david ayer Tagged Articles at Cinematical

So you might be wondering what a picture of Eric Bana swigging a beer in a Hulk t-shirt has to do with the remake of a French thriller. Well, the answer I'm afraid is nothing, its just one of my favorite pictures of the Aussie actor -- but back to the business at hand. Variety reports that Millennium Films is currently in talks with Bana to star in their remake of the French thriller, Le Convoyeur (now titled, Armored).

The original film was written and directed by Nicolas Boukhrief, but Millennium have their eye on F. Gary Gray (The Italian Job) to take over the remake. The script was also given a re-working by David Ayer (Training Day) and Andrew Kevin Walker. The story centers on a man (presumably to be played by Bana) working for an armored car company who manages to ingratiate himself into a heist planned by his co-workers. But as it turns out, our protagonist has his own motives for weaseling his way into this band of lowlifes.

Bana had originally been set to star in the flick before dropping the project to play Nero in J.J. Abram's Star Trek reboot. So what could have changed his mind? According to Variety, Bana "has a deal negotiated down to what sources described as a $7.5 million paycheck." Not bad for a guy who has yet to really break out as a leading man.

Bana's schedule would appear to be packed for the foreseeable future, including promoting Trek and the romantic weepy, *The Astronaut's Wife. Not to mention he will be making his directing debut with the documentary, Love the Beast, later this year. Armored is scheduled to start production on April 1st, so Millennium is going to have to work fast if they want to convince Bana to sign on -- I personally can think of 7.5 million reasons to sign on the dotted line.

*Correction: Bana will star opposite Rachel McAdams in The Time Traveler's Wife.

"A damn fine film with a good heart and some really excellent performances" finished atop the indie weekend box office charts. The quote is from our own Scott Weinberg's review of Tom McCarthy's The Visitor (Overture), and I agree wholeheartedly. The film earned $22,000 per-screen at four theaters, according to estimates compiled by Box Office Mojo. Richard Jenkins stars as a college professor who strikes up a friendship with an immigrant couple he finds living in his NYC apartment. It's even better -- and deeper -- than that description might sound.

An elderly chorus sings a repertoire of modern pop and rock songs in Stephen Walker's documentary Young @ Heart (Fox Searchlight); audiences responded to the tune of $13,075 per screen at four locations. Cinematical's James Rocchi wrote: "Even for all its flaws and failures it still succeeds in showing us friends who -- through song and art and community and, yes, love -- are doing their best to face it with everything that they've got."

David Ayer's Street Kings (Fox Searchlight) should be included, I suppose, because it's distributed by an studio specialty division known for its indie releases, though not much about the police drama screams "indie." By the per-screen numbers, it finished third, earning an average of $4,864 at each of 2,467 engagements. "As yet another tale of dirty criminals and even dirtier cops," Scott Weinberg opined, "Street Kings works well enough, albeit strictly in a 'been there, seen that' sort of way."

It's not very often that the "credits line" in a movie poster will cause you to look twice, but I was both curious and intrigued when I read that David Ayer, Kurt Wimmer and James Ellroy were collaborating on a movie called Street Kings. Ayer is a prolific screenwriter who digs cop stories (he wrote Dark Blue, Training Day, S.W.A.T., and The Fast and the Furious) and recently directed his debut effort: the seriously underrated Harsh Times. Kurt Wimmer, on the other end of the genre spectrum, is the writer / director of sci-fi flicks like Equilibrium and Ultraviolet. And James Ellroy? A very respected novelist making his screenwriting debut. (His works have spawned movies like L.A. Confidential and The Black Dahlia.) And weirdly enough, although Street Kings is very similiar in theme and content to Ayer's earlier works, he's not credited as a screenwriter. Just Ellroy and Wimmer.

Anyway, I thought it was pretty interesting, but that was before I spelled it all out in a large paragraph. Now I just realize it was a cheap way to kick off a review of a film I don't really have a whole lot to say about. As yet another tale of dirty criminals and even dirtier cops, Street Kings works well enough, albeit strictly in a "been there, seen that" sort of way. (Heck, if you've seen Training Day then you've already seen much of what this new film has to offer.) It's a well-constructed piece filled with colorful actors doing fine work -- but much of Street Kings offers that weird vibe that occurs when someone's in the middle of telling a joke you've already heard two or three times: The new presenter might be a fine joke-teller, but as a listener you're left with little response but to smile and nod politely.

