brad bird Tagged Articles at Cinematical

Here is a little health lesson that might strike fear into some of the individuals who keep our Megan Fox gallery in the top ten. If you suffer the symptoms portrayed in this preview (especially the medieval cabinet full of lotions), you should call a health professional immediately. Or take a cold shower.

Actually, the real reason you should watch The Trouble With Lou (besides that it was loved at SXSW 2000, and won the Special Jury Prize at Slamdance 2001) is because the team behind it now work for PIXAR. Producer Teddy Newton, actor Lou Romano, and composer Michael Giacchino have been behind or appeared in The Incredibles, Ratatouille, Cars, and Up. Newton also worked with Brad Bird on the lost gem that is The Iron Giant. Somehow, it's not too surprising that the minds behind such childhood wonder are a little raunchy -- boys will be boys, after all.

The full film is available for purchase or rent on itunes.

Although Will Smith plays an emotionally fragile superhero in Hancock, as a movie star he's practically invincible. By industry standards, the last genuine Smith dud was The Legend of Bagger Vance, but the actor's standing among many audiences has remained decidedly rocky. As a result, he occupies a unique corner of the Hollywood marketplace where quality and taste don't necessarily match up. Unlike, say, The Dark Knight, not many people eagerly await the latest Smith offering -- which currently has a 32% rating on Rotten Tomatoes -- but they'll see it anyway. Hancock is tracking well, thanks to a poster exclusively dominated by Smith's unshaven mug, and that pretty much seals its potent box office fate. Just as Smith's slapdash onscreen persona is bullet-proof, Smith himself is steadfastly critic-proof.

Which places movie in an interesting quagmire: After pulling in waves of cash, it will probably get relegated to the void of forgettable Smith fare, where spectacles offer passing amusement before scampering off forever. Hancock, however, deserves better than a fleeting moment in the limelight and a crash landing in the bargain bin. It's part of a genre that speaks directly to the modern state of blockbuster cinema: The superhero satire.

A couple of people have been griping about Wall-E director Andrew Stanton's refusal to admit that his cute little movie about a robot in love actually contains some pretty upfront green politics, but there's a far more polarizing reference in the film than its harmless pro-environment agenda. It's no major plot spoiler to reveal that, about an hour or so into the story, Fred Willard appears in a recorded message as the mysterious president of Earth's corporate government and orders the ship's captain (Jeff Garlin) to "stay the course." Wait, we've heard this one before: It was the go-to statement used by the Bush administration for about three years or so when describing its modus operandi in Iraq (the term was abandoned when staying the course started to sound like a bad idea). In Wall-E, the context is quite different -- it's an order to not do something, rather than take action -- but hard to ignore nonetheless.

Certain critics with (surprise!) conservative slants have taken issue with this. At Dirty Harry's Place, John Nolte expresses his disappointment in the first paragraph of his review: "Have we lost the wonderful studio who brought us The Incredibles and Ratatouille to Bush Derangement Syndrome?" he asks. New York Post critic Kyle Smith picked up the rant and decided to write his own, even though he hadn't seen the film yet: "This kind of crack, lame as it is, also breaks the spell of the movie by hurling you out of the theater and back into reality."

This news the other day about Pixar making a sequel to the milquetoast Cars really bothers me. I mean, Cars? Seriously? Yawwwwwwwn. Of all the films they've made over there, that's the last one I want to see a sequel to. And now, we also have the official word that Toy Story 3 is coming. While Toy Story 2 was one of the best sequels ever, I'm not sure they can (or should) try to sustain that momentum for a third round. I understand the impulse to build on existing branding, and the desire to market the hell out of a bunch of new toys, but with all those creative minds over at Pixar, surely they can do more than that.

If they must do sequels, I'm infinitely more interested in seeing Incredibles 2 than Cars 2. The Incredibles was a nearly perfect animated film -- visually stunning, great characters with interesting arcs, fantastic voice acting, and a good storyline, to boot. I've heard rumors that Brad Bird doesn't want an Incredibles sequel, but surely he of all people could come up with a fab storyline that wouldn't dilute the franchise.

Pixar did announce some new original stuff coming up; besides Wall-E, which I'm hyped about, we have Up coming in May 2009, and Newt in Summer 2011. Beyond that, though, it's pretty much Sequels-'R-Us around PixarLand, with Cars 2, Toy Story 3, and 3-D releases of Toy Story 1 and 2. What do you think about Pixar and sequels -- especially of Cars? Does anyone really care about seeing more of the adventures of Doc Hollywood Lightning McQueen? Or would you rather see Pixar following up on the Incredibles, or just creating more original stories? Sound off and let 'em know what you think.

