Even though the inevitable backlash against Shia LaBeouf has already begun, you have to respect a guy who made his start in flicks like Dumb & Dumberer: When Harry Met Lloyd and made his way to the coveted spot of Spielberg's go-to leading man. Plus, he has a way of making me enjoy films that I normally wouldn't plunk down my hard-earned dollars for. Trust me when I say that it took a lot of restraint not to throw things at the screen during Transformers, so, I really hand it to the guy. Hopefully some of that magic will rub off on the Dreamworks action thriller, Eagle Eye. JoBlo now has the first look at the poster and Mr. LaBeouf seems to really be working the 'intense look' this time around.

LaBeouf plays Jerry Shaw, a slacker who returns home after the mysterious death of his successful twin brother -- gee, do you think there will be a case of mistaken identities? Along with a single mother played by Michelle Monaghan, the two are framed as terrorists, and are threatened into becoming members of a cell plotting to assassinate a politician. Joining in on the fun are Rosario Dawson, and Billy Bob Thornton as the two government agents that are a step behind.

Eye reunites LaBeouf with Disturbia director, D.J. Caruso, in an action thriller that was originally on Spielberg's to-do list. Now that we got a better look at the film, the longer trailer helped ease some of my concerns that instead of Rear Window, Caruso and company were looking to rip-off North by Northwest this time around.

Eagle Eye hits theaters on September 26.

Mark and Michael Polish may not be as well-known a fraternal filmmaking pair as Joel and Ethan Coen, but they could out-weird the Coens any day of the week. Their films range from virtually inscrutable (Northfork) to very strange (Twin Falls Idaho) to merely offbeat (The Astronaut Farmer), but it's clear they won't be getting hired to direct the sequel to Alvin and the Chipmunks. So instead, they've formed their own production company, Prohibition Films, and are shooting two new projects back-to-back.

The first is entitled Manure, a title they should reconsider if only to make lazy film critics' jobs a little harder. Starring Billy Bob Thornton, Tea Leoni, and my man Kyle MacLachlan, the movie will explore the world of manure salesmen in 1960's heartland America. Upon reading that I frowned for a moment, but then realized that had you asked me who would be most likely to write and direct a movie about manure salesmen in 1960's heartland America, I would unhesitatingly have said the Polish Brothers.

In 2002, French filmmaker and actor Patrice Leconte brought us Man on the Train -- the story of a teacher and thief who meet and befriend each other. As their friendship develops, they realize that they wish they had the other's life. The award-winning film is one that inspired Roger Ebert to say: "I have seen The Man on the Train twice, will see it again, cannot find a flaw." Of course, you know what that means! Stomach your groans and prepare yourself -- a remake is coming.

The Hollywood Reporter posts that Miramax is whipping up an English remake of the film. As of now, the only person signed on to the project is screenwriter Daniel Taplitz, the man who just brought us Chaos Theory. Thomas Bezucha (The Family Stone) is in negotiations to direct, and THR says that Billy Bob Thornton "is said to be circling the project."

I really enjoyed Chaos Theory, but I wasn't too much of a fan of The Family Stone. I'm sure, however, that they can make an enjoyable movie. But will it be one worthy of the original? I'm not convinced. Leconte excels at creating really excellent and dynamic friendships on-screen (think Mon Meilleur Ami), and while the films have mainstream comedy aspects, there's a depth to them that makes them more than just a normal comedy. But maybe they'll all surprise me and make it more than just your everyday comedy. Production is scheduled to begin later this year.

It seems like a lifetime or two has passed since Billy Bob Thornton wrote, directed, and starred in Sling Blade. There's been a marriage to Angelina Jolie, teamed with super-romantic blood vials, and a whole slew of acting gigs from A Simple Plan to The Astronaut Farmer. He also had two other directing stints -- All the Pretty Horses in 2000 and Daddy and Them in 2001.

Now Cinema Blend reports that he's getting back to the director's chair with two new projects, and explained why it has taken him so long to do so. It seems that Billy Bob did not enjoy working with ol' Harvey Weinstein on Horses, and that experience has kept him from getting back behind the camera. But now, with deals contingent upon him retaining total control of both projects, he's trying again. He says one is locked, and the other is close to a deal.

