A new adaptation (I refuse to use the word remake here) of Fahrenheit 451 has been in the works for ten years now. I was very excited by the news that Mel Gibson was planning it as a Braveheart follow-up, as it seemed like that would mark a new and serious phase of his directing career. I wish that was something I could have been right about.

Frank Darabont was the next one to take it on, and he's been attached to it since 2001, rewriting Terry Hayes' script and being delayed by everything from Indiana Jones IV, Mission Impossible III, The Mist, and Law Abiding Citizen. SciFi Wire caught up with Darabont at the Saturn Awards, and the director / writer declared that it was really time to get on with it already ... and that it might actually get underway this time, depending on whether or not the Big Name Actor he wants signs on.

"Fahrenheit is the thing I'm trying to get up next, which is casting-dependent, so it's one of those. I'm out to somebody at the moment, fingers crossed, because, boy, do I want to make that movie. I'm not giving up. I'll die in the traces before I don't make that movie ... It's not one of those movies that are vastly expensive by any contemporary standard, but money is still money, and it's of a price that requires somebody that will justify that investment. This is definitely going to be more than The Mist, so those other considerations do come into play."

You can go crazy wondering just who that Big Actor who can pull in the money and box office might be. Could it be someone that rumors have long attached, like Tom Hanks (Darabont's pick for years), Brad Pitt, or Tom Cruise? Or could we be looking at someone newly bankable, like Johnny Depp?

You know things are bad in Hollywood when a production gets shut down just three days before it's supposed to start filming -- and when the production in question stars Brad Pitt and is directed by Steven Soderbergh. The last three movies those guys made together all had the word Ocean's in the title. What gives?

Well, according to Variety, Columbia Pictures chair Amy Pascal found the latest script revisions for Moneyball so different from what she'd originally greenlighted that she pulled the plug on Friday. Filming was supposed to start in Phoenix on Monday. This is the equivalent of canceling a flight while the plane is accelerating down the runway. Those script revisions must have really been something. Maybe Soderbergh had decided to turn it into a four-hour biography of Pancho Villa.

Moneyball is based on a nonfiction book that uses the 2002 Oakland A's baseball team as a case study for examining how less wealthy teams can compete with richer ones (like the Yankees) by hiring players whose statistics in certain areas -- but not the ones usually considered, like batting averages and RBIs -- indicate they'll perform well. Yes, it's a book about statistics. You can see why a movie would be a hard sell to begin with. But the book was a bestseller, appealing to baseball fans (who tend to love statistics) and readers who enjoy a good underdog story. Pitt was to play A's manager Billy Beane, whose theories about which players would be most valuable went against conventional wisdom but were ultimately vindicated.

Well, Spider-Man is back in the headlines and it's official: Kirsten Dunst will be back for another turn as Peter Parker's main squeeze, Mary Jane. Now this might sound odd, but I feel like I've spent a lot of time defending Kirsten Dunst over the years. Not to the population at large mind you, but when you have those discussions with friends or family or maybe even the occasional reader out there about the actors you like or dislike, Dunst always shoots to the top of the Yuck, I So Hate Her list. That's why, today, I'm here to ask the big question of all you haters out there: What did Kirsten Dunst ever do to you?

Do a quick search on the internet for Dunst and stories pop up about stints in rehab (and it didn't help that her name worked so well with drunk), body snark on a level that would make a mean girl blush, and just about every unflattering comment you can think of -- for goodness sake, some of the sleazier wags out there thought the proof of Jake Gyllenhaal's homosexuality was the fact that he was dating her. But today I will come out of the closet and proclaim: My name is Jessica and I like Kirsten Dunst.

After the jump: find out why, and my picks for her top five films...

Steve McQueen's widow might think that Daniel Craig would be the perfect actor to bring her husband back to life on the big screen, but it doesn't look like that's the direction Christine Peters and Michael Cerenzie are going with their adaptation of Steve McQueen: Portrait of an American Rebel. In fact, if rumors are true, they're looking for the man who was once rumored to be remaking McQueen's classic Bullitt -- Brad Pitt.

