The directing debut of Helen Hunt gets a passing grade, barely -- the story she's telling is as old as the hills, but Then She Found Me is still executed with style. Sometimes charming, occasionally funny, it never draws attention to itself as the work of a director with training wheels on. The film follows the journey of April Epner (Helen Hunt) a 39 year-old woman who is inexplicably marrying a man named Ben (Matthew Broderick) who is so inconsiderate and self-absorbed that no woman could find him to be primo marriage material. Just as they begin to realize their mistake, April gets the shock of a lifetime: her birth mother shows up and informs her that her real father was Steve McQueen. I kind of liked that premise and hoped the movie would go with it, but it turns out to be just a gag. April's mother, played well by Bette Midler, has a couple of screws loose. More to the point, she has a couple of screws loose when it's convenient, and provides sage and sound advice at other times.

Colin Firth co-stars as April's love interest, an emotionally volatile man with a kid who happens to be in the same school where April teaches, which leads to the kind of scene where the teacher is red-faced by having the kid notice that she is having a 'sleep over' with the father. Firth's character, Frank, tries hard to start up a relationship with April and aggressively pushes her onto his kids, but naturally he isn't very understanding of the fact that she's still seeing her almost-husband on the side, here and there. Usually, a romantic comedy of this type would set up the love triangle but make it more or less clear from the start who is going to win out and who isn't, so Then She Found Me deserves some credit for going a more complicated route and portraying all of these characters as seriously flawed. Frank, for instance, is prone to yelling and storming around in an absolute rage, which is never a good sign. Ben is worse, having nothing whatsoever going on in his life.

We've already told you about the first couple of deals to come out of the Toronto International Film Festival, but here's the first one with enough money changing hands for the trade publications to cite the figures.

ThinkFilm has bought U.S. rights to Then She Found Me, starring Helen Hunt, Bette Midler, Colin Firth, and Matthew Broderick, with Equinoxe Films taking Canadian rights. The total price tag, according to The Hollywood Reporter, is between $2.5 and $3 million.

Hunt directed the romantic comedy-drama, her first time in that capacity except for a few Mad About You episodes. Based on a novel by Elinor Lipman, Then She Found Me is about a woman (Hunt) who is contacted by her birth mother (Midler) just as her adoptive mother has died, her husband (Broderick) has left her, and she's met a new man (Firth).

After Mad About You ended in 1999, Hunt did a quick series of movies -- four in 2000 alone -- before taking a break. Since then, she's appeared only in Woody Allen's The Curse of the Jade Scorpion (2001), A Good Woman (2004), HBO movie Empire Falls (2005), and last year's Bobby. And it's too bad, because I really like her. I mean, who doesn't? Who doesn't like Helen Hunt?!

For that matter, we haven't seen much of Bette Midler in movies lately, either. Apart from The Stepford Wives in 2004, she hasn't been on film since 2000. That, I'm not complaining so much about.

Anyway, of course we'll keep you posted on release dates and other news as it becomes available.

Though it's taken forever to get off the ground, Helen Hunt is finally gearing up for production on her directorial debut, Then She Found Me. Pic, which is just about to start shooting in Brooklyn, New York has added Colin Firth, Matthew Broderick and Bette Midler to its cast. Not bad for her first feature, huh?

Based on the novel by Elinor Lipman, Hunt has been working on adapting the script (a role she took on herself) for the past eight years. In the film, Hunt will play a schoolteacher whose birth mother (Midler) pops into her life at the worst possible time. Broderick will play Hunt's husband, while Firth takes on the role of a man she meets through one of her students.

Personally, I'm not keen on first-time directors placing themselves in their film as a main character. Often, I find it takes something away from the role and, with so much going on behind the scenes, the flick might suffer. However, in this case, Hunt has been working on the damn thing for so long, I imagine she has every detail memorized by heart. Here's to wishing her good luck.

A good parody is hard to spin beyond the here and now. Take "Weird Al" Yankovic, for example. The pop-music jokester has put out 11 regular albums since 1983, when the accordian-playing nice guy's spoof of The Knack's "My Sharona" (titled "My Bologna" and recorded in the men's room of his college radio station) started his career as a musician, comedic icon and food fetishist when it blew up on The Dr. Demento Show. However, every hilarious and unforgettable cut like "Eat It", "Like A Surgeon" and "Smells Like Nirvana" that hit was matched by fade-away tracks like the New Kids jape "The White Stuff" (an ode to Oreos), the Rocky III goof "Theme From Rocky XIII (The Rye Or The Kaiser)" or the misjudgment "Taco Grande" (a riff on Latin rough-boy Gerardo's only hit, "Rico Suave"). The secret to a successful parody is complex, involving a careful balance of picking a song that is big enough, worthy of a good-natured dressing down and most important, funny. The same is true with movies, and the latest in the popular Scary Movie series is a great example of what can go right and wrong with such an attempt.