A few weeks ago a DVD of Laurent Cantet's 2000 film Human Resources arrived on my doorstep. I hadn't seen it, but it rung a bell for me, and it took me a little while to remember: the Shooting Gallery series! I couldn't believe I had forgotten about it. It was a huge event in less-than-400-screen lore, successful as well as artistically daring. I poked around and discovered that this brave little distributor had -- of course -- gone out of business. In 2000 and 2001, the Shooting Gallery lined up three series of six movies each, releasing each one for a two-week period, usually on a specific movie screen in selected cities, and then replaced it with the next in the series. If something took off and became a hit, it could play longer. I didn't see all the films, but there were some amazing entries, and certainly some films that otherwise would never have seen the light of day.
The first series unfolded in the spring of 2000. The quirky, dreamy, black-and-white comedy Judy Berlin, starring a then up-and-coming Edie Falco ("The Sopranos"), came first. It didn't exactly break any box office records, but I wouldn't be surprised if it has a small following today. Next up came Peter Mullan's Orphans, which I didn't see, followed by Such a Long Journey, which was yet another story from India about an old-fashioned father balking at the ways of his modern children, but beautifully realized. (The great character actor Om Puri was on hand for a supporting role.) Southpaw was a snappy little boxing documentary about promising Irish fighter Francis Barrett. The sixth film, from Japan, was Adrenaline Drive, a kind of crime story crossed with a drawing room comedy. It seemed ripe for an American remake, which never came.
Like many of the characters he plays, Clive Owen was reserved, astute and insightful throughout his public appearance at the Apple store in downtown Manhattan on Friday. Interviewed by American Psycho director Mary Harron as a part of a series of conversations co-hosted by Apple and indieWIRE, taking place during the Tribeca Film Festival, Owen touched on two of his recent projects while fielding broad questions about his professional interests.
Although not currently starring in any theatrical releases, Owen was in town performing opposite Julia Roberts in the corporate spy thriller Duplicity, the sophomore feature from Michael Claytondirector Tony Gilroy (a special guest at the store the following night). "I read the script and thought it was brilliant," Owen said, adding that shooting was halfway done. "I'd met Tony already, and he screened Michael Clayton for me. Obviously, when I saw that, it was a no-brainer." Meanwhile, Owen has another thriller in his queue: He plays an Interpol agent fighting global arms dealing in The International, which finished shooting in New York last January and hits theaters next year. Directed by Run Lola Run visionary Tom Tykwer, The International has provided Owen with "as good a director as I've ever come across. He's incredibly on top of every aspect of filmmaking."
For many, Closer is that Mike Nichols movie where Natalie Portman played a stripper, stripped down, but then had her nude footage destroyed. For me, it's the film that gave me a new-found appreciation for Julia Roberts. Like many of you out there, I've grown tired over the years of the typical Roberts roles, but pitting her against Clive Owen and making her a mellow, wry, and serious photographer was excellent, and it dulled the memory of her monotonous previous work. Was it her own talents, or what Owen inspired within her that made this possible?
Now she's teaming up with Owen again for Duplicity, and I can only hope that they have the magic again. The film stars Roberts and Owen as two corporate spies who conspire to con their bosses, and Just Jared has a whole slew of pics of the two shooting an anger-filled scene. It's all suits, grabbed arms, and arguments for the pair on the streets of New York. So far, so good.
But even if Closer becomes a distant memory and this flick is just classic Julia, it's still looking damned good. It will be an absolute and serious waste if these two, mixed with Paul Giamatti, Billy Bob Thornton, and the increasingly impressive Tom Wilkinson can't create a great flick. Are you ready for their Duplicity?
When I first posted about the film back in November, I said that the upcoming Clive Owen and Julia Roberts-starring Duplicity filled me with curiosity and dread. The curiosity (and a little excitement, I must admit) came from the fact that it was re-teaming two stars from Closer -- a film I really enjoy. On the other hand, I hear "Duplicity," and I think of the similar-sounding Derailed. That makes me want to run for my life. (Famous last words said before watching the latter: It's got Owen. It can't be all bad.)