I don't know why, but I've always been drawn to the big San Francisco Earthquake. (Obviously a curiosity -- not a morbid wish to meet my maker under piles of falling rubble.) This is probably due to the old hardcover that rested amongst my parent's books. Every year or two, I would pick it up and thumb through the pictures of devastation, which probably solidified my determination to never live there. Maybe Brad Bird is equally drawn to the story.

After flicks like the uber-popular The Incredibles and Ratatouille, it has now been confirmed that Brad Bird is making his live-action directorial debut with 1906. The period piece will focus on a college student who is investigating the murder of his father. His digging leads him to "a web of deceit" that has left San Francisco vulnerable to fire -- the kind that erupts when the 1906 earthquake hits. John Logan had penned the original script, and now Bird is rewriting it, so further news should come once Bird completes his stab at the script.

What could be scarier than watching a hijacking movie in a plane? Maybe 1906 in a creaky, old San Francisco building...

Best Animated Feature Film

Nominees:

Bee Movie

Ratatouille

The Simpsons Movie

Predicted Winner: Ratatouille

Cinematical writers predict a winning awards season for this Pixar film, written and directed by Brad Bird, about a rat in the world of Parisian haute cuisine.

Now it's your turn to vote ...

While my favorite part of For Your Consideration is Marilyn Hack's plastic surgery, I also love that dreaded morning when the Oscar nominations get announced. Some actors wait anxiously to hear their name announced, while others, thinking they're totally off the Academy's radar, get nods while they're snoozing. Then, to add insult to injury, the losers get tracked down for embarrassing meltdowns and awkwardness on television. It's not quite that bad in real life, but as I read the reactions of those who received Golden Globe nominations, that movie keeps popping up in my head. So, check out these reactions, courtesy of Variety:

Dudes Chewing on Their Nails Hoping to Get Nominations: Jeremy Piven & Focus Features
"I got a call around 5:30, but I was up, believe it or not." -- Piven

"I was sitting here at Focus with about 35 very happy colleagues." -- FF head James Schamus on leading the studio nominations.

Those Who Prepared Speeches: Joe Wright, Atonement & Brad Bird, Ratatouille

"I think we were, as a team, very passionate about the film and story. I don't think we looked up from the little world we created around ourselves." "You need to make all actors feel loved, respected, and supported. That applies to the 12-year-old Saoirse Ronan or a slightly-older Vanessa Redgrave. Acting is an exposing and vulnerable job. You need to make them feel safe." -- Wright -- Extra props given for use of "slightly older."

"One of the messages of the film that most critics understood was that it wasn't anti-critic, but was saying if you're a critic or artist, don't get far away from what you love, and if, as a director, if you're focused on box office or awards and not the film itself, you'll take your eye off the ball." "And most importantly, this nomination shouldn't be taken as an endorsement for rats cooking our meals for us." -- Bird

Lads and Ladies with a Little Bit of Cockiness: Craig Zadan, Hairspray & Julie Taymor, Across the Universe

"It's so interesting that a couple of years ago we were accused of bringing the musical back with Chicago, and now you have this year with Sweeney Todd, Hairspray, and Across the Universe. There was no musical for so many years, and we're so proud of what Chicago has done for the musical." -- Zadan

"It's tremendous as we weren't on the pundits lists and didn't have big ads. I feel, in a way, that we were the engine that could. People vote from their heart, and I feel very gratified." -- Taymor

More About that Damned Strike: Piven, again! & Russ Smith, Juno

"I don't know about whether or not I'll be attending because to be honest with you, I don't know a lot about the rules and limitations of what is happening. I need to look into it. Writers are kind of these unsung heroes... I hope they get what they deserve, and I'll do anything I can to help that." -- Piven

"Our hope is that there's gonna be some sort of dispensation. Every day we're hoping they work something out, but we'll have to see." -- Smith -- In other words: please end the strike, I want my big moment!!

