Folks looking for this summer's Little Miss Sunshine might find similarities in Introducing the Dwights (previously known as Clubland when it premiered at Sundance earlier this year). Like Sunshine, Dwights revolves around a somewhat eccentric family whose members all aspire to be bigger than they are. While there's no physical road trip in Dwights, each character embarks on an inner journey -- one of physical exploration and, eventually, transformation. It's sweet, quirky, sincere, and provides a perfect escape from the hustle and bustle of those big-budgeted extravaganzas currently invading your local theater.

Told from a few different perspectives, this Aussie coming-of-age tale is, essentially, about growing up and giving in to the forces that control our own personal universe. Jean (Brenda Blethyn), a UK-born comedienne and stage performer nearing middle age, works tirelessly to keep her family and career on track. She's up at the crack of dawn for the morning shift at the canteen, and in between giving music lessons to the neighborhood kids, she's practicing for her own shows later that night. Somewhere amidst the hectic schedule, she needs to find time to be a mother to her two teenage boys; one of which suffers from brain damage, while the other is being wooed into his first mature, sexual relationship with the opposite sex. And the more Jean fights for control, the harder it becomes for her to just let go.

To most movie fans, Sundance is this far-off and distant place they can't visit because, well, it's a pretty damn expensive trip -- and who the heck wants to spend a week on a mountain in January and not ski? The second question I'm always asked upon my return home from Sundance (after "What good movies did you see?") is "What famous people did you meet?" But the third question is usually something like "So when will I actually get to see these movies that everyone's been chattering about for the last two weeks?" And so I decided to collect all the acquisition news from this past festival and offer it all up on one convenient platter. I'll keep the chatter to a minimum, but if you want more info on a particular film, please do partake of all the links below.

• Clubland -- Warner Independent Pictures -- $4,000,000
• Crazy Love -- Magnolia Pictures -- n/a
  
• Grace is Gone -- The Weinstein Co. -- $4,000,000
• How She Move -- Paramount Vantage -- $4,000,000
• In the Shadow of the Moon -- ThinkFilm -- $2,500,000
• Joshua -- Fox Searchlight -- $4,000,000
• King of California -- First Look Pictures -- $3,000,000
• La Misma Luna (The Same Moon) -- The Weinstein Co. & Fox Searchlight -- $5,000,000
• My Kid Could Paint That -- Sony Pictures Classics -- $1,500,000
• Nanking -- Fortissimo Films -- n/a
  
• Once -- Summit Entertainment -- n/a
  
• Protagonist -- IFC & Netflix -- Under $1,000,000
• The Signal -- Magnolia Pictures -- $2,300,000
• Son of Rambow -- Paramount Vantage -- $8,500,000 (some say even higher)
• Teeth -- The Weinstein Co. & Lionsgate -- $1,000,000
• The Ten -- ThinkFilm & City Lights Home Entertainment -- $4,500,000
• Waitress -- Fox Searchlight -- $4,500,000
• Weapons -- After Dark Films -- $1,000,000

Thanks to Variety, Movie City News, THR's RiskyBiz Blog, and our own Cine-maniacs (particularly Jette and Karina) for all the info. [Have any updates, additions or corrections? Leave 'em in the comments section please!] Added Bonus: After the jump you'll find a list of movies that already had North American distribution set up before they arrived at Sundance!