All that said, there's two more great actors joining the cast, which should start to erase those Derailed fears. The Hollywood Reporter has posted that Tom Wilkinson and Billy Bob Thornton are looking into joining the cast. (Wilkinson is in negotiations, and THR doesn't say whether BB has officially signed on yet.) This will re-team Wilkinson with Michael Clayton director Tony Gilroy, who also wrote the script, so I imagine he'll sign on the dotted line soon enough -- Tom's role in the film did nab him an Oscar nod for supporting actor, after all.
The thriller focuses on Roberts and Owen's characters, "who are longtime lovers and rival corporate spies who team to pull off an elaborate con." (Sounds like Mr. & Mrs. Smith meets Ocean's 11.) Wilkinson is set to play the CEO of a large company, while Thornton's role is said to be "a more maverick type of CEO." The film will shoot this spring in the Big Apple.
This is yet another slow week for DVD releases, but at least you can fill your violence quota for the week!
Shoot 'Em Up This is certainly not an epic feat of cinema, nor is it a movie that will gain Oscar buzz. It is, plainly and wonderfully, a movie about lots and lots of shooting in improbable circumstances. Clive Owen's human Bugs Bunny can do it all -- he can slide across the room gunning people down, or even get the job down while having horizontal fun with Monica Bellucci. Delightful in that mindless action sort of way, Shoot 'Em Up follows Mr. Smith (Owen), a "gun-toting badass" who has to keep a newborn, orphaned baby safe. While trying to save the little tyke from the likes of the criminal mastermind (Paul Giamatti), he gets the help of prostitute (Bellucci) whose specialty is people with mommy fetishes. It's completely unbelievable, in that tasty, cinematic sort of way.
There's a decent amount of special features to make this sale even more worthwhile. You can check out a director/writer commentary, deleted/alternate scenes (with optional commentary), a making-of featurette with sub-options from cast interviews to special effects, and finally, an animated clip of the action scenes in the film.
Resident Evil: Extinction If you prefer your action to have more of the undead and less of the soon-to-be dead, the third installment of Resident Evil, this week's other big release,might be more up your alley. This time around, Alice (Milla Jovovich) teams up with Oded Fehr and Mike Epps to bring down the Umbrella Corporation and stop a virus that will turn everyone into the undead. Helping her, along with peeps like Ali Larter, is all of the super-human strength and perks that the company had given her. Oh, and this is all happening in the dry and roasty Nevada desert.
This set has a few good nibbles for you -- director/producer/writer commentary, deleted scenes, a featurette covering everything from pre-production to the end of shooting, and a sneak peek at the CGI movie Resident Evil: Degeneration.
I've watched the Extras Christmas Special twice now, and I still can't get through the end without crying. I'm so lame. I know this is TV related, but if you haven't watched Extras yet, do yourself a favor while on holiday break and check out both seasons (and the X-Mas special) of this amazing HBO show. Written and directed by Ricky Gervais and Stephen Merchant (both of whom brought us the Brit version of The Office), Extras is about just that -- Extras. Folks who spend their entire careers as the guy or girl in the background of a shot. Though it's only two seasons long, the show has a great story arc and while I would've loved for it to go longer, it definitely feels complete.
Aside from an excellent day-to-day cast (special kudos to Ashley Jensen), each episode also includes hilarious celebrity cameos -- all of whom are either obsessed with sex, obsessed with themselves or both. Clive Owen's cameo in the X-Mas special was absolutely friggin' priceless, and the same can be said for folks like Daniel Radcliffe, Ian McKellen, Orlando Bloom, Coldplay frontman Chris Martin and Patrick Stewart, who have all appeared in various episodes as themselves. And speaking of Stewart, below you'll find one of my favorite scenes from Extras -- featuring Stewart -- which appeared in a pivotal episode that changed the scope of the entire show. I adore this scene, and it gives you a good taste of what to expect from the rest of the series. Anyway, I just felt like getting that out there. Go watch Extras. Gervais and Merchant are comedy Gods.
We see guns and violence everywhere. It's on the television, on the big screen, in the papers, in the books. It's always referenced in discussions about sex -- a nipple here, or a butt-cheek there, sexiness almost always gets leashed while violence frolics with its comfy reign. But every once in a while, someone steps in to do something about it. Usually, it's due to the sensitivity of a recent violent act. (Columbine stopped lots of projects, September 11 kept movie ideas at bay for a while, and so on, and so forth.) This is no exception. Variety has reported that posters for Shoot 'Em Up are now under fire themselves.
