Among the perks of being a sought-after Oscar-winning screenwriter is, apparently, the ability to fourwall a movie theater for two weeks and play a bunch of your favorite films for an appreciative audience. That's exactly what Juno's Diablo Cody is doing at LA's New Beverly Cinema from today through July 24th, and it won't come as any surprise to Cody's admirers that the lady's got good taste. Her slate includes reliable classics (Stripes, Pretty in Pink), off the wall genre picks (A Nightmare on Elm Street 3: Dream Warriors), some culty fun (Wet Hot American Summer) and the expected shout-out to Juno director Jason Reitman.

Previous guest programmers at the New Beverly have included Edgar Wright, Eli Roth and Joe Dante. Cody will introduce some of the films herself, and the theater's MySpace page promises "many guest appearances."

Kudos to Movie City News for coming across this. Check out the entire schedule after the jump -- it's really an inspired slate of picks. She's got a nose for filmmaking that's smart and unabashedly mainstream, as both Juno and this film festival proves.

Each week, The Exhibitionist comments on the latest news, trends and innovations related to the theater industry, or it discusses long-continuing problems with and complaints against cinemas in general, or it simply relates a specific moviegoing experience of yours truly. But rarely does this column get into the subject of actual movies. Well, seeing as there's not much new in the industry this week, and seeing as I'm fortunately not being dragged to see Sex and the City and therefore have no experience to relate about being a sole male in an auditorium packed with women, I figure this is a perfect time to bring up actual movies. Not just any movies, though: I'm presently only interested in discussing movies about, set in or prominently featuring movie theaters.

The earliest movie that I'm familiar with that significantly involves a theater is Buster Keaton's Sherlock Jr. The silent comedian plays a projectionist who falls asleep on the job then has a dream in which he literally climbs through the movie screen and into a detective film. A similar idea of breaking the boundary between auditorium and screen is used in Woody Allen's The Purple Rose of Cairo and in John McTiernan's The Last Action Hero, both of which involve a movie character who manages to leave his respective film within the film. But nothing tops Keaton's screen-entering stunt, which utilizes special effects that still astonish more than 80 years later.

Pinch me, I must be dreaming -- Madonna directed a movie?! And it will receive its world premiere at the Berlin Film Festival?! Will wonders never cease? The Associated Press is reporting that Filth and Wisdom "will screen in the Panorama section, outside the main competition." A check of the festival web site turns up this press release, which confirms the news: "Music star Madonna will give her directorial debut alongside the works of underground star Bruce LaBruce and TEDDY winner 2007, Zero Chou from Taiwan."

Madonna was rumored to be directing a film entitled Blade to the Heat, inspired by a 1959 boxing match which resulted in the death of one of the combatants after he slurred the other's sexuality. That project may still be mired in development. Filth and Wisdom apparently stars Stephen Graham, Richard E. Grant and Eugene Hutz. Her official site says that she directed a television ad earlier this year, so she may be gearing up for more projects to come. Production on Filth and Wisdom, described as a low budget, 30-minute comedy possibly based on some of Madonna's own life experiences, began in May.

The IMDb page lists Tim Maurice-Jones as cinematographer; he previously worked with Madonna's hubby Guy Ritchie on Revolver and Lock, Stock and Two Smoking Barrels. Dan Cadan is listed as the writer; he's also worked with Ritchie for years, steadily moving his way up the production chain.

In general, Madonna has not been well served on the big screen, though I have a soft spot for her role in Desperately Seeking Susan. I'm very curious to see how Filth and Wisdom turns out. Will Madonna become a director to reckon with? The Berlin Film Festival runs from February 7-17.

If the '80s left us anything, it was a melange of bad fashion that made us all wonder what we were thinking. Crimped hair. Lace gloves. Blue eye makeup. I wish I could say that we've never revisited the clothing atrocities of that era, but lately, some nuts have put on the leggings, leg warmers, and off-the-shoulder tops. Crazy kids! Many of us, however, still consider the '80s to be a decade of bad taste and temporary, wide-spread insanity.

That being said, the mistakes of the '80s also hold a heck of a lot of nostalgia. We love replicating those times at Halloween, and we talk fondly, if not embarrassingly, about our fashion forays. Many of the decade's disasters came from music and videos, but cinema also added its two cents (especially in 1985), whipping up its own fashion frenzies and regrettable outfits. With the Flashdance Collector's Edition DVD out today, here's a list of cinematic trendsetters that helped feed the fires of bad fashion.

Girls Just Want to Have Fun (1985)

One of the big trendsetting characters of the eighties was, believe it or not, Helen Hunt. As Lynne Stone, she taught young girls everywhere about the splendor of hair spray, and even more importantly -- Velcro. By day, she was the rabble-rousing student at the local Catholic girls' school. But once the bell rang, the rip of Velcro would echo, and Lynne would turn her uniform inside-out to reveal sleeveless shirts, vests, and black leather miniskirts. Man, I was so jealous of her. She might have been an absolute fashion train wreck, but she was oh, so cool.

Must every movie with a decent soundtrack be turned into a stage musical? The latest is Desperately Seeking Susan, the barely memorable 1985 movie starring Madonna and Rosanna Arquette. Directed by Susan Seidelman, who would go on to make much crappier movies like She-Devil and Cookie, the movie follows a bored housewife (Arquette) who gets amnesia and is then mistaken for the free-spirited woman (Madonna) she wishes she was. Despite the fact that it starred a young Madonna at a time when she was rising as a major pop star, the movie's soundtrack only featured one song from her, "Into the Groove." The rest of the music is staple movie stuff like "Lust for Life," "Respect" and "The Shoop Shoop Song (It's in His Kiss)," but the movie is still better remembered for its soundtrack than for anything actually going on in the film (though I've always retained a clear mental image of that jacket with the pyramid on it).

So why turn it into a stage musical? Good question. The production, which will open for previews October 12 at London's Novello Theatre, doesn't even include "Into the Groove" or any of the film's other songs. Instead it features old music from Blondie like "Heart of Glass," "One Way or Another," "Atomic," "Dreaming," and "The Tide is High" (which wasn't written by Blondie, but whatever). The musical will also feature one new song written by Blondie's Debbie Harry. Originally scripted for the screen by Leora Barish (Basic Instinct 2), the stage version has been penned by Peter Michael Marino. Reportedly, the plot sticks very closely to that of the movie. Obviously, there is interest in bringing the musical to Broadway, and then who knows? Maybe we can have another movie-turned-musical-turned-musical-movie, like The Producers, Hairspray and the newly confirmed remake of Footloose. Hopefully Hollywood will listen to my plea for this trend to end, but I doubt it.