The first is some book adaptation that he didn't say much about, but the second idea focuses on Floyd Collins. It's a pretty wild story about a caver in the '20s who was trapped in some underground caves and became the first world-wide media sensation, well before the days of Jessica McClure, or reality TV. Thornton says: "the reason I want to make the movie is I want to make the movie about human nature. It's human nature to want to see other people suffer for entertainment. That's why we have reality television. That's why every time there's somebody trapped in a hole, everybody's interested." I just wonder if it will detail the creepy stuff later -- like displaying the poor dude's body at the cave.

When I first posted about the film back in November, I said that the upcoming Clive Owen and Julia Roberts-starring Duplicity filled me with curiosity and dread. The curiosity (and a little excitement, I must admit) came from the fact that it was re-teaming two stars from Closer -- a film I really enjoy. On the other hand, I hear "Duplicity," and I think of the similar-sounding Derailed. That makes me want to run for my life. (Famous last words said before watching the latter: It's got Owen. It can't be all bad.)

All that said, there's two more great actors joining the cast, which should start to erase those Derailed fears. The Hollywood Reporter has posted that Tom Wilkinson and Billy Bob Thornton are looking into joining the cast. (Wilkinson is in negotiations, and THR doesn't say whether BB has officially signed on yet.) This will re-team Wilkinson with Michael Clayton director Tony Gilroy, who also wrote the script, so I imagine he'll sign on the dotted line soon enough -- Tom's role in the film did nab him an Oscar nod for supporting actor, after all.

The thriller focuses on Roberts and Owen's characters, "who are longtime lovers and rival corporate spies who team to pull off an elaborate con." (Sounds like Mr. & Mrs. Smith meets Ocean's 11.) Wilkinson is set to play the CEO of a large company, while Thornton's role is said to be "a more maverick type of CEO." The film will shoot this spring in the Big Apple.

I can't stand movie titles that do not, in any way, seem to coincide with the film's plot. Case in point: Variety tells us John Singleton has signed on to direct a thriller called Executive Order: Six, which will be financed by Relativity and is based off a script written by Philip Eisner (from a story he wrote with Robbie Consing). Lawrence Bender and Karen Barber will produce. Based on the title, it sounds like some corporate-themed flick, where guys in suits do bad things. It also begs the question: What happened to Executive Order one through five?

So what's it actually about? Well, Executive Order: Six follows "residents of a small, snowbound town, who band together to fight a mysterious horror that turns out to be an alien being unleashed by a plane crash." Sounds sort of like 30 Days of Night ... with an alien instead of vampires. I'm sure the whole Executive Order: Six fits into the script somehow, but you're telling me there weren't any other title suggestions? Like Snow Alien? Like ... The Secret Lives of Aliens? Or ... Crash Aliens? A Shot at Love with Tila Tequila? Wait, scratch that last one. Anyway, kudos to Singleton for finding another project to helm; the director has had a rough few months -- first he was involved in a car crash that killed someone, and then Tulia, the Halle Berry/Billy Bob Thornton flick he was supposed to direct, was postponed due to Berry being preggers (lingo you pick up after hanging around with way too many pregnant women). Do you like the title? What would you have called it?

Putting together last week's list of my favorite screenplays of the 2000's was relatively easy. I came up with about ten worthy candidates and narrowed from there. When I started putting together this week's list -- my favorite screenplays of the 1990's -- things got a lot more complicated. I had a much larger list of worthy candidates to choose from. It made me realize that a) the 90's, particularly the late 90's, was a genuinely incredible time for film, and b) I was going to have to split my list into two halves: 1995 -- 1999 and 1990 -- 1994.

So, in support of all the great screenwriters currently on strike, what follows is my favorite screenplays produced between 1995 and 1999. Read that last sentence carefully! If you've got movies you'd add to or subtract from my list, I would love to hear them, but make sure your choice fits the criteria. On my 2000's list, I was getting comments like "How DARE you not include Citizen Kane, you freaking idiot?"