The ads have been banned by the UK's Advertising Standards Authority, due to rising gun crime in the country. The ads in question -- the first shows Paul Giamatti chatting on a cell phone while pointing a gun, and is teamed with the text: "just another family man making a living." Nice. The second has Clive Owen leaping through the air with guns in his hands as Giamatti holds a sniper rifle. (I presume it's the one to the right.) It seems that the ASA got 55 complaints from the public that "the ads glamorized and glorified gun crime." Well, that's obvious. "Many complainants believed that the posters were offensive and insensitive toward families directly affected by gun crime, in particular the family of Rhys Jones, the 11-year-old who was killed in a shooting incident in Liverpool in August."
Now, I just wonder what they think of that racy clip that made its way online earlier this year...
About four years after filming the dysfunctional love fest otherwise known as Closer, Variety reports that Clive Owen and Julia Roberts are teaming up again for a new con flick called Duplicity. This fills me with both curiosity, and dread. I happened to love Closer, from Owen's creepy pervishness to Roberts actually being understated. Then again, the last one-word con film Clive did was Derailed. I put that sucker in my DVD player with the thought: "It's got Owen, so even if it's as crappy as I hear, it'll have something to enjoy." Oh yeah, not at all. It was downright scary with how bad it was.
So, now we've got the next attempt. The drama was written, and will be directed by Tony Gilroy, who seems to be getting better with age, like a fine wine. The guy has flicks like The Cutting Edge and Bait on his roster, as well as the three Bourne movies. But that's not all -- he's also the pen and director behind Michael Clayton. The drama will focus on Roberts and Owen as "longtime lovers who happened to work as spies on opposite sides. They team up to stage an elaborate con to rip off corporations and steal a valuable product." It's looking like a Mr. and Mrs. Smith without the assassinations and after the discovery of their work -- unless they know and find a thrill in bonking the enemy. Duplicity will start filming this March, after Owen wraps his stint as Tom Tykwer's The International.
Elizabeth: The Golden Age reunites director Shekhar Kapur and Cate Blanchett in the follow-up to the 1998 film Elizabeth, which told of the early years of Queen Elizabeth I. The earlier film deconstructed the earlier history of Elizabeth I, when she ascended to the throne following the death of her half-sister, Mary Tudor, aka Bloody Mary. The daughter of Henry VIII and Anne Boleyn (who was beheaded when Elizabeth was three), Elizabeth had been raised a Protestant in the Church of England. Mary Tudor, a devout Catholic, had been married to Philip II of Spain, which made him, until Mary's death, the Prince Consort of England.
Elizabeth: The Golden Age picks up some years after Elizabeth left off, with the Protestant Elizabeth now firmly in control of the British crown. Once again, Elizabeth faces enemies and insurgency, this time from her Catholic cousin, Mary, Queen of Scots (Samantha Morton), and her former brother-in-law Philip II (Jordi Molla), who comes at odds with his former sister-in-law over both religion and her approval of the capture of Spanish treasure ships. The Inquisition is in full force in Spain, and the Catholic Philip regards Elizabeth as a heretic and whore, believing that God wants him to bring her down and bring England under the firm hand of the Catholic Church and the Inquisition. Once again, Geoffrey Rush is by Blanchett's side as Francis Walsingham, Elizabeth's spymaster and adviser, whose intelligence about a plot against Elizabeth saves the queen's life, even as it sets in motion a war with Spain that could spell the end of her reign.
Shoot 'Em Up may not have been a smash at the box office (at this point it might struggle to match the gross of Stop! Or My Mom Will Shoot), but it provided us plenty of laughs with last week's Insert Caption contest. Still, while the film may be cartoonishly violent and slightly satirical, there's a strong social message at the heart of it: Guns don't kill people, Clive Owen does. Hundreds, thousands, maybe even cajillions of them. Congrats to our winners below, you've got a hat, t-shirt and shot glass (get it?) on the way.
