Darren Aronofsky's so-called fast-tracking Black Swan met a big ol' brick wall and never got off the ground like it planned to back in 2007. The project got thrown into turnaround by Universal and faded away. But now, fresh with a spanky new rewrite, The Hollywood Reporter posts that the project is picking up steam.

The supernatural thriller, which takes place in New York City's ballet world, has gotten a rewrite by Mark Heyman, and one hell of a lead in Natalie Portman. It also doesn't hurt that The Wrestler did so darned well. The film, being described by some as a "spine-tingler" reminiscent of The Others, will focus on a veteran ballerina (Portman) competing against "a rival dancer, with the stakes and twists increasing as the dancers approach a big performance." Somehow, somewhere, something supernatural slips in.

But it's not a done deal yet. As tasty and unique as the project sounds (albeit with a slight hint of Joss Whedon and Summer Glau), it's being shopped to studios and isn't definite quite yet. However, should a studio bite, this project could get dancing right away. And should it? I think so. It'll be a whole new type of role for Portman, and I'm dying to see how she does in Aronofsky's unique world. How about you?

Current Academy Award nominee and perpetual comeback kid Mickey Rourke was humbled the other day by professional wrestler Chris Jericho, who both praised and knocked Rourke's (awesome) performance in The Wrestler before challenging Rourke to some sort of match, while on Larry King Live.

Coming three days after Rourke's claim at the SAG Awards ceremony that he'd be taking part in April's Wrestlemania match (and called out Jericho in particular, it seems), I'd say that it falls right in line -- except that Rourke only sits there and offers up gratitude while Jericho gets increasingly badgering in his confrontation, in a manner that seemed scripted more and more with each passing moment (did anyone else catch exactly why Jericho threw out the word "offended" after deeming his performance "immaculate"?).

It just goes to show you that maybe not all fights captured on video are necessarily worth clicking on. Maybe it's just for the attention. Maybe it's an argument best left to those individuals. Maybe you had good reason for watching that video -- maybe you even heartily agree with one side over the other -- or maybe you were just curious. Sometimes, though, these videos are best left unwatched... a rule that doesn't, however, apply to the movie at hand. (Seriously, see it if you can, folks.)

Note: Rourke's publicist has since come forward to say that he won't be participating in Wrestlemania, and instead will be "focusing entirely on his acting career." Um, what's the difference? [via Defamer]

I haven't really done any comprehensive Oscar predicting this year. There's a glut of prognosticators, and I'm not any good at it anyway. But I figure I should go out on one limb the day before nominations are announced -- how else can I look foolish on the 22nd? -- and here it is: I predict that Wall-E slips into the Best Picture final five and leaves The Dark Knight in the cold.

Now, I'll admit that I'm doing this partially to annoy Josh "Snub It And There Will Be Consequences" Tyler (because seriously, that was insane). But here's the thing: if you accept the conventional wisdom that four of the five Best Picture slots will be occupied by Slumdog Millionaire, Frost/Nixon, Milk and The Curious Case of Benjamin Button, that leaves Dark Knight and Wall-E (and possibly Doubt) fighting for #5. Since we're talking about Academy voters here, I think the smart money is on the beloved, endlessly charming Pixar flick over the pitch-black superhero epic. It's less divisive and more accessible. (I'll agree that it's not quite as awesome.) The Bat will content itself with tech noms and Heath Ledger.

So that's my last-minute sucker's bet. You got any? Aronofsky for Best Director? Dev Patel for Best Actor? Last chance, kids.

We always love it when there's a little controversy during a major awards show, because not only does it make the ceremony slightly more fun to watch, but it also gives us something to talk about, constantly, the following day. Thus, the two most controversial parts of last night's Golden Globe awards didn't come during an acceptance speech (although director Darren Aronofsky's giving "the finger" to Mickey Rourke was definitely a highlight for East Coasters); instead, two British comedians presenting clips for the films nominated in the best feature category were the talk of the town.

The two, Ricky Gervais and Sacha Baron Cohen, are known for taking risks with their comedy, and for making fun of Hollywood ... like, a lot. But on such an important night for the entertainment industry, and on a show broadcast around the world, were their jokes all in good fun or absolutely tasteless? Watch Sacha Baron Cohen's bit below and Gervais' little beer-drinking clip after the jump, then let us know whether you found them offensive, hilarious or just plain whatever.

