danny pang Tagged Articles at Cinematical

In advance of its release last week, Disaster Movie was slammed for the insensitivy of its release date -- on the third anniversary of one of the worst natural disasters in history. (Hurricane Gustav narrowly avoided adding injury to insult.) Probably for a variety of reasons, audiences stayed away in droves, as Eugene noted. Now Bangkok Dangerous, the only wide release scheduled for this week, finds itself overtaken by current events. What else do the two apparent stinkers have in common? Lionsgate, their US distributor.

Lionsgate must pride itself on its highly-targeted slate being critic-proof, since it maximizes profits by skipping most advance screenings for critics and relying entirely on a blitkreig of advertising to fill theaters on opening weekend before word of mouth can spread. In fact, they informed publications some time ago that no advance press screenings for Bangkok Dangerous would be held. As Josh Tyler of Cinema Blend commented when reporting on the notice: "Not screened for the press almost always means the movie is so bad even the people who made it know the film is awful."

Cinematical will post a review later this week, after it opens. But advance word -- and current events -- make the movie sound like another disaster for Lionsgate.

He may not be a wrestler, but Nicolas Cage certainly knows how to be dangerous in Bangkok. Back in June of 2006, the National Treasure-hunting actor signed on for the Pang Brothers' (Oxide Pang Chun and Danny Pang) remake of their 1999 action film, Bangkok Dangerous. Now The Hollywood Reporter posts that Lionsgate has picked up the North American distribution rights to the film, which they will push out to us this summer.

Bangkok follows Cage as "an anonymous assassin who travels to the city to handle four kills for an underworld crime boss, but his conscience becomes his enemy when he meets a local Thai girl." You might notice that the deaf-mute angle on Cage's character is missing this time around. Why? According to an old interview with the filmmakers: "We'd like to keep him the same, but we understand that from a marketing purpose Nic needs to have some lines." In other words, they were convinced to change the character? That's really too bad, since that's an interesting angle for a hitman -- someone who can't hear the results of his work. Instead, his girlfriend will get the deaf treatment. Still, it's the Pang Brothers, so maybe that won't matter.

The original version of The Eye was a solid ghost picture, steeped in local culture and grounded in reality. It wasn't a classic, but it was effective, cycling through familiar rounds of slowly building tension followed by inevitable release. The overall atmosphere was gloomy, with only the faintest glimmer of hope. The new version of The Eye is a patchwork quilt that doesn't hold together with the same degree of focus (apologies in advance: it's difficult to avoid ocular references). There are suggestions of ambition, of a desire to infuse the heroine with greater control of her own destiny, but in the end the new version is neither better nor worse than the original -- just different.

Blind since the age of five, concert violinist Sydney Wells (Jessica Alba) undergoes a double cornea transplant and immediately begins seeing things she ought not. Her concerns are quickly waved away as normal, both by her eye surgeon and by Dr. Paul Faulkner (Alessandro Nivola), a specialist in helping cornea transplant patients adjust to their new vision. As Dr. Paul explains, Sydney has to teach her brain how to interpret all the images associated with things she has only heard, smelled, or tasted before.

The directing team of David Moreau and Xavier Palud handle the early scenes with a restrained flourish, making it clear with a montage the practical challenges Sydney faces in navigating through her "new world." A blurry party scene, in which Sydney "meets" her friends and co-workers for the first time, their faces bobbing up in a well-intentioned but confusing melange, also scores points in setting up Sydney's point of view.

The Storm Riders was a riotously silly martial arts fantasy that divided audiences when it was released in 1998 -- either you got with the groove and rocked out to the comic book style writ large or you fled in terror from its extravagant empty exercise in style over substance. Initially I recoiled from its excesses, but a second viewing (only partially influenced by a moderate intake of a certain alcoholic beverage) was much more enjoyable. To get a better idea of the craziness, check out Kozo's review at LoveHKFilm.com.

Directed by Andrew Lau (Infernal Affairs), The Storm Riders was a huge hit and a much-needed shot in the arm for the beleaguered post-Handover Hong Kong film industry. Given the industry's proclivity for churning out sequels in rapid succession, it's rather surprising that a direct sequel was not immediately forthcoming, but soon the wait will be over. Screen Daily is reporting that Universe Entertainment has hired Danny and Oxide Pang (The Eye, The Messengers) to helm a sequel.

The original film was based on a comic book series and featured an all-star lineup headlined by Aaron Kwok and Ekin Cheng. Three months ago, Grady Hendrix of Kaiju Shakedown reported that one of the Pang Brothers was interested in buying the rights to the comic book; his version would be unrelated to Andrew Lau's film but with Chen and Kwok returning as the heroes, Wind and Cloud (cool character names, by the way). Lau reportedly had his own plans for a direct sequel which have not yet come to fruition.

The comic book series has enjoyed a near 20-year run, so there are plenty of stories to go around. An animated feature based on the series and entitled Storm Rider Clash of the Evils is due out next year. We'll have to wait for details to see what live-action story the Pang Brothers will be telling.