1. "What happened next was completely logical." -- Jordan M.
2. "Look... I'm hungry and you're hungry, it is an unfortunate situation. But there is no reason we can't share these baby bottles." -- Tom O.
3. "You know, if it weren't for those colored baby bottles over there, this would totally be a cliche." -- Bob M.
This week we have a photo from another film with some stirring social commentary, Mr. Woodcock, which I believe was originally scheduled to release in 1993. Susan Sarandon flaunts her liberalism by playing a woman who marries a gym teacher (Billy Bob Thornton), much to the chagrin of her son Stifler (Seann William Scott). In the spirit of Fashion Week, writers of our three favorite captions will win various items from the limited edition Mr. Woodcock clothing line. Good luck!
A scene near the beginning of Shoot 'Em Up features Clive Owen's character trying to find a way to kill as many people in the room as possible -- so he shoots a can of oil, which pools heavily on the concrete floor, then leaps into the pool of oil and sliiiiides across the room, gunning down bad guys all the way. The scene is representative of Shoot 'Em Up as a whole: improbable things, even dumb things occur, but the movie just glides along, moving quickly and almost effortlessly, going for the next target and the next, while keeping you occupied for 90 minutes. Writer-director Michael Davis has delivered the smartest stupid movie I've seen this year.
One thing you cannot deny about Shoot 'Em Up is that it lives up to its title. Watching this movie feels more like you're watching a beautifully rendered videogame played by a master. Owen stars as the enigmatic Mr. Smith, who is sitting at a bus stop when he notices a pregnant woman being pursued by a disreputable character or two. He reluctantly interferes, and ultimately finds himself saddled with a newborn baby that the nasty Mr. Hertz (Paul Giamatti) is determined to kill. He tries to persuade a lactating hooker (Monica Bellucci) to help care for the baby while he finds a safe place for them all, but Hertz is ruthless.
If there's still any doubt as to the lasting effect Brokeback Mountain has had on our collective image of the Western, look no further than the 69 captions we received for last week's 3:10 to Yuma contest. (Of course we also owe a great debt of gratitude to Jon Stewart for putting it all in historical context with that hilarious Oscars montage). Some moviegoers may be disappointed to hear that Russell Crowe and Christian Bale do not get... it... on... in Yuma, but I can tell you that they do seem to develop Jonah Hill-Michael Cera-style man-crushes on each other if that counts for anything. Congrats to our victors below, you win... his-and-hers Yuma t-shirts.
1. "Oh well, the 5:25 to Yuma it is." -- Kathi F.
2. "You're right. From way up here, your career does look much bigger than mine." -- Charles P.
3. "I TOLD you to get directions... now look where we are, EuroDisney." -- Josh S.
This week we move on to a movie that sounds like a Western, Shoot 'Em Up, but is actually far "manlier": An action film in which Clive Owen kills men with carrots, beds Monica Belluccci while simultaneously shooting a flurry of henchmen, and counts a newborn baby as his sidekick. That's -- how do you say? -- gangsta. Unfortunately we don't have any carrots to give away (we have a strict no-weapons policy here), but our three winners will get a Shoot 'Em Up t-shirt, hat and shot glass. Cheers.
In about an hour, I'll be writing another post regarding a new Moviefone gallery featuring the 25 Best Sex Scenes of All Time. One movie that will not be on that list (mainly because it hasn't come out yet) is Shoot 'Em Up, which arrives in theaters this Friday. Now before I go on, I must warn you that the clip we'll be linking to features both nudity and violence -- so those of you at work or around children might want to wait until the coast is clear. That said, New Line never even needed to market this film at all. All they could've done was show people this clip -- make it their trailer -- and folks would've flocked in masses. For the women, you have Clive Owen. For the men, you have Monica Bellucci. And for the people who couldn't care less about the sex, you have tons and tons of gun play. Need I say more?