What happens when men in blue, sworn to protect and to serve, fly out of control? If we're lucky, we get a good movie out of it. If we're really lucky, we get a larger than life character to cheer and to fear. Are you feeling lucky, punk?

Keanu Reaves, of all people, will follow in the steel-toed shoes of some of cinema's finest as a cop who goes on an avenging rampage in David Ayer's Street Kings, which opens tomorrow. That made me reflect on my favorite out of control cinematic cops, men in blue who break free from the laws of god and man. Let us know who we missed in the comments section. But be nice, or we'll track you down and crack you over the head with a night stick.

1. Clint Eastwood, Dirty Harry

Clint is so cool as Harry Callahan that he can just glare at bad guys and they give themselves up. Dirty Harry never met a criminal he couldn't beat up, a sergeant he couldn't hate, or a partner he couldn't get killed. He can't help it: he married justice a long time ago and the blind old bat won't leave him alone until he takes out the garbage. Don't even think about getting in his way: he solved the Zodiac killings in 102 minutes! Dirty Harry paved the way for several sequels and countless gruff, lone wolf outlaw police detectives.

Since news hit this week that The Night Watchman starring Keanu Reeves had changed its name to Street Kings (apparently to avoid folks confusing it with Zack Snyder's Watchmen), why not use this time in the spotlight to release the first stills from the film? And yup, that's exactly what's happened. IMDB has the first couple stills up on their Street Kings page, and we've included another photo that showed up over at Empire earlier today. You can see one up top, and the other two after the jump.

Street Kings follows one unlucky cop (Reeves) who, following the death of his wife, is framed for a murder he did not commit. Thus, he sets out to clear his name (and blame everything on a man with one arm?), and in the process he'll learn some disturbing things about the people he works with. The film also stars folks like Forest Whitaker, Chris Evans, Naomie Harris, Hugh Laurie, Jay Mohr and Common. Directed by David Ayer (who likes to bring the gritty), Street Kings is due out on April 11. Check out the other two photos after the jump ...

So while I seriously doubt that most people were actually going to confuse the crime drama, The Night Watchman with Zack Snyder's Watchmen at the box office, the similarity in titles probably wasn't helping much in the marketing department. It looks like someone at Fox Searchlight thought the same thing and Slashfilm is now reporting that the studio has decided it was time for a name change. The title of James Ellroy's The Night Watchman will now be known as Street Kings. Frankly, neither of these titles are 'rocking my world,' but at least now it's going to clear up a lot of confusion.

Street Kings stars Keanu Reeves as Tom Ludlow; an LA cop who has recently lost his wife. With his life already in shambles, it gets even worse when he is framed for a murder and his abandoned by his fellow boys in blue. Ellroy wrote the script along with John Ridley (U Turn and Three Kings) and David Ayer (writer for Training Day) is at the helm. The cast also includes Forest Whitaker as Reeves' supervisor, Amaury Nolasco (Prison Break) and TV's infamous Dr. House, better known as Hugh Laurie, will play another cop on the force.

Filming began back in July and we got our first look at Reeves in his 'blues' when Erik brought us over 20 photos of the actor hard at work on the set. The flick is now in post production, so I guess Fox figured that it was now or never if they were planning on a change -- and personally I think they made the right decision. Street Kings arrives in theaters this spring.

Fans of the Fox show Prison Break will be happy to know that Amaury Nolasco (who played Michael's cell mate Fernando Sucre) is beginning to line up some decent big-screen gigs. Apart from playing a role in Transformers, Nolasco has just signed on to the Keanu Reeves flick Night Watch, so says Variety. No word yet on who he's playing, but he may have snatched up the role that was originally rumored to be in Kevin Federline's hands. Not long ago, we reported that K-Fed had also been tapped to play a "small, but notable" role in the cop thriller, but folks from Fox Searchlight later denied those rumors, suggesting that K-Fed was considered but, ultimately, his schedule wouldn't allow him to take part in the action. His schedule? What the heck does this guy have to do -- shoot a shoe commercial?

