criminal Tagged Articles at Cinematical

An American remake of Death at a Funeral might be a new low. Consider: this would be a remake of an English-language film, two years after it received a considerable Stateside release. (I mean, I saw it in my local suburban multiplex at the time.) At least Nine Queens (which quickly became Criminal) and Funny Games were in a foreign language and barely saw the light of day here.

At least the remake of the quintessentially British farce may not turn out to be the anodyne Hollywood studio comedy you might otherwise expect. It'll be directed by Neil LaBute, who, with the bizarre exception of the Gwyneth Paltrow snoozer Possession, at least consistently makes interesting films. (And yes, I'll defend his Wicker Man redo if called upon.) On the other hand, I have no idea what to make of the fact that the remake is going to star Chris Rock. I can't really think of a more jarring replacement for the amiably goofy Matthew MacFadyen.

LaBute seems to have gotten back into at least some critics' good graces with last year's Lakeview Terrace, which (not for the first time) wrapped the writer-director's trademark edginess in a genre film cloak. It seems a shame to stuff a whopping hunk of subtext into something as droll as Death at a Funeral but it probably won't be boring. On the other hand, the remake will be written by Rock, not LaBute, and if Rock's previous screenplays are any indication, maybe it will be boring.

Variety reports that LaBute has also signed on to direct a rom-com called Here Comes the Sun, but we don't have any details about that one.

The nomadic DVD peddlers in Chinatown and other urban areas seem virtually unstoppable, but that hasn't kept Hollywood studios from launching various attempts to prevent movie piracy. Boing Boing reports on the rumor that at least one theater has been silencing the soundtrack in Indiana Jones and the Kingdom of the Crystal Skull throughout the film in order to mess with potential bootleggers trying to record the thing. If true, it's got to be one of the most brain dead attempts at security since the rise of quart-sized bags. When you really get down to it, most two-bit criminals with camcorders in their laps don''t really care if the quality of the movie they're recording suffers, since the resulting product will already feature lo-fi video, the overlapping sounds of laughter and other audience reactions, and silhouetted cameos from patrons venturing to the concession stands or taking bathroom breaks. With all that, the intermittent exclusion of music doesn't sound like a major concern for the bad guys.

Studio anti-piracy measures are notoriously ill-conceived. Premieres and all-media screenings often force critics and even the filmmakers themselves to undergo intense evaluations before they're allowed to enter the theaters, while films open to the public, where pirates are more likely to show up, don't take any precautions. Granted, multiplexes wouldn't help their business if attending them felt like entering an airport terminal, but that doesn't mean there isn't a better way to prevent the crimes from taking place. Anyone care to offer some ideas?

[Via Movie City News]

You Are Going to Prison is Bob Odenkirk's upcoming film about two criminals sharing a cell in a maximum security prison. The movie was written by Ben Garrant, Thomas Lennon and Michael Patrick Jann of The State and Reno 911! It's also being scored by Alan Elliot, who has been writing about the movie and posting pictures on his blog since August. Apparently Bob gave some nice gifts to the likes of Meg White and Queens of the Stone Age in order to get them to play songs for the movie. This film just might have the right combination of talent and bribery to make it worthwhile.