cinematical Tagged Articles at Cinematical

Cinematical has just received a poster and banner for CBS Films' Extraordinary Measures, which will be hitting theaters on January 22, 2010. Yes, folks, those determined faces are for real -- the action flicks and laughs are on hold as Brendan Fraser and Harrison Ford are dipping into a little dramatic work, and this time it's to relay the true story of John Crowley and his efforts to cure his kids' life-threatening disease. Robert Nelson Jacobs adapted Geeta Anand's book (Cure), and Tom Vaughn (What Happened in Vegas) directed the feature.

Fraser stars as Crowley, a man working his way up in corporate America. He's got a loving family (Keri Russell plays his wife), and everything seems to be working out splendidly. But then his two children are diagnosed with a fatal disease. He quits his job, and devotes his time and efforts into saving his children by teaming up with "a brilliant, but unappreciated and unconventional scientist" (Ford). Together they start a bio-tech company to develop a life-saving drug and "this unlikely alliance eventually develops into mutual respect as they battle the medical and business establishments in a fight against the system – and time."

Check out both posters in all their full-sized glory in the gallery below.

Fox is trying to sell more DVDs by adding Pop Up Video.

The Hollywood Reporter posts that the company is hoping to boost sales by "putting a new spin on interactivity, including harnessing the power of social networking" with a little system called "FoxPop." Not so much a "new spin," FoxPop is a downloadable computer program (works with Mac, PC, and iPhone) that will recognize the sounds of a film, immediately sync up, and give movie viewers a "constant barrage of facts, photos, games, and trivia questions related to the movie they are watching." In other words -- Pop Up Video on a separate screen you're welcome to ignore.

Fox's example of how it will work: "when a T. rex appears on the screen, for example, the user's iPhone would vibrate and ask how many bones that particular dino has. It will also tell what percentage answered the query correctly" while completely distracting them from the fun of the dino hunt. Social networking comes into play with the ability to make comments on the film with Facebook and Twitter that your friends will be able to see when they want to watch a movie. I see the last bits of our attention spans flying away into the ether of history...

Get a few chuckles with a skit, and soon it will become a film. If you're a fan of the BET Awards, you should be familiar with Sheneneh and Wanda. The two made up the super-stylishly named bank-robbing team Skank Robbers, a faux trailer parody (after the jump) that aired during the awards, played by Martin Lawrence and Jamie Foxx respectively. This skit got enough laughs that it wasn't only deemed successful, but also cinematic -- Variety reports that the pair have decided to turn the brief concept into a film, a la Machete.

Sheneneh and Wanda, two characters dreamed up during the comedians' stand-up days, will be "modern-day independent women trying to make it on their own, one bank robbery at a time." The pair have been wanting to star in a movie together for a while, so this is their big shot -- one that Foxx is writing and Screen Gems is fast-tracking. ...This is it?

Granted, I'm not some old-school Sheneneh fan, but what exactly is it about this pair that makes them worthy not only of a feature film, but also being fast-tracked? Hasn't Hollywood already gotten enough comedians cross-dressing? Don't these men have something better to do than ... this? And if now is the time to bring In Living Color to the big screen, oh, the other characters I would pick.

MacGruber, Sheneneh, Wanda ... what skit is next?

Se7en... I'll never forget the first time I watched it, nestled with friends into the old seats at Gettysburg's Majestic Theater, all of us enamored, shocked, chilled, and buzzed on the thrill of the film IMDb ranks as #27 out of the Top 250 Films. It's one of those movies that elicits glazed eyes of fandom at its mention. But could the magic be brought to life again?

The Hollywood Reporter's Heat Vision Blog reports that Se7en alums David Fincher, Andrew Kevin Walker, and Michael De Luca are re-teaming to make a new adaptation of Max Ehrlich's The Reincarnation of Peter Proud for Columbia Pictures. Fincher is, of course, attached to direct, and Walker will pen the script. (The book was originally adapted by Ehrlich himself for the film back in 1975.) The story focuses on a college prof who becomes plagued by recurring dreams and nightmares that he realizes are memories of a past life. With the help of his girlfriend, he tries to find the source of the visions and "discovers a woman and her grown-up daughter who are keys to his past life." The original story got in some hot water for a subplot rife with incest, but methinks that will be diluted or deleted this time around as everything gets updated.