Anyway, Night Watch was written and will be directed by David Ayer (Harsh Times), and the film will center on a veteran LAPD cop (Reeves) who is framed by his former mentor (Forest Whitaker) in the murder of a fellow officer. James Ellroy chipped in with a story credit, while the pic also stars Chris Evans, Naomie Harris, Hugh Laurie, Common and Jay Mohr. I'm a big fan of Prison Break (as cheesy and cliched as it is) and dig Nolasco as an actor. Since I lost the final six episodes of last season when I switched to an HD DVR, I'm not sure whether Sucre lived or not. When I left off, he was running through a desert (I think), trying to find the girl that got away. (Man, what some people will do for love.) Not that I want you to tell me what happened; I just felt you should know. Why? Because it gives me more to write. Night Watch is due out in 2008 -- here's hoping Ayer (who I interviewed this past fall) finds success with his sophomore directorial effort after Harsh Times failed to find much of an audience, despite a fantabulous performance from Christian Bale.

Okay, bear with me because this is going to get confusing. Keanu Reeves is starring in an upcoming thriller called Night Watch. Its title used to be The Night Watchman, but it was changed, likely to avoid getting mixed up with the upcoming Zack Snyder superhero flick Watchmen. Oh, and this Night Watch has nothing to do with the other Night Watch, the 2004 Russian film that was pretty popular in its own right, and spawned a sequel -- Day Watch -- out this summer. Oh, and it also has nothing to do with the 1997 Ewan McGregor morgue thriller Nightwatch. Which was a remake of a 1994 Danish film...called Nightwatch. So in conclusion, to avoid confusion, they've changed the title to one that will probably cause much, much more confusion. Everybody up to speed? Alright, then let's move on.

Casting news on the film has been dribbling out steadily. In February, Erik told you that Keanu Reeves would star in the film, as an alcoholic LA cop framed by his former mentor. Then Jessica added that the mentor would be played by the always-excellent Forest Whitaker. And now I am telling you that Naomie Harris has joined the cast. Harris is best known for playing Tia Dalma ("Voodoo Lady") in Pirates of the Caribbean: Dead Man's Chest. She tells mtv Night Watch is "really dark. It's a really great movie, though, and I'm really excited to be part of it." David Ayer will direct the film, which he co-wrote with Jamie Moss and master of LA corruption stories -- James Ellroy. Ayer certainly knows police dramas, having written one of the best recent examples -- Training Day. He made his directorial debut with last year's very effective Harsh Times. Rapper Common, Chris "Flame On!" Evans, and Dr. House himself -- Hugh Laurie -- will round out the cast. I'm not a big Reeves enthusiast, but any movie that puts Whitaker in his "Kavanaugh on The Shield" mode definitely has my interest.

When I sat down with David Ayer back in November, he wasn't too worried about being labeled a certain kind of writer-director. After all, if the studios know you're good at something, they'll exploit those strengths and, heck -- you keep working. Needless to say, Ayer has been the go-to man for gritty LAPD gang-life stories (Training Day, Harsh Times) for the last few years, and now that Fox Searchlight/New Regency got their hands on The Night Watchman -- a James Ellroy-scripted project originally set up at Paramount -- they've tapped Ayer to re-write and helm ... with none other than Keanu Reeves set to star.

Reeves will take on an LAPD cop who's always played by "his rules" until, suddenly, he gets a "wakeup call" from his conscious down at the front desk telling him he can no longer use the (illegal?) tactics that have made him so effective. Pic, which at one point had folks like Spike Lee, Oliver Stone and David Fincher interested, is set immediately following the L.A. Riots and O.J. Simpson Case -- because when racial tensions are at an all-time high, Keanu Reeves is the first man I think of to swoop down and save the day. Sure, his stale, wooden persona can often get tiring ... then again, don't we feel the same way about cops in general? Production begins end of April; no word yet on further casting.

With his directorial debut, David Ayer chose to create a film around subjects he knows all too well: Military veterans, law enforcement, the ghetto and violence. To completely understand Harsh Times, you should be aware that Ayer grew up on the streets of South Central Los Angeles and was exposed to "ghetto life" at a very young age. He later went on to join the Navy, only to return home to a life full of various jobs in construction. That is until he discovered writing, and finally had some sort of output for all the characters and life experiences running rampant throughout his mind.

Shortly after leaving the military and long before he struck Hollywood gold with a script called Training Day, Ayer tapped into all those unforgiving memories from his youth and penned Harsh Times. While Training Day was his meal ticket to a successful screenwriting career, Harsh Times was more personal; it was his heart and soul. Ayer was so protective over this script that he refused to give it to anyone else, hell-bent on directing it himself. So, he took out a mortgage on his house, managed to attach an up-and-coming star in Christian Bale and set out to bring his long gestating vision to the big screen. But was it worth it?