For whatever reason in the fall of 2005, I had missed out on the initial local press screening of Terrence Malick's latest epic, The New World, and the reactions that followed were decidedly ... less than appreciative. Shortly thereafter, word had come our way that an alternate cut would be opening instead, and so it was this second screening that I did attend.

For the first half of the film, I was fairly fascinated by the tale of John Smith (Colin Farrell) and his conquest of both what is now America and what was then Pocahontas (Q'orianka Kilcher). However, somewhere around when Smith disappeared and John Rolfe (Christian Bale) all but replaced him, I found my interest waning at a considerable rate.

It's difficult to deny that there were those who still thought the film to be one for the ages, even in its 135-minute incarnation. Those who lucked into the earlier screenings or lived in New York or Los Angeles could briefly get a glimpse of the original 150-minute cut, before certain scenes had been abridged, excised, or even replaced. Now, come October 14th, fans will get the chance to devour a DVD release of 172 minutes in length.

Earlier that same year, I'd found myself fairly unimpressed with the theatrical cut of Ridley Scott's Kingdom of Heaven, only to eat my words once the engrossing three-hour-plus director's cut hit DVD after a similar NY/LA bow. Maybe almost three years after the fact, I can bring myself to give Malick's masterpiece another go. Will you?

[via DVD Active]

Neil Jordan has dabbled in the supernatural before. He'd probably like to forget the maligned Annette Bening thriller In Dreams, but on the other hand Interview with the Vampire is one of his most successful -- and most mainstream -- efforts. After a few more straightforward outings, Jordan will be delving back into fantasy with Ondine, starring Colin Farrell and Mexican-Polish newcomer Alicja Bachleda. Bachleda will play the title character, a mythical sea nymph who gets caught in the net of a fisherman (Farrell) and changes the lives of the people in his Irish town. Jordan wrote the script himself, and the project is set to start shooting next month.

In Dreams notwithstanding, Jordan is a remarkably consistent filmmaker, capable of doing beautiful and subtle things with sometimes schlocky material. Hopefully people are ready to try sea nymphs again after the frustration that was M. Night Shyamalan's Lady in the Water. Ondine sounds more whimsical and playful than Shyamalan's heavy-handed parable.

Bachleda has been acting in Poland since the 90's, but made her American debut in the Kevin Kline sex trafficking movie Trade, which I didn't see (and which I heard was pretty bad). Jordan's last film, the revenge drama The Brave One, was a critical failure but a moderate commercial success. For a while, Jordan was supposed to direct the fantasy thriller Killing on Carnival Row, but it looks like Ondine will be his next project.

Although Anthony Minghella has passed away, his name continues to live on, whether it be through New York, I Love You, or being named the "one true godfather" of a new film on the pike -- Triage. Variety reports that the dark drama, which is coming from the hands of Bosnian filmmaker Danis Tanovic (writer/director of the Oscar-winning No Man's Land), is getting a cast that boasts the likes of Colin Farrell, Paz Vega, and Christopher Lee.

Farrell will star as a photojournalist who goes on a dangerous assignment with his colleague/best friend, but returns home without him. I imagine he is tight-lipped about what happens, because his girlfriend, played by Vega, "sets about solving the mystery of the disappearance." Either that, or Farrell comes back without a clue. Unfortunately, there's no word on who Lee will play. Since the man is getting close to 90, however, I think it's safe to say that he won't be the colleague. Still, it'll be nice to see Lee in a more realistic setting.

The film is going to be sold at Cannes by Hanway films, and will shoot on-location in Ireland, and in Spanish studios, from this month through June.

After the shock of Heath Ledger's death, there were questions about his latest project, Terry Gilliam's The Imaginarium of Dr. Parnassus. Then came rumors last month from AICN that Johnny Depp, Jude Law, and Colin Farrell would ALL step in to replace the actor. Well, the site was right! Reuters reports that the filmmaker has confirmed the involvement of all three actors.

According to a statement from producers: "Since the format of the story allows for the preservation of his entire performance, at no point will Heath's work be modified or altered through the use of digital technology." They follow with: "Each of the parts played by Johnny, Colin, and Jude is representative of the many aspects of the character that Heath was playing."

