eagle Eye) and took in $4,776 per screen at 852 theaters in its second week. So far the film has grossed more than $12 million. Was it ever advertised on TV? Or was the marketing done entirely through church groups? Whatever the case, with a reported budget of only half a million dollars, Fireproof appears to be a healthy success story.

Sex Still Sells
Elegy (Samuel Goldwyn)
Frozen River (Sony Pictures Classics)

Elegy, the 'old professor in love with a younger woman' adaptation of a Philip Roth novel starring Ben Kingsley and a sometimes naked Penelope Cruz, is in its ninth week of release and still playing in 70 theaters. The theater count is dropping, but the film has grossed more than $3.3 million.

The reason everyone loves Guillermo del Toro can, I think, be summed up in this new Hobbit related quote. "Believe me, I am jumping up-and-down inside this fat body!"

Yes, del Toro teased us all with Hobbit talk when he appeared at the Director's Guild of America recently and spilled all kinds of information regarding Middle Earth and his adaptation of Frankenstein. ComingSoon has the whole delicious thing, but I'll post my favorite bit -- his research into the mind of J.R.R. Tolkien: "I find you have to discipline yourself to write in the morning, and then watch and read in the afternoons stuff that seems relevant, even in a tangential way. For example, reading or watching World War I documentaries or books that I think inform The Hobbit, strangely enough, because I believe it is a book born out of Tolkien's generation's experience with World War I and the disappointment of being in that field and seeing all those values kind of collapse. I think it's a turning point that you need to familiarize yourself with."

And naturally, he sounds most excited about tackling Smaug. "Essentially, Smaug represents so many things: greed, pride ... he's 'the Magnificent,' after all. The way his shadow is cast in the narrative you cannot then show it and have it be one thing, he has to be the embodiment of all those things. He's one of the few dragons that will have enormous scenes with lines. He has some of the most beautiful dialogues in those scenes! The design, I'm pretty sure that will be the last design we will sign off on, and the first design we have attempted. It is certainly a matter of turning every stone before figuring out what he looks like, because what he looks like will tell you what he is."

As the description on You Tube reads: "Ever wish songs just sang what was happening in the music video? Well now they do." Indeed ... someone edited one of our favorite music videos of all time to include a whole new set of lyrics that sing about what's actually going on in the video. The song and video in question is A-ha's Take On Me, which has been spoofed before (see this bit from Family Guy). Sure, it's not directly related to a movie, but it's damn funny to watch and might just help you through the remainder of the work day. Enjoy!

[via Justin via Twitter]

Click image above to enlarge

Cinematical has just received this exclusive poster for the film Special, starring Michael Rapaport as a lonely meter maid who has a psychotic reaction to his medication and becomes convinced he's some sort of superhero. Back when Cinematical's Jette Kernion reviewed Special at the Austin Film Festival, she called it "different" and "attention-grabbing" -- adding that "Rapaport is riveting to watch as Les, as he transforms from a mild-mannered, easily duped meter maid to a self-identified superhero determined to help fight crime, and even further to his final state at the movie's climax."

As we told you last week, Special is part of Magnet's Six-Shooter Series, featuring six of the more talked-about genre flicks from the past year or so (Let the Right One In, Timecrimes, Donkey Punch, Eden Log, Big Man Japan) -- all of which are heading our way courtesy of Magnet Releasing. Special will hit theaters on November 21, but will be available On Demand beginning November 7.

Since they like to release eight indie-style or foreign horror films on one specific day each year, I'm always a little bit fascinated by the latest goings-on at After Dark. The fact that I don't actually like the majority of their films is sort of beside the point. Being a hardcore fan gives you the right to be critical, of course, but it also means you should always give a new flick a fair break. And the AD gang has given us access to some half-decent titles, and so I opt to focus on the good (Borderland, The Gravedancers, Frontier(s)) instead of the bad -- which is just about everything else. Although your mileage may vary.

And even though the next infusion of After Darkness won't arrive until January, I'm happy to note that they're putting together a rather solid slate. They'd already snagged a cool British chiller called The Broken (which I saw at Sundance ... and enjoyed) and a low-key occult thriller called From Within (which I saw at Tribeca ... and didn't), but now comes word on two new additions: The first one is also a Tribeca title, and it's an Aussie horror tale called Dying Breed. (Here's my review. I nagged Tim to play it at Fantastic Fest, but it ended up in the "very close but no cigar" bin.) The second is an American flick called Autopsy, which comes from screenwriter / first-time director Adam Gierasch (Toolbox Murders, Mother of Tears), and while I haven't seen this one yet, I've heard some quiet-yet-positive rumblings from my sources in the L.A. horror-geek scene.

The Broken, From Within, Dying Breed, and Autopsy will join Slaughter (aka Faithless), Perkins' 14, and The Butterfly Effect: Revelation when After Dark kick-starts on January 9. The eighth title has yet to be announced. Could it be this movie?

[Thanks to BD.com]

When Cinematical reader Geoff M. sent us a note about a life-size Yoda cake he created for his son's fourth birthday, we simply had to see it because a) any dad who's down for a Star Wars-themed birthday party certainly meets movie geek standards, and b) any dad who'd actually take on the task of building a life-size Yoda cake for his kid is all sorts of awesome in our book. (This also brought back memories of my own childhood; when I was young my parents would spend crazy money building custom superhero birthday cakes (Incredible Hulk, Batman, Spider-Man) for yours truly. That eventually stopped, however, and it was Carvel ice cream cakes from then on out.)

Anyway, inspired by Ace of Cakes (groovy TV show if you've never watched) and an enormous amount of love for his little one, Geoff set out to make his own 100% edible life-size Yoda cake. And over on his site, he provides step-by-step instructions and photos (a couple of which you can see below) in case you at home would like to do the same. See, my only issue with this is that after all that work, I wouldn't be able to ruin the thing by eating it. Oh well ... I'm sure it tasted heavenly. The Force was strong with this one.



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