Cinematical has received this very cool exclusive video featuring Slumdog Millionaire director Danny Boyle and The Wrestler director Darren Aronofsky interviewing one another about their films, their process and a whole lot more. There are seven parts to this video -- two of which have popped up over at Slashfilm and First Showing -- and we have what I think is the best part: Part 7: Writing and Developing Projects (or as I like to call it, Part 7: The Final Awesome). Here, both Aronofsky and Boyle chat about how they develop projects. Boyle talks some about finding the right script, while Aronofsky tells us what it was like to work with another writer on The Wrestler -- one who used to edit The Onion. I won't spoil anymore, because this is one of those video interviews that don't come around too often -- it's best just to watch.

Both Slumdog Millionaire and The Wrestler (which are two truly excellent films, by the way) are currently in theaters, with the latter in limited release and expanding soon.

(We're reposting this interview from Toronto to coincide with the film's theatrical release)

By: James Rocchi

On a bright Toronto Morning, The Wrestler's director Darren Aronofsky still can't quite wrap his head around his past week: "It's been wild. Look, we started shooting in January; we finished the film five days ago. I was in Venice four days ago, with no buzz; three days ago, we won the Golden Lion out of nowhere, and two days ago, we showed it at Toronto and sold it to Fox Searchlight, so everything changed in five days. ..." Cinematical spoke with Aronofsky about the world of '80s wrestling, the unique possibilities and challenges inherent in working with Mickey Rourke, custom-crafting an old-school Nintendo game on an indie budget, punching up political commentary in post-production and more. ...

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(We're reposting our review of The Wrestler from the Toronto International Film Festival to coincide with the film's theatrical release.)

By James Rocchi

After winning top honors at the Venice Film Festival, Darren Aronofsky's The Wrestler rapidly became the must-see of the Toronto International Film Festival, with huge lines at the press and industry screening this afternoon seemingly unaffected by the news that Fox Searchlight had purchased the film. After seeing The Wrestler for myself, I feel the need to extend a note of caution about the film, which sailed into Toronto buoyed by advance raves for Mickey Rourke's performance as Randy "The Ram" Robinson, a low-level professional wrestler -- and we soon see how really, both those words could be in quotation marks -- whose '80s glory days are long over, scraping by at low-level, low-paying matches until a heart attack forces him to leave the ring and look at his life in the shadow of death. Many have already written about the parallels between Mickey Rourke and the swaggering, scarred wrestler he plays -- early success, fame and notoriety, a series of mis-steps and mistakes taking it all away bit by bit as the years advanced -- and the charge Rourke's own rise and fall offers a filmmaker like Aaronofsky looking to explore ruin and redemption.

But don't believe the hype -- or, more importantly, look past it; if a complicated, messy personal life were all it took to deliver a great performance, Paris Hilton and O.J. Simpson would have more Oscars than Katharine Hepburn. Rourke's work as Randy is physical, invested, powerful and sprawling -- but it's also quiet, sad and hauntingly wounded, too. And The Wrestler offers viewers far more than just Rourke's performance -- which, it must be said, is excellent -- if they're willing to not flinch from what it has to say: The Wrestler is a fascinating, rich, unblinking look at the dark, hunched mean streak that lies curled and poisonous inside of so much American popular entertainment and of so much American life. It's early to say this, but The Wrestler is one of the most grimly exciting, magnetically repellent movies we've had in a long time; it's flat-out one of the best American movies of 2008.

Darren Aronofsky's Noah movie is on every sensible film fan's wish list, and it seems to inch a little closer to reality every day. In September, he revealed that he had finished the script -- and now comes news as to what he's doing with it. Aronofsky told Ropes of Silicon that he's currently in the process of turning it into a graphic novel. Considering the one he did for The Fountain, we'll be in for a very special read.

But fear not, film fans, he's still planning to put it on the big screen: "Eventually we'll set it up, but we're just figuring it out. It's a very difficult film to get made and we're slowly working on it to get it put together." And how's this for a tease? "There is an actor attached, but I'm not going to say who, but he's a big movie star."