The world changed on September 11, but Austin Chick's second film, August, focuses on the moments right beforehand. Starring Josh Hartnett as a young start-up entrepreneur deluded by power trips, the movie moves along with a subtle pace, letting the natural drama emerge from a situation about to veer out of the control with the crash of the stock market. Chick's first feature, XX/XY, explored a three-way relationship; August, which opens in New York on Friday, explores the relationship between money and power during a key time in American history. Supporting performances from Rip Torn and David Bowie elevate the movie, while Howard A. Rodman's script keeps its conceits in check. Chick spoke with Cinematical about envisioning August's themes and working with his talented cast.

Cinematical: The film uses a very specific setting -- August 2001 -- immediately before 9/11. What interested you about that time?

Austin Chick: It captures a moment on the eve of change. If Howard (Rodman) and I were to move it to any other time, we would probably move it further back. The market really started crashing about eighteen months prior to when the movie is set. But I feel like there was still a certain amount of momentum in New York up until 9/11, this sense that things were going to turn around. The market had completely crashed, but there was still this crazy sense of decadence. All that really changed with 9/11.

Few leading male actors have followed the roundabout career trajectory of Josh Hartnett. Though indisputably tall, dark and handsome, Hartnett still manages to avoid the pratfalls of typecasting by landing roles in strange projects with questionable appeal. While this choice comes at the expense of a quality resume, his performances can lend barely competent films at least one redeeming ingredient: I could give or take Wicker Park, Resurrecting the Champ, and even the good intentions of The Black Dahlia, but each benefits from Hartnett's expressive glare, furrowed brow and whispered delivery. He's an instant generator of gravitas.

Although August, director Austin Chick's second feature after the relationship drama XX/XY, doesn't qualify as Hartnett's best movie, it's certainly one of his meatiest roles – right up there with his work in the unfairly maligned Lucky Number Slevin. As the crudely pompous CEO of the mysterious start-up company Landshark in New York City during the summer before 9/11, Hartnett offers a maddened, garrulous anti-hero replete with dark humor and sustained by a surge of baseless confidence. The movie follows the audacious entrepreneur, Tom, as his fifteen minutes begin to run out – and it concludes with him facing off against a freakishly powerful David Bowie as the icy corporate foil. Despite the age gap, both men exude an eerie amount of restraint – which is not the case for the film. August adds up to less than it aspires to be, but it's populated with enough curiosities to keep you watching.

Cinematical has just received this exclusive clip from the film August, starring Josh Hartnett, Adam Scott, Naomie Harris and ... David Bowie! Directed by Austin Chick (XX/XY), August tells of two brothers who fight to keep their dotcom start-up company afloat in August 2001, one month before the 9/11 terrorist attacks. In the clip above, Hartnett looks to be meeting with some of his advisers after his company's stock takes a massive hit and drops below a dollar. Running out of options, he may have to risk a lot more than the money in his wallet to save this puppy. But will he? August originally premiered at the Sundance Film Festival earlier this year before making stops in Seattle, Brooklyn and eventually Manhattan, where it opens on July 11.

This will no doubt be an illegal movie forever. After seeing it at the UC Theater in the summer of '82, I recently found a copy on a bootleg VHS for $1 at a Friends of the Library sale, still burned with the Sundance Channel bug. In today's cinema, much is made of the nostalgia value of the 1980s soundtrack: a famous example being Tears for Fears' "Head Over Heels" during Donnie Darko's opening. You can have your MTV, though, since URGH! A Music War was the soundtrack to my 1980s. Hey, what a surprise, no Duran Duran, no INXS, no Soft Cell covering a Gloria Jones soul classic and convincing a history-impaired generation that they wrote it. And yet it's clear why this film failed.

As a business scheme URGH seems, in 2008 hindsight, a uniquely quick way to burn a fortune. The film documents second-wave punk and New Wave bands playing from LA to London, editing them together without any particular zeitgeisty event like a music festival. So: play it a little under a real kiss-of-death title, and then wait to be deafened by the wails of bands, managers and lawyers zooming in to fight over the non-existant money. The Police were the headliners, opening and closing the film. They wrap up the film, too; you can see drummer Miles Copeland wearing an URGH! T-shirt. Is this perhaps all he was paid for this film? There are mostly cinematic performances here, and we see how much was lost by the fact that the Industry couldn't figure out a way to use their talents in the movies. Here's a key to the best of the show, omitting slurs of forgotten bands who perished long years ago.