The Examiner says the actor is about to sign on to play McQueen in the biopic, which will kick into production later this year. They seem fairly happy with the news, stating: "The casting might work, Pitt resembles McQueen and shares the late actor's love of beautiful women, fast cars, and motorcycles." Me, I'm not so sure.

It all comes down to "the pretty." McQueen definitely had looks himself, but he was one of the men considered sexy for rugged strength and charisma, not for perfectly balanced, superstar features. He was the man you might dig in spite of yourself -- which is why McQueen's widow made a pretty good call with Craig. But Pitt ... is he too pretty? Too much of a looker and too little of the rugged machismo? While I've no doubt that he can handle the acting, could Mr. Jolie bring to life that "it" that made Steve McQueen so damn cool?

Nothing like a little war movie to bookend a day at the Cannes Film Festival. Lines began forming at the crack of dawn to see the first screening of Quentin Tarantino's Inglourious Basterds this morning, and, still, many were shut out. (Erik Davis rounded up the first reactions from those who did manage to gain admittance.) Evening brought the glamour, as Brad Pitt and Angelina Jolie led a parade of celebrities down the fabled red carpet for the black-tie and gown gala presentation. As a cherry on top, Sam Raimi's Drag Me to Hell screened at midnight.

Films Sold. Amazingly -- or maybe not, when you consider all the free publicity it's already accrued -- Lars Von Trier's highly controversial and divisive Antichrist sold to IFC Films. The company says they will release the same version as the one screened in Cannes, according to indieWIRE. Specific release plans were not announced, but expect it this fall, in order to capitalize on the buzz. Also, I suggest a poster highlighting Willem Dafoe's previous, religiously-titled movie: "From The Last Temptation of Christ to ... Antichrist!"

Much less controversially, IFC also picked up Ken Loach's Looking for Eric, which the company describes as the director's "most accessible, crowd pleasing film." More details at indieWIRE.

Key Screenings. Competition: Alain Resnais' drama Wild Grass, starring Mathieu Amalric (the reviews so far, collected by David Hudson at IFC's The Daily, range from reserved to rave). Un Certain Regard: Pen-Ek Ratanaruang's supernatural-tinged drama Nymph (Todd Brown at Twitch reviews), Luc Mullet's Land of Madness. Directors' Fortnight: Axelle Ropert's The Wolberg Family (a small town mayor's obsession with his family), Ho Tzu Nyen's Here (a middle-aged man deals with life as a patient in a medical institution).

Depending on who you read today, Quentin Tarantino's Inglourious Basterds was either a total win or a total bore (read our earlier review recap). The film, which premiered at the Cannes Film Festival yesterday, wasn't as well received by critics as we might have hoped for -- and, instead, we have folks like The Guardian calling it a "turkey" and "Gott-awful," while Variety (who just recently released their official review) said this: "By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director."

We get it: Some people liked it more than others, and it'll be interesting to see how (or if) Tarantino fine-tunes the film prior to its August release, especially if the Weinstein Co. is counting on this to be their big, squishy, box office teddy bear come late summer. In the meantime, though, you at home can now own the special coat Brad Pitt's character wears throughout the film. Not the actual coat, mind you, but the version of the coat that was specifically created for the film and for Pitt's Lieutenant Aldo Raine.

The coat comes from Belstaff, who also helped create the look for Pitt in The Curious Case of Benjamin Button, and it's "made from Belstaff's genuine Antique 10 wax cotton, known for its' strong and protective design against the elements." Additionally, "the distinguished sheepskin shawl collar adds to the comfort of the jacket and completes the look," so says the Belstaff website. Unfortunately, this sucker comes with a pretty hefty $1700 price tag ... though some would argue that having the chance to dress like Brad Pitt is priceless. Check out a larger image of the coat below.



[via TheAwesomer]

Quentin Tarantino's long-awaited WWII epic Inglourious Basterds premiered at the Cannes Film Festival mere hours ago, and so far critics seem to be finding the film entertaining, sure, if a tad too talkative. Would you expect anything less from the man? Here's a rundown of some early thoughts, and we've posted three new clips in between some of the quotes.

