As Scott pointed out in his review, you need not fear that this week's Superhero Movie is another brainchild of Jason Friedberg and Aaron Seltzer, whose satanic perversions of the parody genre -- Date Movie, Epic Movie, Meet the Spartans -- have been terrorizing unsuspecting audiences every year since 2006. Superhero Movie was actually directed by Craig Mazin, a protégé of the Zucker-Abrahams-Zucker dream team responsible for Airplane! and The Naked Gun, and produced by David Zucker himself. But it, too, is plagued -- albeit to a much lesser degree -- by what's turning out to be the problem with the entire modern generation of spoofs going back to Scary Movie: relentless pop culture specificity.

The basest incarnations of this, of course, are the Friedberg-Seltzer monstrosities, which may be worthless as comedies but which could prove valuable to historians because they indicate precisely what dominated the American zeitgeist in the few months before their release. It's too generous to call these films' vulgar spasms "jokes," but to the extent that's what they are, they depend entirely on either audience members' awareness of US Weekly-type factoids such as Britney Spears' shaving her head or their recall of particular scenes and characters in recent box-office hits. That's not to say that these kinds of jokes can't be funny -- the problem with Friedberg and Seltzer, as others have pointed out, is that they think throwing something current on the screen ("Look, Paris Hilton!") constitutes humor. But they do limit comedies' universal appeal and staying power.

It ain't high art and it sure isn't "brilliant filmmaking," but the arrival of Craig Mazin's Superhero Movie is actually a (small) cause for (minimal) celebration. And here's why: Over the last few years, the word "spoof" has become synonymous with the phrase "wretched non-movie." One need only pick through titles like Date Movie, Epic Movie, The Comebacks and Meet the Spartans to see that the spoof movie is one good place to hide if you're very lazy. Just about every movie freak I know was skeptical of Superhero Movie because they've been burned too often by this sort of schtick -- but I'm pleased to note that Superhero Movie actually represents a (slight) upswing for the oft-maligned sub-genre. It's sure as hell no Airplane! -- but it sure as hell isn't Date Movie, either.

Written and directed by Scary Movie(s) scribe Craig Mazin (and produced by two of the guys responsible for not only Airplane!, but Top Secret!, Hot Shots, and The Naked Gun, too), Superhero Movie is a colorful mixture of the old-school spoof style (thank god for Leslie Nielsen) and the more current crotch- and fart-addicted sensibility. It's very broad, very silly, very episodic, and frequently very sloppy, but (and here's a big but) Superhero Movie succeeds over many of its cousins for one simple reason: It's pretty funny.

A good parody is hard to spin beyond the here and now. Take "Weird Al" Yankovic, for example. The pop-music jokester has put out 11 regular albums since 1983, when the accordian-playing nice guy's spoof of The Knack's "My Sharona" (titled "My Bologna" and recorded in the men's room of his college radio station) started his career as a musician, comedic icon and food fetishist when it blew up on The Dr. Demento Show. However, every hilarious and unforgettable cut like "Eat It", "Like A Surgeon" and "Smells Like Nirvana" that hit was matched by fade-away tracks like the New Kids jape "The White Stuff" (an ode to Oreos), the Rocky III goof "Theme From Rocky XIII (The Rye Or The Kaiser)" or the misjudgment "Taco Grande" (a riff on Latin rough-boy Gerardo's only hit, "Rico Suave"). The secret to a successful parody is complex, involving a careful balance of picking a song that is big enough, worthy of a good-natured dressing down and most important, funny. The same is true with movies, and the latest in the popular Scary Movie series is a great example of what can go right and wrong with such an attempt.