Jessica Alba's latest, The Eye, is about a blind woman who has an eye transplant that enables her to see into the supernatural world. It's a remake of twin brothers' Oxide Pang Chung and Danny Pang's 2002 Hong Kong horror film Gin Gwai. The new film was directed by David Moreau and Xavier Palud, with re-shoots (uh-oh) by Patrick Lussier. It was written by Sebastian Gutierrez, who scripted Gothika and Snakes on a Plane (uh-oh again). The trailer is up online over at Yahoo Movies, and you've probably got some questions. Will this one be any better than the average crappy horror flick? Are we talking more The Ring or more The Grudge 2? If Jessica Alba were really blind, could she learn to love a monster like me? Maybe you should take your pretty little eyes over there and check out that trailer, Mogambo!

The trailer feels like more of a long teaser. There is no dialogue, just some pulsing music, and quick flashes telling the story in images. It's nicely done but not mind-blowing. A few moments stood out, like the floating feet and the nice little jump at the end. I also like the bit where she appears to be painfully squeezing fluid out of her eye. It reminded me of trying to put in my contact lenses while hung over. The Eye co-stars Alessandro Nivola (Junebug) and the always delightful Parker Posey. I saw Posey for a half second in the trailer, and no Nivola, but I guess when you've got one of the most beautiful women in the world in your movie, you want to put her front and center. Cinematical visited the set of The Eye back in April, and if you'd like to read a discussion with Miss Alba regarding the film, you can find it here. The Eye is due in theaters on February 1st, 2008.

Down-on-his-luck private eye Tam (Aaron Kwok) is asked by a man to find a woman who is trying to kill him. Tam takes the case but instead of locating the mysterious woman he starts turning up dead bodies. Welcome to the off-kilter world of The Detective, directed by Oxide Pang. He and his brother Danny Pang made Bangkok Dangerous, which they are remaking in English with Nicolas Cage, The Eye , which is being remade by two French directors in English with Jessica Alba, and The Messengers, which isn't being remade because it was shot in English and made a good deal of money in relation to its budget.

The Pang Brothers are quite prolific; in the last five years or so, they've made three other films together as a team, Oxide has directed four others on his own and Danny has made three solo efforts. I very much enjoyed the energy and style of Bangkok Dangerous and The Eye, admired certain elements of The Eye 2, and was bored silly by The Messengers, but I haven't seen their other work. The Detective opened strong in Hong Kong last week, earning HK$1 million on its first day of release, according to Hong Kong-based entertainment news site batgwa.com. The Detective also opened in Singapore last week and opens today in Malaysia. Reviewer Kozo of LoveHKFilm.com calls it "more of a ride than a complete experience, but Oxide Pang puts together a very enjoyable ride." Stefan Shih of movieXclusive.com had some reservations yet wrote: "still recommended for the visuals, sound design and [Aaron] Kwok's charismatic one man show." The film also received a positive nod from Cammy Zulkifli of Cinema Online in Malaysia.

Aaron Kwok has been a romantic pop idol for many years while also starring in movies in which his dramatic talents have sometimes been questioned. Entertaining blogger Soupdragon commented in her review: "He's an obsession just biding its time before it takes over all over again. ... Sometimes you rediscover [old obsessions] and find it's going to be a blatant case of not-stalgia ... Other times you remember exactly why they were obsessions [in the] first place. This is a clear case of the latter." She puts the film on the top of her list for 2007. Sadly, The Detective doesn't appear to have North American distribution yet.

There have been plenty of wacky ideas over the years on how to promote a movie. Going way back to David O Selznick's search for Scarlett O'Hara to Kevin Smith offering title credits for fans on his MySpace page; movie makers will try anything to drum up a little excitement for a new release.

The Hollywood Reporter announced that Sony is offering Ultra Sonic ring tones in connection with the release of The Messengers. So what's an ultrasonic ring tone? It is a ring tone that is only audible to people under the age of 25. The theory being that as you age your hearing deteriorates, so certain frequencies go undetected, so if you only use those frequencies only teens can usually hear it. The ring tone is available on the official site but you are going to have to cough up $2.49. The ring tone works as a tie-in with the plot of the film, that focuses on a teen girl experiencing supernatural phenomena that no one else can see or hear.

This isn't the only idea that the marketing department came up with for the film. Some of Sony's upcoming campaigns include a 1-800 number, a blog, instant messaging, and a profile of the lead character on social networking sites. So what does all this marketing mean for the movie? Either Sony is just trying to support a new release, or they are starting to get a little desperate for attention.

The last time we had some news about The Messengers, Scott Weinberg let us in on word of delays and re-shoots, neither of which seemed to bode well for the US debut of the Pang Brothers. Well, it looks like Sony is ready to go ahead with the horror-thriller and released the usual trinity of movie marketing, a web site, a trailer, and now the poster.

JoBlo.com has a first look at the one-sheet for the film starring Dylan McDermott, Penelope Ann Miller, and Kristen Stewart. The story takes place on a sunflower farm, (sunflower farm? Um, ok...) where a family turns on one another as the result of some "supernatural" influences. Thai directors Danny and Oxide Pang (The Eye) are helming the script for the horror written by Mark Wheaton and Todd Farmer. Wheaton, who you might know as Smilin' Jack Ruby from CHUD and Ain't It Cool News, has made the leap from writing about the movies to getting a feature film with a major studio. The bad news though, is that both the trailer and the poster only look so-so. Plus, I think they should have really thought twice about that tagline.

If all of that hasn't managed to cool your jets then you won't be waiting long, The Messengers hits theaters February, 2007.