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Andrew Niccol's Next Project Will Blow My Mind

Filed under: Sci-Fi & Fantasy », Newsstand »

I have a few obscure heroes in show business. One of them, as I note here from time to time, is Vincenzo Natali, best known for Cube, but also for an awesome little techno-thriller called Cypher, an offbeat, surreal comedy called Nothing, and the forthcoming Splice (which I would commit atrocities to see right now). He shares my fascination with the unknown and otherworldly, and expresses it on the screen in unfailingly creative and intelligent ways. Another example along the same lines is Don McKellar, whose Last Night is one of the most perfect little movies I've ever seen (though his participation in last year's godawful Blindness shall not go unpunished).

A third hero of mine is Andrew Niccol. I didn't think much of Lord of War, but all of his other projects have been conceptually brilliant in ways that are very much on my wavelength: The Truman Show (which Peter Weir directed from Niccol's screenplay) is probably my favorite film of the 90s (though that changes from week to week); Gattaca is deservingly becoming a sci-fi classic; and Simone is tragically underrated. He's smart, he's careful, and he has a wonderful imagination. Oh, and his just-announced next project, The Cross, is destined to rock my world.

A Few Tidbits About Vincenzo Natali's 'Splice'

Filed under: Sci-Fi & Fantasy », Deals », Fandom », Images »

There is a very short list of filmmakers who are so perfectly in tune with my sensibilities, so completely on my wavelength, that each of their projects threatens to collapse my critical faculties and reduce me to a drooling, adoring mess. One such person is little-known Canadian director Vincenzo Natali, whose enigmatic sci-fi mind-blowers Cube and Cypher were about as far up my alley as you could go before it starts to hurt. (I haven't seen Nothing yet, but I will soon.) So I've been hungrily devouring every morsel of information about his upcoming Splice, which is about a pair of scientists (Adrien Brody and Sarah Polley) who discover a way to create new kinds of creatures in the lab by splicing DNA, and then go and introduce human genes into the experiment. My squeamishness about genetic horrors (no joke: I consider Cronenberg's The Fly to be the scariest movie I've ever seen) and my affinity for Natali's approach makes me think this one could really do a number on me.
 
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