clerks Tagged Articles at Cinematical

After 22 hours of flying on planes, waiting on security lines and sitting in airport food courts, I've finally returned home from my two-week trip in Australia. (And get this -- not one politician came on to me in the airport bathroom! Drats!) Did you miss me? Did you even know I was gone? Do you even know who I am? Anyway, apart from bringing home some art and some severe jetlag, I also brought with me some cool Aussie slang. For example, I promised my Aussie friends I'd start using the word 'Brekki' in replace of 'Breakfast.' Instead of greeting someone with "Hey, how ya doing?," I've decided to start using the primary Aussie greeting (no, not G'day Mate) -- "How ya going, Mate?" Oh, and I've brought home a Koala to hang out with my dog. But don't worry, it's just a doll.

And is there a better time to return home than on Labor Day Weekend? It's been absolutely beautiful here in New York the past three days, and since my car is still in the shop, I've spent all of it inside, in bed and in front of the television. After all, two weeks running around on the other side of the world can kind of knock you out. Labor Day is a funny holiday because, while we're supposed to be taking a day off to celebrate all the hard work we've accomplished, all we think about all day is how summer has ended -- goodbye beach vacations; hello work and school. For a day off, you have to admit it's sort of depressing. But if you're looking for a good way to celebrate Labor Day by utilizing your home DVD player, there are plenty of work-related films to check out.

Since I spent most of my years in a cubicle, there's no other film like Office Space to show you the comedic side of corporate life. After doing a stint in the world of television production, I'm also quite found of both Network and Broadcast News. For sexy and seductive, go with Secretary. For some funny rise-to-the-top stuff, go with Working Girl, The Devil Wears Prada or (one of my personal favorites), The Hudsucker Proxy. Crazy teens doing crazy things in the workplace? Empire Records. Jaded twenty-somethings hating life? Clerks. No matter what you're in the mood for, there's definitely something for everyone. Which film will you be watching tonight?

My greatest cinematic weakness is the movie conversation. A great action scene or shocker can pull me in like anyone else, but it's the words that mesmerize. A good movie conversation tugs at those appealing strings of voyeurism. You watch the intimacy of words, but they, and the scene, are not directed at you. It's amazing how much can really be done with words. With the right dialogue, you don't need a gimmick for the audience. You can vicariously have fun with another's conversation, or you can watch a story play out within the span of hello to goodbye.

The following list is by no means comprehensive, but it hits on many of the big conversational accomplishments of the last 30 years. Each has its own way of relating information through words. Some are backed by the urgency of eyes, some are fueled by unnaturally delightful wordplay and some just allow the conversation to happen, wherever it travels to and whatever it says. These seven films have words that roll off the tongues of the actors, creating a cinematic verbal candy that ties into everything from the artsy fartsy to the fart jokes.

My Dinner with Andre

Long before Wallace Shawn was thinking of what was inconceivable, he headed this conversational 80's zeitgeist with Andre Gregory. It's an intellectual niche film, and not for every audience. That being said, there are innumerable subtleties that make it worthy of a first, second and third viewing. What I find most intriguing are the secondary bits that are tacked onto the words, and more importantly, the silence. Shawn is reluctant to go to dinner with Andre, which keeps him silent for a good chunk of the movie. Yet for every word and crazily interesting story that Andre relays, Shawn reacts. He says everything with minute reactions – an eye twitch here, a raised brow and chuckle there.

For better or worse, I have had some experience in the "ultra-low budget" filmmaking world. So, it has fallen to me to create this particular list of the seven best films of that class. Before I go on, let us first define what exactly qualifies a film as "ultra-low budget." If we were to follow the Screen Actors Guild definitions for these things, then "low budget" films have a budget of less that $2.5 million, all the way down to $625,000. Really, I don't think that's exactly right for our purposes here. We're really talking about "ultra-low budget" films -- not "low budget" -- so how do we define the category? Some might consider a film "ultra-low budget" if its made in Des Monies by a teenager and some friends with a video camera and a credit card. That's certainly one way to look at it, but I feel that definition might limit us a little too much.

For our purposes, I'm going to consider films made for a million dollars or less to be "ultra-low budget." That way, we can have a much larger set of films from which to choose. By Hollywood standards, where the average "studio" movie costs over $60 million, a film made for a million dollars or less really should be considered "ultra-low budget." Heck, the catering budget of the average studio film is probably more than the total budgets of the films on this list. You know those big stars, they really love to eat. Anyway, moving on. Here is my list of the best "ultra low-budget" films -- in order of release. Enjoy.


