cj7 Tagged Articles at Cinematical

On Friday, Spoiler TV posted casting call information for the role of Kato in The Green Hornet, Seth Rogen's long-struggling feature based on the iconic radio and television hero. Prior to the call, Kung Fu Hustle star, writer and director Stephen Chow was attached to play the role, and it would have been one immaculately suited for the longtime fan of Bruce Lee, who originated the role on TV. But now it appears that Chow has another feature he would like to do, and the ongoing scheduling problems the film has suffered appear to have resulted in him bowing out of the project. Thankfully, the filmmakers are maintaining only the highest and most specific standards in their search for a replacement:

"[KATO] ALL ASIAN ETHNICITIES, Male, 20's - early 40's. Brit Reid's manservant/chauffeur by day and Green Hornet's martial arts-skilled sidekick by night. Actor doesn't have to have Martial Arts experience."

According to the IMDB, Chow has moved on to CJ7 2, the sequel to his answer to E.T., which was released in 2007 (and, in the interest of full disclosure, a film for which I contributed the quote "a sweet, funny family fantasy film"). Meanwhile, Rogen is without his ass-kicking sidekick, begging the question: who do you think they should cast as Kato? Suffice it to say there are countless working Asian and Asian-American actors who could handle the role's physical demands, but given what one presumes will be a slightly more comedic bent to the characters' mythology, who would you suggest strap on Kato's black mask and share the screen with Rogen's hirsute Hornet?

Brand Upon the Brain!
If you ever loved the artistry of David Lynch, but thought his films were too dark and incomprehensible, there's Guy Maddin to ride in on a sea of comedic absurdity. With his silent film Brand Upon the Brain! he did something entirely different -- he created the ultimate live theater experience, one that can never be replicated at home unless you're ridiculously rich with a live orchestra, group of foley artists, a celebrity narrator, and a castrato at your disposal. But even still, this Criterion release does a fine job of coming close.

But first, the plot. The film focuses on a young Guy Maddin as he lives on a remote island that holds a lonely orphanage. His mother reigns with an iron fist and peeping watchtower while trying to reverse the weariness of age with her strange, scientist husband. Meanwhile, one of the orphans dies, strange holes are found on some of the kids, and some teen detectives come to investigate, all in the pulsing throb of teenage rebellion and sexuality.

While you can't create the live experience at home, Criterion has done everything possible to make this disc like the live experience. Each screening across Canada and the states had a celebrity narrator, and this disc allows you to choose between the seven narrators, which essentially gives you seven different ways to view the film -- from Maddin himself to Isabella Rossellini, John Ashbery, and Crispin Glover. There's also a documentary with interviews, two new short films, deleted scenes, a trailer, and an essay by Dennis Lim.

Check out James Rocchi's Review | Buy the DVD

Already a popular success in Asia, Stephen Chow's CJ7 arrives in the US, hailed as a Chinese version of ET. (It opens today in New York, Los Angeles, and San Francisco before expanding to other cities in the coming weeks.) Like its predecessor, CJ7 features a young boy who befriends a small alien creature, from whom the boy learns important life lessons. Instead of ET's Elliott, living in the lonely suburbs and pining for his father's return to patch up his divorced family, CJ7 features Dicky Chow (Xu Jiao), living in abject poverty and wishing that his widowed father had enough money to buy him a toy. But don't worry about the differences in the set-up: CJ7 is a gentle and sentimental fantasy, just like ET, filled to the brim with humor. It also casts a sharp eye on the true nature of modern children.

Poor Dicky Chow! The young lad doesn't mind so much going to school with dirt on his face. He doesn't mind so much that his mother is dead and his father can barely provide for the two of them. But what he does mind is when the other kids make fun of his dad. And, what finally sets him off is when he realizes that he can't have the same toy as the other boys in school.

Stephen Chow's still got it. Now in his mid 40's, the Chinese comic actor par excellence has slowed down his output since his prolific earlier days (i.e. the early 90s), when it wasn't unusual for him to appear in three, four or more flicks per year. Firmly in control of his own projects as star, writer, and director, his last two films (Shaolin Soccer, Kung Fu Hustle) have been comedy gold and incredibly successful at the worldwide box office.

His latest, CJ7, a family-oriented fantasy comedy about a kid and a cute alien critter, opened a few days ago in Asia and is making ordinary moviegoers act like postal carriers. (You know, "Neither snow nor rain nor heat nor gloom of night ...") Variety reports that thousands of people in mainland China "defied blizzards" just to see the film, pushing the box office take to 60 million yuan ($8.35 million) in just four days of release. It's been equally successful in Hong Kong, grossing HK$15.8 million ($2.03 million) on a massive 100 screens, according to Variety. A different source, Box Office Mojo, puts the gross at $2.11 million, which translates into $24,894 per screen at 85 locations. And in Taiwan, Variety says partial figures peg the total so far at NT$35 million ($1.09 million).

