clivebarker Tagged Articles at Cinematical

If your calendar from here to Halloween isn't already filled with candy-fueled bacchanals, come to Meltdown Comics' Sunset Blvd. location in Los Angeles on Thursday evening for an in-store appearance by Clive Barker, Chris Monfette and Ray Zone, who collaborated on a new comic book entitled Seduth. Barker, who previously worked on adaptations of his own work and original material in the medium, enlisted Monfette's help to come up with a new, original story, while Zone expertly rendered images for it – in 3-D, no less.

Barker's public appearance just days before Halloween seems remarkably appropriate given his career-long commitment to the 'dark arts': in addition to his work in comics, he's not only a renowned novelist, but a filmmaker, having directed Hellraiser and Nightbreed, and effectively created Candyman. Monfette, meanwhile, is also working on an adaptation of Barker's short story Down, Satan, and wrote an original script entitled Deep Cuts that is being shepherded into production by American Originals producer Jeff Katz. And Zone is the "King of 3-D Comics," with hundreds of credits as an artist and producer of 3-D print work.

Barker, Monfette and Zone will be on hand for a question-and-answer session starting at 6PM, and then the trio will sign copies of the book after 7:00. If you can't make it but want an autographed copy, click here to purchase one in advance, and check out Meltdown Comics' official site for driving directions and more information about the event.

Dread (UK/US): I'm going to act like I don't know how Clive Barker's original short story played out, as I didn't know when going into the film, but that still leaves this adaptation a bit too long-winded for its own good. Stephen (Jackson Rathbone) and Quaid (Shaun Evans) team up for a college project on what people fear most, and sure enough, this little social experiment of theirs goes too far. It's an interesting premise, eventually carried out to a foreseeable but intense climax, shot moodily throughout by first-time director Anthony DiBlasi, but the redundant dorm-worthy moralizing delivered by our fairly obvious villain and a tacked-on ain't-that-wicked twist only make it more apparent that Dread was a story perhaps better deserving of, say, a "Masters of Horror" episode rather than a feature-length treatment.

Read the rest at Horror Squad.

If I were a more superstitious person, I would start to think that Dimension's Hellraiser remake is cursed. It has been a long time since Clive Barker first signed on to help re-write his original story for the screen ... again, but here we are three years later and not a day closer to a finished product. The last anyone had heard was that Pascal Laugier (Martyrs) had signed up to direct. But, thanks to an update from Barker's Twitter feed, we now know that "Pascal Laugier is regrettably no longer on the Hellraiser remake. I think Martyrs is extraordinary, I don't know much more. I mean why would anyone tell me? I mostly discover these things here or through friends who still buy the trades."

The horror-remake has had a revolving door cast for a couple of years now, and Laugier isn't the first director to walk. Originally, the French directors Alexandre Bustillo and Julien Maury (Inside / A l'interieur) were supposed to be shooting Marcus Dunstan and Patrick Melton's script, but Bustillo and Maury soon left the film thanks to "creative differences." Laugier was supposed to be their replacement, and we might be back to square one now that rumors are swirling that Dimension has plans to commission an entirely new script as well.

After the jump: so, will Hellraiser ever get made? Plus some of my fantasy picks for a new director.

So a few years back I reviewed a horror flick for DVD Talk called The Plague. Not great, not awful, but kind of a choppy time-waster that starts out with a cool premise before devolving into some sort of forgettable zombie affair. A few months later I got an email from The Plague director Hal Masonberg, thanking me for the review, but also intent on setting the record straight: That a film he directed, co-wrote, and had big plans for ... was basically yanked out of his hands by Sony (Screen Gems Division), re-cut (badly), and dumped onto the video market with Clive Barker's name in front of the title. (Barker's production company made the film, but it is not based on anything he has ever written, so it seems really obnoxious to call it Clive Barker's The Plague. Of course I mean no disrespect to Clive Barker, who is a true lord among horror writers, but I'm just a little confused.)