The folks over at IESB are currently housing this clip, although no one seems to know where it came from. They claim it sort of landed in their laps, and so they put it up. Was it leaked on purpose? Was it not supposed to be leaked at all? We don't know. But what we do know is that the clip itself is flippin' fantastic -- and if I could simultaneously be typing this post and be on line waiting to buy tickets for this flick, you bet your ass I'd be in both places at the same time. (Actually, when you think about it, technically I could buy tickets online while I write this post. Thus, it is possible. So there ya go.) Parts of this clip were briefly shown in that last R-rated clip, but there's nothing like the whole scene to get you in the mood, so to speak. Here's a brief description to whet your appetite: While Clive and Monica get down to some between-the-sheets business, guys in ski masks burst into the room, bullets go flying, a baby begins crying and, well, the sex couldn't get any better. And Clive's final line -- classic! Check out the clip and let us know what you think -- Shoot 'Em Up hits theaters this weekend.
I cannot remember the last time I was so excited for an action flick as I am for Clive Owen's new gun-crazy movie Shoot 'Em Up, which relies on the premise: "Violence is one of the most fun things to watch." As you might remember from ourpreviouscoverage, Owen plays a guy who helps keep Monica Bellucci and her baby safe from the maniacal Paul Giamatti. As Owen describes it in the first trailer: "I'm a British nanny, and I'm dangerous." Now, the film's official website has got a new rated-R trailer for the movie, which you have to enter your name, birth date and zip code to check out. Don't we all hate that part?
It's worth it. Where the first spent a bunch of time on flashy introductions and transitions, this lets the over-the-top and wonderfully unbelievable action speak for itself. Since it's R, we also get to see the action when it hits the bedroom -- and I mean both sexually and with a shower of bullets. Remember that scene in Spider-Man 2 where Peter rolls on the floor with Mary Jane to keep her safe when the cafe is under attack? Imagine that, but with a naked Owen and almost-bare Bellucci upping the ante. This time around, you can also see the many Bugs Bunny references as Owen chews on carrots and gets called a bunny. You wouldn't think someone could make Bugs impressions and carrot-eating look tough, but Clive pulls it off. Luckily, the wait to see it is almost over -- the movie finally hits theaters on September 7.
If you're a DVD junkie like me, then you'll end up buying a new Special Platinum Holographic Limited Master Ultra Five Disc Edition of a DVD you already own, just to get some paltry extras, like interviews with the gaffer. I'll admit, it's a sickness, and once Blu-ray and HD-DVD were introduced, it got that much worse for me.
Likewise, if you're a hardcore DVDer, then you probably visit DVD news sites like The Digital Bits and DVD File for the latest news about anything DVD related, no more how trivial, and no matter how much Peter Jackson continues to hammer you over the head with new versions of The Lord of the Rings DVDs.
To that end, our first early morning early morning panel was the DVD Sneak Peeks for 2007. Bill Hunt and Todd Doogan from Bits introduced Charles de Lauzirika, who works on a lot of Ridley Scott's DVD releases ... he has the lucky distinction of working on the Blade Runner: The Final Cut DVD, Javier Soto, who works with Guillermo del Toro, and Robert Meyer Burnett, who directed Free Enterprise and is working on the DVD releases of Shoot 'Em Up and Valkyrie.
Like many of the characters he plays, 
For many, Closer is that Mike Nichols movie where Natalie Portman played a stripper, stripped down, but then had her nude footage destroyed. For me, it's the film that gave me a new-found appreciation for 
When I first posted about the film 
I've watched the Extras Christmas Special twice now, and I still can't get through the end without crying. I'm so lame. I know this is TV related, but if you haven't watched 
We see guns and violence everywhere. It's on the television, on the big screen, in the papers, in the books. It's always referenced in discussions about sex -- a nipple here, or a butt-cheek there, sexiness almost always gets leashed while violence frolics with its comfy reign. But every once in a while, someone steps in to do something about it. Usually, it's due to the sensitivity of a recent violent act. (Columbine stopped lots of projects, September 11 kept movie ideas at bay for a while, and so on, and so forth.) This is no exception. 
About four years after filming the dysfunctional love fest otherwise known as Closer, 
In about an hour, I'll be writing another post regarding a new Moviefone gallery featuring the 25 Best Sex Scenes of All Time. One movie that will not be on that list (mainly because it hasn't come out yet) is 
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Cinematical Seven: When an Animated Series Goes Live Action ... and Gets it Right_thumbnail.jpg)
Full 'G.I. Joe' Cast Photos!