With all of this in place, the only blocks left are the cast. It might seem like an easy pick, but I'd love to see Kevin Kline bite into this. Yes, he's the go-to guy for college professors, but he's also severely talented and severely under-utilized. A role like this could rip him out of the crap. But if the choice was yours, who would you like to see crack the past? Or are you just recoiling at word of another remake?

Anthologies are common in the horror genre, whether two or more directors band together on a project, or whether one director takes on several short stories alone. Usually the result is that at least one of the entries is pretty weak, but the strongest entry makes the film worthwhile. Once in a while, however, you get something like Mario Bava's Black Sabbath, which has three strong entries. Bava's secret is that he was never very strong on plot or story or character; he could direct the hell out of any old script with his astonishing use of colors, mood and atmosphere. The best thing about Black Sabbath -- which the distributor American International Pictures re-titled to cash in on the success of Bava's Black Sunday -- is that it actually does have some good stories. In the first one, "The Telephone," a woman gets a phone call and learns that a dangerous man from her past has been released from jail; the entire story is set in her apartment, and Bava makes you jump each time the phone rings.

Despicable Me
Second trailer for this 3D animated comedy, and this time it's focusing on arch villain Gru (voiced by Steve Carell) trying to break into the headquarters of a rival bad guy. This looks like fun and the bit with the shark had me howling. Check it out on July 9.

Sherlock Holmes
A second trailer for the new Holmes fllck with Robert Downey Jr. in the title role aided by Jude Law as Watson. Pretty sure this will have awesome written all over it. Plan a trip to Baker Street for Christmas day.

Prince of Persia: The Sands of Time
There's some serious spectacle at work here. Jake Gyllenhaal stars in this adaptation of a video game I've never played, but I'm pretty sure that's not necessary. It seems tailor-made to be a summer blockbuster, which is good because it comes out on May 28.

Best Worst Movie
Speaking as someone who has watched and enjoyed some truly awful films in his time, this one really speaks to me. This documentary examines the phenomenon/train wreck that is Troll 2, a 1990 horror flick whose badness has become legendary. No release date yet and I suspect this will be hard to find in theaters.

How to Train Your Dragon
In this new animated comedy from Dreamworks, a viking teenager is trying to learn the ways of his people including hunting and killing those pesky dragons that are plaguing them. He soon learns, though, that everything his people know about dragons is wrong and sets out on his own path. Training begins on March 26.

New this week on AOL Moviefone:

• Splinterheads - A young slacker falls in love with a beautiful carnival worker.
  
• Invictus - Morgan Freeman stars as South African President Nelson Mandela who urges the captain of the national rugby team to strive for the World Cup for the sake of unifying their nation in the days following apartheid.
• Eichmann - Historical drama based on the confession of Adolf Eichmann.
• Mammoth - An intricately woven family drama starring Michelle Williams and Gael García Bernal as a married couple whose lives begin to spin out of control.
• Shake Hands With the Devil - Based on true events surrounding a 1994 U.N. peacekeeping mission to Rwanda that failed to prevent the slaughter of 800,000 Rwandans.
• Avatar - Second trailer for James Cameron's epic 3D science fiction extravaganza.
• Did You Hear About the Morgans - A couple on the verge of divorce can't escape each other after they witness a murder and must enter the witness relocation program.

I hope you don't hate vampires, because they don't seem to be going anywhere. Now Amy Heckerling, the woman behind Fast Times at Ridgemont High and Clueless, is getting in on the bloodsucking. According to Screen Daily, Parlay Films has grabbed the international rights to an upcoming romantic comedy called Vamps, that Heckerling will write and direct.