I'm certainly not the first horror geek to cover this tale, but I figure it's worth mentioning again -- simply because I like people who try to make good horror films, and I say Hal Masonberg got screwed bad. Now the guy is risking some burnt bridges because he simply WILL NOT STOP trying to get his "Writer's & Director's Cut" released by Sony. The man is in a tough spot because it's really hard to support a Special Edition DVD when the first DVD went mostly unnoticed -- but Sony seems to think Hal has the better part of a million bucks, because that's what they're asking in return for the rights to the property.

So maybe Midnight Meat Train didn't get the reception that Clive Barker had hoped for, but that hasn't stopped the master of horror from rolling right along with his other projects. A new trailer for Book of Blood (the first in Barker's six part series) has just hit the net. Unfortunately, the trailer has since disappeared from most sites, so if you are curious, I'd advise you to act fast. But the good news is that Dreadcentral.com now has a promo reel for Barker's other adaption from his Books of Blood series, titled, Dread.

So first up is the trailer for Blood, and I have to tell you, it is looking pretty good (not to mention gory) for the horror tale. Blood was the frame story for Barker's original series, and the film will center on "on a paranormal expert who, while investigating a gruesome slaying, finds a house that is at the intersection of "highways" transporting souls to the afterlife." Although, I should warn you that the trailer is a little 'spoilery', so tread carefully. Blood was co-written and directed by John Harrison (Diary of The Dead) and stars Jonas Armstrong as a psychic, and Sophie Ward (who hardcore movie geeks might recognize as the great love of Young Sherlock Holmes) as the paranormal expert.

Next up is Dread, the story of three graduate students who devise an experiment about fear that gets a little out of hand to say the least. The promo reel gives you a few more glimpses of what director Anthony Diblasi (who is also producing the Hellraiser update) has planned (you can also take a look at some official stills here) as well as clips from the film and interviews with Barker, and stars Shaun Evans and Jackson Rathbone (Twilight). Dread is still in production, but Book of Blood is expected to arrive in theaters in 2008 -- although I probably wouldn't hold your breath.

So take a look and sound off below on whether Barker will have better luck with the big screen this time around...

Just about a year ago, Comcast's FEARnet video-on-demand service dug into the Lionsgate vault and pulled out Catacombs, which they offered at no charge on their VOD network. Turns out the flick wasn't all that hot, but hey, horror fans love to see stuff for free ... especially if it hasn't been released on video just yet.

So this year FEARnet is doing it again -- only this time it's a movie that did have a (rather insultingly) limited theatrical release. Like, VERY limited. Yes, gore-fans, Ryuhei Kitamura's adaptation of Clive Barker's The Midnight Meat Train may very well be viewable in your own living room -- at this very moment! (If you get FEARnet on your cable box, that is...) Last year Catacombs was also made available on the FN website prior to its DVD release, but we don't know if that will be the case on Meat Train. Lionsgate has yet to announce a DVD date for the film, so anything could happen.

Best of all, unlike Catacombs, I've already seen and have strongly recommended this particular horror movie -- and I certainly wouldn't sneeze at the source material either. For our earlier reports on this strangely controversial little horror flick, check here, here and here.

It is no secret that horror maestro Clive Barker has not had good luck lately with feature films. But to his credit, it hasn't made him bitter about seeing his work translated for the big screen. In an interview with MTV, Barker got the chance to weigh in on the upcoming remake of Hellraiser for Dimension Films -- and judging from his comments, he seems to be in a good place with the project. Barker told MTV, "I never get tired of revisiting [characters] if there is a good story to be told." He seemed genuinely excited about what he has planned for the story of a puzzle box from another dimension and the 'human pin-cushion'.

Back in February, Marcus Dunstan and Patrick Melton were hired to work on the re-write of the Barker-approved script. But the project had another setback when the French directing duo of Julien Maury and Alexandre Bustillo (À l'intérieur) left the project due to "creative differences." So for now it looks like Pin-Head and the Gang are without a director. Hopefully, Dimension can get the ball rolling on the remake, because I don't think Barker could take another disappointment at the box office.

After the jump...find out what Barker really thinks about PG-13 horror.