Now then, with all apologies to the scripts it killed me to leave off (Office Space, A Simple Plan, As Good As it Gets, Chasing Amy, Lone Star, Three Kings, Swingers, Jackie Brown, Kingpin, I could go on and on), here is my alphabetical list:

If you've grown kind of tired of Billy Bob Thornton's recent predilection for comedy (and a little astronaut farming thrown in for good measure), all of the actor's upcoming projects should fix that -- The Informers, Tulia, and Peace Like a River. It's like he just sat and realized that he hasn't given audiences anything meaty to chew on lately and is doing everything he can to rectify that. Now a Moviehole source says he's added another -- Eagle Eye.

Originally set up by Steven Spielberg, who left the project to work on a little picture about Indiana Jones, the film is being directed by Disturbia helmer D.J. Caruso and is re-teaming him with his last star, Shia LaBeouf. It's a thriller about a young slacker and a single mother who are framed as terrorists and then get involved in a terrorist cell that's planning a political assassination while trying to clear themselves. Shia is the slacker, of course, and will be joined by Michelle Monaghan as the single mother, and Rosario Dawson as a government agent. Billy Bob could be her fellow agent, or maybe the head of the terrorist organization.

So basically, this is kind of like Disturbia without the house arrest, and it seems without his mom -- all reports are careful to say "a" single mom, not "his" single mom, but I wonder then, where his is. Moviehole says that rehearsals for the film will start tonight, so I'm sure we'll find out more about the feature soon enough.

Shoot 'Em Up may not have been a smash at the box office (at this point it might struggle to match the gross of Stop! Or My Mom Will Shoot), but it provided us plenty of laughs with last week's Insert Caption contest. Still, while the film may be cartoonishly violent and slightly satirical, there's a strong social message at the heart of it: Guns don't kill people, Clive Owen does. Hundreds, thousands, maybe even cajillions of them. Congrats to our winners below, you've got a hat, t-shirt and shot glass (get it?) on the way.

1. "What happened next was completely logical." -- Jordan M.

2. "Look... I'm hungry and you're hungry, it is an unfortunate situation. But there is no reason we can't share these baby bottles." -- Tom O.

3. "You know, if it weren't for those colored baby bottles over there, this would totally be a cliche." -- Bob M.

See full image and all captions

This week we have a photo from another film with some stirring social commentary, Mr. Woodcock, which I believe was originally scheduled to release in 1993. Susan Sarandon flaunts her liberalism by playing a woman who marries a gym teacher (Billy Bob Thornton), much to the chagrin of her son Stifler (Seann William Scott). In the spirit of Fashion Week, writers of our three favorite captions will win various items from the limited edition Mr. Woodcock clothing line. Good luck!

UPDATE: WINNERS ANNOUNCED! Click Here

All this writing about sex, and I'm going to need a cold shower ... or two. Nothing makes a movie more memorable than a fantastic sex scene. If Jim hadn't tried to stick his "down there pal" into a pie, would American Pie be the classic that it is today? Would Brokeback Mountain still have been a major Oscar contender had Jake Gyllenhaal and Heath Ledger not attacked one another like a couple of wild (and horny) animals? Heck, Halle Berry chose the right script and the right time to let her guard down and roll around on a couch with Billy Bob Thornton -- and what did it get her? Yup, her first Oscar. And I can't be the only one to immediately think of the film Wild Things when I hear the names Neve Campbell and Denise Richards.

Let's face it -- sex sells. And sex also helps a mediocre film become one that's talked about for years on end. That said, those devious folks over at Moviefone have compiled a list of what they feel are the 25 Best Sex Scenes of All Time. All of the above aforementioned films are included (although I would've placed Monster's Ball ahead of the puppet sex featured in Team America: World Police), as well as more of our most favorite (and most heated, steamy -- orgasmic?) scenes and films like Bound (lesbian sex), Secretary (work sex), Unfaithful (adulterous sex), Boogie Nights (porn star sex) and the always-enjoyable Y Tu Mama Tambien (foreign-language sex). So take a look at their list, then come (hehe) back here and let us know which ones flow and which, well, blow.