For once, it seems like Gilliam's notorious bad luck will pay off into something special. In the words of the man himself: "I am delighted that Heath's brilliant performance can be shared with the world. We are looking forward to finishing the movie and, through the film, with a modicum of humility, being able to touch people's hearts and souls as Heath was able to do."

Have you ever liked an actor that no one else seems to like? You almost want to keep your adoration to yourself, for fear that you'll be laughed out of a party or a gathering when you say how much you like Josh Hartnett. I actually do like Josh Hartnett, quite a lot. For a pretty boy, he has a very warm screen personality, and though he can appear perfectly comfortable playing a boxer or a cop, he also has a wonderful sense of humor. In short, he's not a brooder or a poser like most of his other pretty boy contemporaries. And yes, he was in Pearl Harbor, but he made up for that with excellent performances in The Virgin Suicides, O, 40 Days and 40 Nights, Hollywood Homicide and The Black Dahlia. Incidentally, these are all under-appreciated or misunderstood movies, just like Josh himself.

There. I've gone on record. Looking down the list of movies currently playing on 400 screens or less, I came up with several other actors I like that have not really received the love they deserve. First up, we have Amy Adams, who I just caught in the new Miss Pettigrew Lives for a Day. As far as I'm concerned, Amy walks on water. She's like a Carole Lombard for the 21st century. That means that she's not particularly suited for low-key "realistic" roles, such as the one she plays in Charlie Wilson's War (97 screens); in that, she basically trails Tom Hanks and occasionally reads some complicated dialogue to him. (I thought Mike Nichols was supposed to be good with actors.) But in Enchanted (329 screens), Amy is perfectly cast as a slightly cartoonish, screwball kook. She can move her eyes and her entire body in very precise ways for outlandish results, but she still retains a strain of humanity; she never spirals off into anything untouchable or unknowable. I thought she deserved an Oscar nomination for this one, but I'm afraid she'll need to put on a lot of "ugly" makeup before she wins anything.

What a quiet weekend for indie films! Two holdovers performed very well, while several newly-opened films faced difficulty in attracting audiences. In its second week of release, The Band's Visit (Sony Pictures Classics) expanded from seven to 13 theaters and enjoyed a per-screen average of $9,769, according to estimates compiled by Box Office Mojo. The Israeli film may sound like a traditional culture-crossing crowd-pleaser (tiny Egyptian police orchestra gets lost en route to a gig, spends the night in a tiny rural Israeli town, everyone learns important life lessons), but the material is deftly handled to produce a very satisfying and thoughtful entertainment.

Also in its second week out, In Bruges (Focus Features) stars Colin Farrell and Brendan Gleeson as hit men cooling their heels in Belgium after a job gone wrong. James Rocchi said it moves "in unexpected directions which are the kind of unexpected that you do not actually expect." Specialty audiences turned out in good numbers to see it, to the tune of $8,178 per screen at 112 locations.

When it's all said and done, this whole Parnassus mess would probably fit nicely into a biopic on the life and times of director Terry Gilliam. When Heath Ledger passed away during production on the latest Gilliam flick, The Imaginarium of Dr. Parnassus, we all wondered what would happen to the film. Would Gilliam be forced to dump another project (a la Don Quixote), or would someone step in to save the day. Early rumors suggested (and here's where life always comes full circle) that Johnny Depp (Gilliam's Quixote star) would fill in for Ledger and shoot his remaining scenes. Then there was word Gilliam may create a CGI Ledger to tape up the missing pieces.

Now, however, AICN claims they know exactly how it will go down, and that Depp, Jude Law and Colin Farrell will all fill in for Ledger in a weird sort of I'm Not There-esque tribute to the actor. Needless to say, I cannot wait to see what this looks like -- imagine watching half a film with Ledger, only to see it switch and be Depp, then Law and then Farrell (or some variation)? What will that look like? Either way, I'm sure Gilliam will probably open to his biggest box office take in years (fingers crossed), and the film could go down as something very very special. No official word on this one yet, but AICN seems to feel this one is locked and ready to roll. What do you think?