"Inglourious Basterds is great fun to watch, but the movie isn't entirely engaging. And it is defiantly an art film, not a calculatedly mainstream entertainment. Tarantino throws you out of the movie with titles, chapter headings, snatches of music. You don't jump into the world of the film in a participatory way; you watch it from a distance, appreciating the references and the masterful mise-en-scene. This is a film that will benefit from a second viewing. I can't wait to see it again." -- Anne Thompson, Variety

"The
 film is by no means terrible -- its running time of two hours and 32 minutes 
races by -- but those things we think of as being Tarantino-esque, the long
 stretches of wickedly funny dialogue, the humor in the violence and outsized 
characters strutting across the screen, are largely missing." Kirk Honeycutt, The Hollywood Reporter



"Forget what you think you know is such a cliché, but here it more than applies. Tarantino has made a career out of subverting expectations – this is the man who made a heist flick without a heist, after all – but he's outdone himself with Basterds. It's an action movie that has barely any action. The Basterds themselves, including Brad Pitt's Lt. Aldo Raine, are off-screen for long periods of time. And it takes wild liberties with history." -- Chris Hewitt, Empire

More quotes and clips after the jump ...

How soon is too soon for a hard sell? Quentin Tarantino's Inglourious Basterds (sic) doesn't open in theaters in the US for three more months, but it will have its world premiere in competition at Cannes next week (May 20). Tarantino has been busy promoting it everywhere from American Idol, where he served last month as a guest "director," to the New York Times, where he mentioned in passing, "I have a half-written prequel ready to go if this movie's a smash."

That's a big "if." Will people turn out to see a funny -- and likely to be extremely violent -- World War II movie in the dog days of August, even with Brad Pitt? Inglourious Basterds takes place in "a Quentin period world," according to production designer David Wasco, in which "a band of Jewish-American soldiers [go] on a scalp-hunting revenge quest against the Nazis," as the NYT describes the plot. Reportedly, 70% of the dialogue will be in French and German with English subtitles. One of the actors playing a Nazi, Daniel Brühl, considers the film an out-and-out laugh fest: "If a comedy is intelligent and has depth, it's a very legitimate way to talk about Fascism in Nazi Germany."

But what about a prequel? "Once the Basterds get through with Europe," Tarantino says, "they could go to the South and do it to the Kluxers in the '50s. That's another story you could tell." Another possibility is a shelved subplot following "African-American soldiers stuck behind enemy lines." His first hurdle is getting past the notoriously prickly Cannes critical corps. The rest of us can pass judgment in August.

Click image below to enlarge poster

Cinematical has just received this exclusive character poster for Quentin Tarantino's Inglourious Basterds, which is part of a set of other character posters that have arrived online over the past week. This particular one features French actress Mélanie Laurent, who plays Shosanna Dreyfus in the film -- a French-Jewish girl who fled to France under a new identity after witnessing her family's murder at the hands of Nazis. Now in France running a movie theater, she just may get a chance to exact her revenge when a group of German soldiers decide to stop in for a visit. To view the entire poster, click on the image below.



Laurent is joined by a cast that includes Brad Pitt, Eli Roth, Diane Kruger, B.J. Novak, Mike Myers, Cloris Leachman and Samuel L. Jackson (who narrates) among others. Inglourious Basterds, which is easily one of my most anticipated films this summer, will premiere later this month at the Cannes Film Festival before arriving in theaters on August 21. Click below to check out the other character posters and more images from the film.

Not many movie-going summers have had the good sense or fortune to formally kick themselves off with the likes of Hugh Jackman and his razor-sharp jazz hands, but as these are the times in which we live in, it's a clear indication that we're in for about eighteen weeks of spectacular spectaculars worth gulping down popcorn and guzzling down pop* with.

Eugene's already shone the spotlight on a fair amount of smaller titles worth your while, so our staff tried to keep the focus on that which we haven't seen, those spectacles for which we're most excited and least likely to text during. Ladies and gentlemen, boys and girls: sit down and shut up, because these are the seven movies that we're fairly f**kin' pumped for.

(*Okay, I pretty much never call soda that, but you get the idea.)