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dan castellaneta Tagged Articles at Cinematical

Jeffrey M. Anderson's 400 Screens, 400 Blows - Early Kudos

Filed under: Brad Pitt », Harry Potter », Oscar Watch », Columns », 400 Screens, 400 Blows », Cinematical Indie »



It may be a bit early for this, but I wanted to get my two cents in on some of my favorite performances of 2007 so far, especially since most of these will probably get overlooked in the great Oscar crush of December. The awards almost always go to actors who are involved in biopics, message pictures, costume movies or epics, so let's start with the wonderful Alan Rickman, who has yet to earn a single Oscar nomination. This year, he can be seen toiling away once again in the small role of Severus Snape in the fifth "Harry Potter" film, Harry Potter and the Order of the Phoenix (283 screens). In the third film, he practically stole the entire movie with the way he read the line "turn to page 394," but in this fifth film, he actually has a scene with some meat to it. In training Harry to block his thoughts, Harry takes a peek into Snape's own mind and finds a disastrously sad childhood. When the flashback ends, the camera lingers on Snape's face for a moment, and Rickman renders an astonishing expression of hurt and hatred that broke my heart and sent chills through my spine.

One costume movie, Becoming Jane (32 screens), was unfairly judged, perhaps because it was too much fun and not somber enough (or not based on a literary source of proper merit). The lovely Miss Anne Hathaway usually lends a kind of smart energy to her best performances, as if she were slightly ahead of the game, and she does so perfectly as the budding Jane Austen. She's playful, but tough, beautiful but restrained. And when she falls in love with her man (James McAvoy), she does so breathlessly and with her whole heart; the movie more or less explains through fantasy how Austen was able to write so passionately from such a dull existence. The real Jane was said to be rather plain, but I'd much rather imagine her like this. Add to this Maggie Smith's delightfully wry supporting performance as the wealthy aunt, who can't understand the impudent youth of today and fires off comically nasty barbs at their expense.

'The Simspons Movie' DVD Details!

Filed under: Animation », Comedy », Fandom », 20th Century Fox », Home Entertainment », Comic/Superhero/Geek »

Pretty much everyone I've talked to felt exactly the same way after seeing The Simpsons Movie -- relieved that they didn't blow it, a lot of laughs, but it wasn't quite the earth-shattering event we'd been dreaming of since we were kids. The film was measurably better than the current episodes, but not up to the show's heyday of seasons 1 - 10. Still, I don't think anyone could argue that the film is a rock solid comedy, and that was more than enough to make it stand out in the dreary summer season we just sludged through. But do I really need to revisit the movie? After reading the details on the DVD, that answer might be "yes." Releasing here on December 18th, The Simpsons Movie DVD looks to be quite d'oh-lightful.

Most intriguing are the two commentary tracks. One track will feature James L. Brooks (a hero of mine), Matt Groening, Al Jean, Mike Scully, David Silverman, Dan Castellaneta (voice of Homer and many other characters), and Yeardley Smith (voice of Lisa). The other will be a directors' commentary by Silverman, Mike B. Anderson, Steven Dean Moore and Rich Moore. There will also be deleted scenes, though not as many as I was expecting considering all the versions the movie went through on its way to release. These include: an alternate ending, something called "Sausage Truck," and additional work from Albert Brooks as Russ Cargill - whom I would argue stole the film. He certainly delivered its funniest line: "Rats can't be trapped this easily. You're trapped like...carrots." You also get Homer's amusing Tonight Show monologue, the Simpsons judging American Idol, and alternate character designs by the directors and Groening. Oh, and on DVD you can pause all the hardcore full-frontal Bart action!

 
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