OK, so the music snob in me is not thrilled that someone like David Bowie would appear in a teen romance with a High School Musical star. But, luckily I don't take these things all that seriously and I'm sure I'll get over it. Variety reports that the music legend is currently in talks to star in the musical Will. Todd Graff (Camp) co-wrote the script with Josh Cagan and Graff will also direct.

The coming-of-age story centers on an outcast teen who befriends a like-minded girl who regrettably also runs with the popular crowd. Vanessa Hudgens plays the popular girl Sam, who after struggling with a stutter, has finally made it to the cool table. Liam Aiken will play her socially inept band mate. Remember this is a musical, so the story doesn't stop with the usual 'opposites attract' teen romance. The two then go on to "form an unlikely bond through their shared love of music. They assemble a like-minded crew of misfits and form a rock group to perform in a battle of the bands competition at their school."

The cast also includes Lisa Kudrow (who really does deserve to work more; the woman is hilarious), and Scott Porter (Friday Night Lights). Bowie is still in negotiations, so there is no word on which character he would be playing in the film. Part of me hopes it will just be a cameo, à la Zoolander. Will is set to start shooting in Austin, Texas in February and should hit theaters (with or without Mr. Ziggy Stardust) later this year.

As I pointed out in my Poltergeist review, I didn't watch much horror as a boy. That's probably a good thing, as even the non-horror flicks I enjoyed often scared the bejesus out of me. You kids today don't know how lucky you have it with your wussy Shreks and your lamewad Pikachus! Children of the 1980s are still in therapy over what Hollywood deemed "family films" back then. The following non-horror mind-screws should prove my point.

Return to Oz (1985)

In high school, I brought Return to Oz to a Halloween movie marathon. I hadn't seen it since I was a kid. Everyone scoffed. "A Wizard of Oz sequel? That's supposed to scare us?" I didn't hear a lot of mockery after the movie started. In fact, nobody said a word until about halfway through, when a friend of mine whispered "Can we please turn this off?" I'm not sure who thought this movie was appropriate for children. It gave me nightmares for nearly a decade.

Dorothy finds a key with an Oz symbol on it, shows it to Auntie Em and Uncle Henry as proof that Oz exists, and is sent to an insane asylum! An evil insane asylum where they give our young heroine electro-shock therapy! That's how this "childrens' film" starts! Once Dorothy gets to Oz, it's a speeding night train of horrors. How about that Nome King? Good LORD! Winged monkeys aren't scary enough anymore, let's give the kids The Wheelers -- sadistic shrieking psychopaths with roller skates instead of hands and feet! Kids today won't be satisfied with just a standard wicked witch, let's really ramp that up too, and ruin their lives! The sequence with the witch's cabinets full of human heads easily rivals anything in the Nightmare on Elm Street series for sheer terror. "Dorothy Gaaaaaale!!!!"

Even the heroes are horrifying! Jack Pumpkinhead? A hybrid stick n' pumpkin creature who calls Dorothy "Mother"? That's your good guy? Not cool, Return to Oz. Not cool.

The Neverending Story (1984)

Along the same lines as Return to Oz, The Neverending Story feels way too dark, weird, and just...wrong to be a kids' movie. I feel my eyes welling up now remembering Atreyu's horse slowly sinking into quicksand and dying. I can't even talk about the Gmork, that big wolfy vampire thing. And a storm called "The Nothing?" Sweet fancy Moses! Also, again, the heroes should not be scarier than the villains! The racing snail? The Rockbiter? That bat-dude? And Falkor? A big flying dog/dragon mutation with disgusting scaly eggs on his skin? We were supposed to root for this hellacious beast?

Another scream-inducing aspect -- one of the worst theme songs in all of 80's film. And that's saying a whole lot!

It looks like there could be a turf war brewing in Gotham. In New York Magazine's eyes, it's the battle between "the rich, powerful father and his silky hipster son." You see, on the one hand we've got Robert De Niro's Tribeca Film Festival, which came out of the ashes of September 11 to revitalize Tribeca. On the other, we've got the High Line Festival, which is gearing up for its inaugural year, and is being curated by David Bowie.