"The film will be a modern-day tale of two young female vampires living the good life in New York until love enters the picture and each has to make a choice that will jeopardize their immortality." Krysten Ritter will star as one of the lead vamps, and they're still searching for the other bloodsucker. This marks a big jump from the actress, who has moved from bubbly side gigs on shows like Gilmore Girls and Veronica Mars to some cinematic supporting roles, a lead gig in the web series Woke Up Dead, and now her first starring film job.

Perhaps I'm being overly hopeful, but it's time for Heckerling to bring us her next comedy classic, and I'm hoping this is it. There was a 13-year span between Ridgemont and Clueless, and it's been 14 years since Cher found love with Josh, so could this be the next Heckerling extravaganza we won't want to heckle? Or, just another project in an oversaturated market?

Our brothers and sisters over at TV Squad have busted through the boob tube and brought with them the following juicy bits of must-see eye candy.

• Is it possible that Oprah Winfrey's long-running talk show may be coming to an end? Find out right here.
• I realize he's done some acting but I'm still scratching my head at the notion of Jon Bon Jovi appearing on the season premier of Inside the Actor's Studio.
• FX is taking a stab at the western genre with Reconstruction.
• Here's a sneak peak at the CGI Dr. Who adventure (featuring David Tennant) that will be airing on the BBC later this year.
• Turner Classic Movies will be hosting a classic film festival at three Hollywood locations.
• ...and finally our wait is over, America, Judge Wapner will be returning to The People's Court, at least for a day.

Actors might make a lot of money, but at least they work for it with long hours on set, paparazzi insanity, exhausting PR tours, and the pressures of handling the same questions over and over and over again with grace and charm. But even more impressive is when they can be graceful in the face of utter ignorance or idiocy.

We've watched John Cusack get interviewed by a clueless film student, and now (after the jump of course) you can see Ian McKellen handle the women from The View. Ah, there's nothing like having your television interview start out with an inflammatory rant about swine flu and socialized medicine. It's not a surprise really -- the once-sweet Survivor star Elisabeth Hasselbeck has made a career out throwing wild rants into unusual places on the show. But, sadly, that's only the start of the nonsense that McKellen handles with dashing grace. Whoopi Goldberg can't keep her actors straight, and Sherry Shepherd pulls off one of those classic moments where a clueless interviewer reads crap off the cards without knowing what the hell she's talking about.

Yet, in the face of all that, McKellen is pure charm. I always find that impressive. Sure, he's an actor and makes his living making fiction convincing, but to be ready with that clever retort, graciously correct someone who should know better, and take it all in stride ... I wouldn't say this about most of Hollywood, but I think we can all learn a little from that small part of the biz.

After heaps of buzz and praise, and our own Eric Snider saying: "it's compelling and artistic, punctuated with warm humor and masterful performances, and ultimately triumphant and hopeful," Precious: Based on the Novel Push by Sapphire is finally hitting theaters today. It's a harrowing look at one girl's traumatic young life of being pregnant with her second baby (by her father), abused by her mother, and struggling with illiteracy and obesity. In other words, a movie that demands you to think and feel -- to be touched beyond the 110 minute span of the film.

Naturally, that made me think about movies that haunt us. It can be for any number of reasons -- because of a film's thought-provoking power, how it's filmed and presented, the way it latches on to pain in our own experience, unsettles our own belief systems, angers us, or challenges us. Whether it ends sadly, or with hope. Whatever the reason, certain films seep into us and refuse to leave, whether it be for a few fleeting post-credits moments, or a week, month, year, or lifetime.

Upon leaving Requiem for a Dream the first time, my friend and I couldn't get the music out of our heads. We couldn't stop repeating the same thoughts as our brains tried to process them. Even if I don't see the film before my eyes, the music brings back every feeling, every moment of tenseness. As the credits started moving in Dogville, I couldn't shake the last powerful moments out of my head. It took a while to shake the gooseflesh from my arms, and every time I let my mind slip back, there's a brief jolt of shocked memory.