august Tagged Articles at Cinematical
Vulture Declares August a Cursed Movie Month
Filed under: Casting », New Releases », Box Office », Newsstand »
Beginning with the summer of Surf Ninjas and concluding with last year's Underdog, Vulture has compiled a list arguing that August movies generally blow. Sifting through the titles from the past fifteen years, it's hard to ignore their point. If Bushwhacked, Spawn and The Thirteenth Warrior don't convince you, how about Hollow Man? The Adventures of Pluto Nash? Anacondas? August usually means a lot to America. It's big for vacationers. The sun comes out and everyone gets one last hurrah before the summer recedes for the year. So why would studios dump their worst movies at this time? Maybe it's just a coincidence, but either way, it's hard to say whether or not this August will break the trend. Swing Vote seems to confirm Vulture's dire prediction, but Vicky Cristina Barcelona, Pineapple Express and Tropic Thunder will surely find some appreciative audiences. And we all know The Dark Knight will continue to make bank. However, before you start thinking that a turnaround is on the way, consider the third Mummy movie -- and, once again, Vulture might have something here: Variety has called it "cheeseball stuff." Could that be the codeword for "typical August movie"? It would seem so.
Indie Weekend Box Office: 'Tell No One' and 'The Wackness' Duel at the Top
Filed under: Comedy », Documentary », Drama », Foreign Language », Independent », Thrillers », Box Office », Family Films », Cinematical Indie »
French thriller Tell No One and American dope comedy The Wackness traded places at the top of the specialty chart in their second week of release, outearning all new indie releases at the US box office this weekend. According to estimates compiled by Box Office Mojo, Tell No One made $13,388 per screen as it expanded from eight to 18 theaters, while The Wackness took in $7,258 per screen in its slightly wider expansion from six to 31 theaters.
Tell No One expanded into Chicago, Northern California (Berkeley, Palo Alto, San Francisco, San Jose), Philadelphia, and Seattle. Music Box Films brings it next to Baltimore/Washington DC area, Denver, Detroit, San Diego, St. Louis, and a flock of theaters in greater New York this Friday. It has further expansions laid out for the following three weeks.
The Wackness moved beyond New York and Los Angeles into San Francisco, Washington DC, Philadelphia, Boston, San Diego, Chicago, and Seattle. Sony Pictures Classics will expand the run into four more markets this coming Friday, and then open much wider into 34 more markets on July 25.
Debuting releases August ($6,500 at one theater), Roman Polanski: Wanted and Desired ($5,500 at one theater), and Harold ($3,433 per screen at three theaters) rounded out the Top 5. How did everybody else do?
Interview: 'August' Director Austin Chick
Filed under: Drama », Independent », New Releases », DIY/Filmmaking », Interviews »
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The world changed on September 11, but Austin Chick's second film, August, focuses on the moments right beforehand. Starring Josh Hartnett as a young start-up entrepreneur deluded by power trips, the movie moves along with a subtle pace, letting the natural drama emerge from a situation about to veer out of the control with the crash of the stock market. Chick's first feature, XX/XY, explored a three-way relationship; August, which opens in New York on Friday, explores the relationship between money and power during a key time in American history. Supporting performances from Rip Torn and David Bowie elevate the movie, while Howard A. Rodman's script keeps its conceits in check. Chick spoke with Cinematical about envisioning August's themes and working with his talented cast.
Cinematical: The film uses a very specific setting -- August 2001 -- immediately before 9/11. What interested you about that time?
Austin Chick: It captures a moment on the eve of change. If Howard (Rodman) and I were to move it to any other time, we would probably move it further back. The market really started crashing about eighteen months prior to when the movie is set. But I feel like there was still a certain amount of momentum in New York up until 9/11, this sense that things were going to turn around. The market had completely crashed, but there was still this crazy sense of decadence. All that really changed with 9/11.
Review: August

Few leading male actors have followed the roundabout career trajectory of Josh Hartnett. Though indisputably tall, dark and handsome, Hartnett still manages to avoid the pratfalls of typecasting by landing roles in strange projects with questionable appeal. While this choice comes at the expense of a quality resume, his performances can lend barely competent films at least one redeeming ingredient: I could give or take Wicker Park, Resurrecting the Champ, and even the good intentions of The Black Dahlia, but each benefits from Hartnett's expressive glare, furrowed brow and whispered delivery. He's an instant generator of gravitas.
Although August, director Austin Chick's second feature after the relationship drama XX/XY, doesn't qualify as Hartnett's best movie, it's certainly one of his meatiest roles – right up there with his work in the unfairly maligned Lucky Number Slevin. As the crudely pompous CEO of the mysterious start-up company Landshark in New York City during the summer before 9/11, Hartnett offers a maddened, garrulous anti-hero replete with dark humor and sustained by a surge of baseless confidence. The movie follows the audacious entrepreneur, Tom, as his fifteen minutes begin to run out – and it concludes with him facing off against a freakishly powerful David Bowie as the icy corporate foil. Despite the age gap, both men exude an eerie amount of restraint – which is not the case for the film. August adds up to less than it aspires to be, but it's populated with enough curiosities to keep you watching.
EXCLUSIVE: Clip from Josh Hartnett's 'August'
Filed under: Drama », Independent », Movie Marketing », Trailers and Clips »
Cinematical has just received this exclusive clip from the film August, starring Josh Hartnett, Adam Scott, Naomie Harris and ... David Bowie! Directed by Austin Chick (XX/XY), August tells of two brothers who fight to keep their dotcom start-up company afloat in August 2001, one month before the 9/11 terrorist attacks. In the clip above, Hartnett looks to be meeting with some of his advisers after his company's stock takes a massive hit and drops below a dollar. Running out of options, he may have to risk a lot more than the money in his wallet to save this puppy. But will he? August originally premiered at the Sundance Film Festival earlier this year before making stops in Seattle, Brooklyn and eventually Manhattan, where it opens on July 11.