THX 1138 (1971) -- George Lucas' first feature foray into sci-fi -- a genre that would, in a few short years, make him one of the most famous and successful filmmakers of all time. It's a rather dark and depressing tale of survival and forbidden love in a dystopian future city, with the lives of the city's inhabitants being closely regulated and medicated and with love and procreation strictly controlled and monitored by the state. The film, which is a more elaborate and elongated version of a Lucas' short film Electronic Labyrinth 1138 4EB, was shot in and around San Francisco and became notable for its use of the new, state-of-the-art BART system to help depict the city of the future.

Also notable is Lucas' use of students and military personnel -- who were learning filmmaking from Lucas at the time -- as crew and extras, and the elaborate use of sound and sound effects which would become a Lucas mainstay going forward. It's also notable that the actors, including Robert Duvall, had to shave their heads to better depict Lucas' vision of a future nearly devoid of hope. Finally, I really love the smoothly polished killer police robots -- a great contrast to Lucas' depiction of robots in subsequent films like Star Wars.

I'm sure many cineastes had the same reaction to this week's box office list: cinema is now officially dead. The day Jackass: Number Two -- isn't it clever how the title is a reference to fecal matter? -- becomes the most popular film in America is the day each of us ought to give up and become plumbers. I'm talking all film critics, as well as Martin Scorsese, Quentin Tarantino, David Cronenberg, Steven Spielberg, Hou Hsiao-hsien, Wong Kar-wai, Robert De Niro, Meryl Streep, Charlie Kaufman, etc. Throw in the towel, guys. It's over. It doesn't matter anymore. I'll meet you at the bar, and I'm buying the first round.

It gets worse: At the same time, the esteemed film critic/screenwriter/film director Paul Schrader (Taxi Driver, etc.) has published a brand-new film canon in the most recent issue of Film Comment, and the news is not good. Schrader started out writing a book, but realized that film will no longer have a place in the 21st century and gave up after 20 or so pages. He does list his 60 great films for inclusion in the canon but (with the exception of Wong's In the Mood for Love) they're all products of the 20th century.

Yes, film art is gone. All you have to do is perform stupid stunts, point a video camera in that general direction, and you've got a classic.

The other day, rumors were swirling regarding Kevin Smith's next project. Apparently, Smith was asked about this during a Q&A session (one of about 5,000 the dude does each year) and his answer surprised a lot of people: Silent Bob was planning on directing a horror film. Say what? Horror? Kevin Smith? Of course, with little info to go by, folks immediately began speculating as to what type of horror film Smith would take on.

Well, since news travels real fast, the question was once again raised when Smith and the gang recently returned to Red Bank, New Jersey to screen the original Clerks, as part of that whole Netflix Rolling Roadshow thing. This time, fans zeroed in on the horror film, forcing Smith to go into a bit more detail. He revealed his next project will indeed be a horror film, though admitted it was at least two years away from hitting theaters. When pressed to explain what type of horror flick, the writer-director insisted it would be "straight horror" and not some Jay and Silent Bob Return from the Dead sort of thing. According to Smith via a tipster (who is paraphrasing), "Its gonna have all of the horror you'd expect, blood and guts...and tits. No, no, no, not that, I'm talkin' about man tits. What? What's so bad about man tits? I have tits! They're sexy! And hairy ... but, yeah, I'm doin' a horror movie."

Smith also claimed to be shooting the entire thing in Los Angeles, meaning he would finally be leaving New Jersey ... though, I'm not so sure that's a good thing. After all, New Jersey needs a great horror film -- I've often found myself scared to death while driving through some parts of the state. I mean, have you ever tried to make a left turn in Jersey? Talk about hanging on for dear life -- there's a horror flick just dying to be unleashed.

• Holy crap, it's supergigantic, megacolossal Summer Movie Preview issue! Everything you need to know about all the big pics, including Superman Returns, Mission: Impossible 3, Clerks II, X-Men 3, Little Miss Sunshine, The Da Vinci Code, and 4 millon others, including smaller, independent films (note: above link goes to EW's list of movies they're anxious to see -- buy the issue for the whole summer preview guide).
• Steve Carell on mastering the squirrel and finding his nuts.
• Owen Glieberman on which actors and actresses have surprised him the most with their movie singing.
• New movies: they give United 93 an A-, American Dreamz a B , and a C- to The Sentinel.
• Just as The Da Vinci Code is about to open in theaters, Dan Brown says his follow-up book won't be ready by the end of this year as originally planned. I guess this means that everyone will have to find some other book to read.
  
• Augusten Burroughs talks about the movie adaptation of Running With Scissors, having kids, and why James Frey is like Milli Vanilli.