In what seems like a repeat of last year, the 2008 Annie Award nominations include a Pixar movie and a movie about penguins. The top contenders for the 2007 Annies, which recognize the best in animation, were Cars and Happy Feet. The former ended up winning the big award, Best Animated Feature. However, a couple weeks later it was Happy Feet that won the corresponding Oscar, so the Annies can not be looked at to predict the Academy's decision. In 2008, though, the two awards should actually match. The only real contender for both the Annie and the Oscar is Pixar's Ratatouille. There isn't much chance of this year's penguin movie, Surf's Up, winning either award. If there's any minor competition for Pixar, it's from Persepolis. The other two nominees for the Best Animated Feature Annie are Bee Movie and The Simpsons Movie.

Ratatouille was the leader in nominations at 13, while Surf's Up received the second highest amount with 10. In addition to the top award, the two films are competing in the categories for writing (also competing: Simpsons and Persepolis), storyboarding (also competing: TMNT; Meet the Robinsons; Bee Movie), production design (also competing: Beowulf), directing (also competing: Shrek the Third; Simpsons; Persepolis), character design (no other competitors), character animation (no other competitors, but Surf's Up received two mentions here) and animated effects (also competing: Spider-Man 3; Disney short How to Hook Up Your Home Theater; Ratatouille received two mentions here). One category that Bee Movie seriously missed is voice acting, which features three nominations for Ratatouille -- for Janeane Garofalo, Ian Holm and Patton Oswalt.

One thing that is interesting about the Annies is how the awards can be distributed to many different movies. Last year, Over the Hedge won the directing, storyboarding and character design categories, Flushed Away won in writing, voice acting, animated effects, character animation and production design categories and Happy Feet took away no awards. Then again, the year before, Wallace & Gromit in The Curse of the Were-Rabbit picked up ten trophies and then went on to pick up the Academy Award. So, the 2008 Annies could go any number of ways.

I'll admit I was a bit skeptical when I first heard of Ratatouille. Not only did I hate the title (fearing kids would not be able to pronounce it), but I was a tad grossed out at the thought of a rat cooking food. Maybe it's because I live in New York City; a place where rats commonly frequent the streets and subways, in places where one spots them on a pretty regular basis. Thus, it's hard for us New Yorkers to look fondly upon rats and support them in their culinary dreams. I skipped Ratatouille when it first arrived in theaters, but after plenty of good buzz, decided to catch the flick on DVD -- and boy, am I glad I did.

Ratatouille will go down as one of the great films of 2007, and if there ever was a time to slide an animated film in the Oscar's best picture category, it's now -- and this is the film that should be there. Aside from the actual film (which looks absolutely gorgeous on DVD), the disk also comes with two animated short films (Lifted and Your Friend the Rat), as well as some deleted scenes and a fabulous behind-the-scenes feature called Fine Food & Film with director Brad Bird and Chef Thomas Keller. Ratatouille is also available on Blu-ray, where it comes with some additional features such as a java based game called Gusteau's Gourmet Game and a feature that allows viewers to customize their own behind the scenes experience.

After wallowing in production limbo for the last ten years, Empire Online reports that Pixar has finally decided to make not one, but three films about John Carter of Mars by Tarzan creator, Edgar Rice Burroughs. The latest news about the project emerged when Pixar's creative team made a visit to the Burroughs's archives. Pixar's team was comprised of Jim Morris (VP), Andrew Stanton (director), and Mark Andrews (script). Carter was "a Civil War veteran whose retreat into a cave to avoid capture by Apache Indians takes an otherworldly turn as he's transported via time portal to the planet of Barsoom (aka Mars) and taken prisoner by 12-foot-tall green men". First appearing in Princess of Mars back in 1917, the character appeared in over seven novels, so there is plenty of material for the trilogy. According to reports, "All six members at the meeting expressed a deep commitment to the project, acknowledging that they had been inspired by Burroughs' creations from a very early age. This is evidenced in the excitement held for the John Carter property and the plans for a film trilogy faithful to the Burroughs books".

Rights to Carter were finalized back in January for Pixar and Disney. Reportedly, the project has been around since the 90's when Jeffrey Katzenberg had designs on a feature film version while he was still head of Disney. After that, the project made the rounds to Paramount and has had some big names attached to direct over the years, including Robert Rodriguez and Jon Favreau. There is still talk that Pixar will finally be getting into the live-action game with Brad Bird's telling of the San Francisco earthquake, 1906. But, there is plenty of time since they aren't exactly in a rush to get Carter into production. The first film will hit screens sometime in 2012. Talk about planning ahead ...