As Monika reported, Chow talked up the film at a recent press conference. The reviews so far has been mixed to good, but not ecstatic (see Variety, Twitch, LoveHKFilm). CJ7 opens in New York and Los Angeles on March 7, courtesy of Sony Pictures Classics; hopefully the rest of us won't have to wait much longer to see it. To get an early taste, check out the trailer.

Having a baby, meeting extraterrestrials, losing your cat: these are all jumping off points after which -- for good or ill -- your life is never quite the same again. This week we're looking at trailers for films that show big changes.

Doomsday
Yeah, I've got to imagine the end of the world will change everything. At the very least, you won't have to go to work tomorrow, and to hell with that car payment. When a lethal plague devastates a large section of England, the area is walled off for decades. When the plague resurfaces, a special team is dispatched inside the quarantined area to look for a cure. This is from director Neil Marshall, whose last two films -- The Descent and Dog Soldiers -- I loved. The Mad Max influence is obvious, but it also brings to mind all the Italian-made Mad Max knock-offs from the 80s, of which there were so many that they became a genre unto themselves. There's also a fair amount of Escape From New York evident here, and our heroine Rhona Mitra (pictured above) recalls Kate Beckinsale in the Underworld movies. I'm getting lots of deja vu here, with nothing really striking me as original. I'll probably see this based on Marshall's credentials, but the trailer doesn't sell me. Here's Scott's take.

Baby Mama
Tina Fey plays a successful business woman who wants a baby, and she hires a working class woman played by Amy Poehler to be her surrogate. Between Knocked Up, Juno and Waitress, it's been a big year for pregnancy comedies, and I have to wonder if Hollywood has gone to the well once too often with this one. I loved Fey and Poehler on Saturday Night Live, and Fey's 30 Rock is a riot, but this trailer isn't grabbing me. Like Doomsday, if I see this one, it will be on the basis of the reputation of the people involved and not the preview. Here's Erik's take.

He created a cult following with Kung Fu Hustle, he might play Mr. Miyagi in the Karate Kid remake, and now, along with Kung Fu Hustle 2, Stephen Chow has another big flick on the way -- CJ7. If his descriptions are anything to go by, this should be one heck of a movie. According to The Hollywood Reporter, Chow had great things to say about the movie at a press conference yesterday, claiming that the film's locally-produced state-of-the-art digital effects are "up to international standards that will withstand comparison." Of course, such effects are pretty pricey, and Chow says the flick "the most expensive in my career." While he won't give an exact number, the budget is rumored to be about $20 million.

This is a pretty big deal for both Chow and China -- CJ7 will have the country's first cinematic creature that is completely digitally produced. What sort of creature? The flick is a "sci-fi comedy about how the sudden arrival of a strange new pet shakes the lives of a poor laborer father and his young son." Apparently, this creature is some sort of alien in the shape of a dog. If you think this has a bit of an ET feel to it, you'd be right. The director has admitted that Steven Spielberg's alien heavily inspired the story, being a favorite film of the actor/director.

While it is hitting Chinese screens at the end of the month, we won't have very much longer to wait -- the film is set to be released in the US on March 7.

Call them what you will -- progeny, small fry, rug rats -- this week it's all about the kids. Welcome to Trailer Park: The Ankle Biter edition.

The Orphanage
This latest trailer has me stoked to see this Spanish language creep-fest. Directed by Juan Antonio Bayona, produced by Guillermo del Toro, and positively reviewed by Cinematical's own Scott Weinberg, this looks like one worth seeing when it goes into limited U.S. release on December 28. The preview is light on plot details, but creepy as hell with enough atmosphere to get not just the horror fans excited but a more mainstream audience as well. A woman reopens the orphanage where she was raised, and her son develops relationships with some new "imaginary" friends. The boy soon goes missing and the plot is off and running. The kid with the bag over his head that you see several times in the trailer just gives me the willies (that's a good thing).

In Bruges
As is pointed out in the trailer, Bruges in in Belgium, a fact I was aware of, but only because part of a Harry Kumel's Daughters of Darkness takes place there. At any rate, be advised this is not a green band trailer and F-bombs (among other expletives) are hurled left and right. Colin Farrell and Brendan Gleeson (Mad Eye Moody from the Harry Potter films) are two hit men who have been ordered by their boss (Ralph Fiennes) to lay low in Bruges after whacking a priest. Apparently two working class mobsters in Bruges is a bad fit, and cultural clashes and a disagreement with Fiennes leads to some fun bits. This one barely makes the cut for the Ankle Biter edition, but there's a pretty funny bit where Gleeson's character insults Fiennes' kids using the aforementioned "other expletives." I'll definitely be trying to find this when it goes into limited release on February 8. If you're going to be at Sundance this year, In Bruges will be the opening night selection. Here's Jessica's take on the trailer.