I'm glad to have seen The Midnight Meat Train in a theater earlier this month, even if it was a run-down dollar theater. But Lionsgate certainly made it difficult for horror fans, booking the film into only about 100 locations and carefully avoiding theaters anywhere near the city centers of New York, Los Angeles, Philadelphia, San Francisco, Portland, etc.

When the limited release strategy became known, Clive Barker, who wrote the story upon which Ryuhei Kitamura's film is based, expressed his support for a fan-made viral campaign to get a wider release. Now that the limited release has come and gone, he told MTV News of his displeasure toward "small-minded" Lionsgate president Joe Drake. Barker believes that Drake shortchanged MMT to avoid competition with The Strangers, on which Drake had a producing credit. "You don't have to sh-- on somebody else's work to advance your own material," Barker said.

Barker feels that Kitamura made "a beautifully stylish, scary movie." He's convinced that "people will find it, and whether they find it in midnight shows or they find it on DVD, they'll find it, and in the end the Joe Drakes of the world will disappear."

In his review from Comic-Con, Scott Weinberg opined that The Midnight Meat Train would be a tough sell on 1,200 screens because it's such a dark, "horror fans only" experience. On the other hand, the apparently inferior Mirrors (as per William Goss' review) opened on 2,664 screens and made $11 million in its opening weekend. But Lionsgate took that decision out of (most of) our hands. The DVD should be out Real Soon Now.

Of all the freakin' horror remake outrages, this one might take the cake. Candyman, the freakishly original 'Chicago projects urban legend' flick based on a Clive Barker story, might be remade by Sony with a Caucasian in the title role, according to Shock Til You Drop. The site says that Sony and the unidentified rights holder are in "early talks," with one idea being to change Candyman's skin color from black to white.

I know this is not confirmed, and many stupid ideas are undoubtedly floated in early conversations, but this is wrong on so many levels I'm left speechless. At the most basic level, it begs the question: has anyone contemplating the remake actually watched Bernard Rose's frightening original? In the movie, Candyman (the great Tony Todd) was the son of a slave who "suffered a hideous and unjust death," as Ryan Stewart described in his Retro Cinema appreciation. An urban legend developed around him in the notorious crime-infested Cabrini-Green housing project: say his name multiple times in front of a mirror and he appears. Virginia Madsen, as a sociology grad student, investigates, calls him back to life, and wishes she had stayed in the classroom.

Two sequels, which I haven't seen, followed Candyman to New Orleans and Los Angeles, but Chicago is where he belongs. The Cabrini-Green high-rise projects have been torn down and redevelopment is taking place -- that's your story, the horror of modern redevelopment. If you want to add a political edge, tie in the outcome of the Presidential election. But please, Sony, don't make Candyman a Caucasian.

When was the last time you saw a first-run movie on opening night and paid just $1.75? Hardcore horror flick The Midnight Meat Train has been relegated to second-run theaters in its limited, 100-screen release this weekend, as William Goss nicely detailed for us. (Thanks to commenter Christopher for pointing out that Dread Central compiled a very handy list of theaters.) Let me testify: watching the movie at a theater with cheap seats did not enhance the experience.

Here's why: The Midnight Meat Train is a very good flick -- I agree completely with our own horror hound Scott Weinberg that "it's one of the most effective horror films of the year" -- and horror fans who sought it out deserved to see it in the best possible environment. I was fortunate in that one of the six theaters playing it in the Dallas / Ft. Worth Metroplex is only about 10 miles away, though I had a devil of a time finding it. Unfortunately, the theater has seen better days, the seating layout is not optimal, and the audio equipment is lacking.

It felt surreal to watch the far inferior The Mummy: Tomb of the Dragon Emperor at a Cinemark complex with great sound and a huge screen and then travel 10 miles to see The Midnight Meat Train at another Cinemark complex with sound that lacked any oomph and a much smaller screen. Nonetheless, the 9:25 p.m. show drew a mixed crowd of 60-70 people, despite zero advertising in the local newspapers, and folks seemed satisfied with what they saw.