While Tribeca upped its prices this year and is considered by some to be the rich folks festival, this new offering is the budget fest which offers cheap tickets, is backed by the price-conscious H&M and will donate part of its proceeds to a green space project. NYM insiders say this is ticking off De Niro: "I hear it's driving Robert De Niro crazy, and that's just great because he's a big old wrinkled thug versus these young guys." (Not Bowie, but the fest's producers, David Binder, 39, and Josh Wood, 33). But here's where I get confused. Tribeca is a film festival that has some other content, like the Goo Goo Dolls who will perform this year. But High Line is a total music fest, and is boasting a line-up of bands like Air and Daniel Johnston

Page Six source says that it's the Slamdance to Sundance, but come on! Is there much cross-over between the two that the new cherub of festivals could edge out the old and established angel? Their scope seems different enough to me, and besides, if Bowie's baby is successful, perhaps Tribeca will re-evaluate its audience and start to chip away at its stodgy reputation.

[via AOL Entertainment]

Over the years, we've seen several lists that attempt to name the top movie villains of all time. From Hans Gruber (Alan Rickman) in Die Hard (my personal favorite) to Jack Nicholson's Joker, we could probably sit here, throw out a number of intimidating bad guys and debate all day long. But what about the least intimidating? Those baddies who were supposed to frighten us, but couldn't quite live up to their evil reputations?

Well, The Phat Phree has come up with a list of the 11 least intimidating movie villains of all time ... and I must say, they're pretty spot on ... except for two. Let's see, we have Mr. Glass (Samuel L. Jackson) in Unbreakable, Madison Lane (Demi Moore) in Charlie's Angels 2, Chucky in Child's Play (c'mon, it's a doll!), The Goblin King Jareth (David Bowie) in Labyrinth, Darth Vader (the Hayden Christensen version), Nuclear Man (Mark Pillow) in Superman IV and (perhaps their best pick) John Travolta in everything (Broken Arrow, Battlefield Earth, Face Off, The Punisher, Swordfish), among others. One of the villains I strongly disagree with is John Kreese (Martin Kove) in Karate Kid 1, 2 and 3. Talk about intimidating -- when I was growing up, that guy scared the crap out of me. I actually quit Karate lessons just so I didn't have to run into one of him down the line. Seriously.

Another bad pick (thrown in as an honorable mention) was Zod (Terrence Stamp) from Superman 2. No way! Zod was The Man! And certainly a very intimidating villain. Check out their list and let us know who should or shouldn't be on there. If you ask me, almost every Batman villain (Danny DeVito as The Penguin? Arnold Schwarzenegger as Mr. Freeze?) should've at least got a mention. What say you?

Slogging out to the multiplexes to see 2006's overstuffed lineup of CGI-animated kids' films was a truly soul-deadening experience. These polished widgets -- Over the Hedge, The Ant Bully, Cars, Barnyard, Flushed Away -- dropped off the conveyor belt like so many shining pennies, exactly the same and worth about as much. Most of these films used the exact same template: An outsider hero with some kind of "loner" issues was accidentally thrust into a world peopled with colorful characters. After facing some kind of larger challenge, the hero learned how to be part of a family. These films didn't even bother to disguise their boredom; they could have been generated from the same computer program.

For the record (and to register a differing opinion from that of our own Kim Voynar) George Miller's Happy Feet is the year's only example of animated excellence; it's the only entry that demonstrates even the tiniest form of imagination, and it has practically become a phenomenon among audiences starved for such things.

This week, the celebrity grapevine is twirling all its little tendrils around Angelina Jolie. My goodness, she's getting more news time than Tom Cruise and Mel Gibson combined. First, she and her family tried to take a rickshaw ride in India but had to stop due to excessive media coverage. Then her driver in India hit a pedestrian while trying to avoid paparazzi. (It was discovered later that she wasn't in the car at the time.) And now a photographer is claiming that he was punched and threatened at gunpoint by a bodyguard on the set of A Mighty Heart, in which Jolie is portraying Mariane Pearl, widow of journalist Daniel Pearl.

Fortunately, if you sift through the mountains of Angelina Jolie/Brad Pitt news (I refuse to do that name-combining thing), you can find some other celebrity activity this week:

• More celebrities considering adoption: Rumors have been flying that Madonna is in the process of adopting a year-old boy from Africa. She doesn't actually have the child yet, and Malawi law prohibits non-residents from adopting the country's children, so we'll see what happens.