One day until hump day! News bites for your Tuesday:

• One would think that after the success of Spider-Man, Sam Raimi would stay focused on feature films. However, The Hollywood Reporter has posted that the filmmaker is teaming up with Disney/ABC to produce a new, live-action weekly series called Wizard's First Rule -- to get off the ground this fall. The show is based on Terry Goodkind's fantasy series The Sword of Truth, and "follows the extraordinary transformation of woodsman Richard Cypher into a magical leader who joins with a mysterious woman to stop a bloodthirsty tyrant." Production will begin this May.
• In the doc world, Variety reports that Liberation Entertainment and Netflix's Red Envelope have nabbed distribution deals for the soccer documentary Kicking It -- which is narrated by bad-boy Colin Farrell. (This is in addition to the ESPN deal from Sundance.) The doc focuses on "the personal struggles and triumphs of seven soccer players from six countries who participate in the 4th annual Homeless World Cup." The plan is to have a day-and-date release between the ESPN premiere, DVD rentals and computer downloads on Netflix, and DVD sales.
• Finally, I bet those rabid and weary Da Vinci Code fans from 2 Days in Paris would get a kick out of this. According to the BBC, paintings and statues from Lincoln Cathedral, which was dressed to be Westminster Abbey, are on the auction block to raise money for the building. The light, polystyrene pieces were part of an exhibition since the film crews left the location, but will now be sold off in a series of sealed bids through March 31.

Here's a strange twist to the writer's strike, and a postponement excuse we haven't heard before: New Line has pushed back Inkheart from March 2008 to January 2009 because of what the strike is doing to the television industry. Huh? According to Variety, the studio figures that without first-run programs on TV, it can't reach enough viewers through commercials, which is apparently the only way to market a movie these days.

OK, I kind of get it, but I hardly ever watch TV, and I've seen about 1,000 TV ads for Cloverfield this week, so there has to be a way to reach an audience by the original release date of March 18. They could have bought some time during the Super Bowl or the Oscars or, since its a family fantasy, any children's program. Seriously, kids don't care if their show is in repeats or not. I'm not going to go the usual route and accuse Inkheart of having production troubles. Judging by the trailer and Erik's visit to the film's set last year, the movie looks and sounds like it's a lot of fun, and anyway, it's reportedly all finished and ready to deliver to theaters. But since the TV marketing excuse seems odd, I'll assume that New Line is simply trying to figure out how to market a movie that could be accepted as just another fantasy movie and go mostly ignored by the same public that didn't go to see The Golden Compass or The Seeker: The Dark is Rising.

Those of you who need your Brendan Fraser fix need not cry for too long. The actor can still be seen in New Line's Journey to the Center of the Earth 3D, which comes out July 11, and Universal's The Mummy: Tomb of the Dragon Emperor, out August 1.

In other release date news, New Line has also pushed back Pride and Glory, which stars Edward Norton and Colin Farrell (which I remember them filming in Brooklyn back in Summer 2005), from March 14 to sometime in 2009, though the reasoning behind this one may have had more to do with Norton and Farrell having other new releases coming out soon, than it had to do with the writer's strike effect on TV ads. Meanwhile, Universal has moved up its Judd Apatow-produced comedy Forgetting Sarah Marshall so that it doesn't have to go up against Sex in the City (which New Line will have no problem advertising on television) and Starship Dave (which I can't imagine really being a threat to anyone). Forgetting Sarah Marshall will now bow on April 18, which should perfectly fit in with some college kids' spring break. The same studio also pushed back its Baby Mama one weekend, from April 18 to April 25.

Last night saw the first formal party of Sundance 2008 -- the post-screening bash for In Bruges. Held in the Tent at the Lift on Main Street, it featured everything you might expect from a Sundance party: Booze sponsor you've never heard of? Check! (And thank you, Hypnotiq vodka.) Meat on a stick? Check! A cross-promotional tie-in that makes no sense? Check! (Guitar Hero was scattered throughout the party with playable kiosks. If you can explain to me, in a hundred words or less, what the game has to do with In Bruges in any way, shape or form, then please do so; you'll win a prize.) Celebrity guest with no reason to be there? Check! (And hello, Mary-Kate Olsen!) Farrell and Gleeson were in attendance, but attempts to take photos of the stars within the party were firmly -- and understandably -- being rebuffed. Here's a photo of the crowd, though -- just to remind you that if you're a claustrophobe, Park City's a bad, bad place to be for the next few days.