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Retro Cinema: Wolfen

Filed under: Drama », Horror », Retro Cinema »



My friend Paul never looked at me the same way after I convinced him to see Wolfen rather than the latest James Bond adventure in the summer of 1981. I was planning my first trip to New York that fall and was utterly enthralled by the apocalyptic views of a burned-out South Bronx, looking like an exotic urban wilderness -- or Dresden after the fire bombings. I gloried in the long, gliding, low-angle Steadicam shots, enjoyed the tension generated, and tolerated the blood and guts on display. My soon to be ex-pal hunkered down in his seat, hating every second and throwing daggers at me with his eyes.

As the years have passed, I have nursed an untoward affection for Wolfen. Many horror fans have concluded that it is, at best, the weak cousin to the two other superior entries in the unofficial and unrelated "wolf vs. man" trilogy of 1981. Admittedly, An American Werewolf in London and The Howling rip Wolfen to shreds as far as style, pacing and dark entertainment value are concerned. Yet buried within the often lugubrious storytelling of Wolfen lies a gem of an idea and a radical approach to the traditional Hollywood fantasy of werewolves.

How did Michael Wadleigh, the director of 1969's landmark documentary Woodstock, come to direct his first fiction feature more than a decade later? And why adapt a novel by the notorious Whitley Strieber? One must first be disabused of the misconception that Wolfen is actually about werewolves or is a horror thriller; in a literal sense, it is more an environmental tract, a plea for man to live in harmony in nature, than it is any kind of supernatural fable.

Tom Berenger and Michael Biehn Will Lead 'Stiletto'

Filed under: Action », Drama », Independent », Thrillers », Casting », Scripts »

You could be forgiven for reading today's casting news and thinking it was 1987. Two of the eighties' most reliable manly men, Tom Berenger and Michael Biehn, are teaming up for the crime thriller Stiletto. The film will be directed by actor/writer/producer/director Nick Vallelonga, who you might remember as "Prison Inmate Sitting Behind Henry" in Goodfellas. No? "Courtroom guard arresting Sean Connery" in Family Business? I'll move on. Stiletto stars Stana Katic from TV's Heroes, as "an assassin whose seemingly random killings puzzle her lover, her clients and the detective following her rising body count." Berenger will play her boyfriend, "whose rise in organized crime is offset by his love for her and his Mafia co-hort," played by Biehn. I assume it's a platonic love with Biehn -- any Sopranos fan knows mobsters aren't too understanding of alternative lifestyles.

Actor Paul Sloan wrote the script -- his first -- and will also play the detective trailing Katic. Dominique Swain (remember her from that Jeremy Irons version of Lolita? Yowza!), Kelly Hu (Again...yowza!) Diane Venora (loved her as Pacino's wife in Heat), Amanda Brooks, William Forsythe, and model human Tom Sizemore round out the cast. I've been saying for years that a Berenger comeback is long overdue. Nominated for an Oscar for his stellar work in Platoon, perfect in Major League, he still does tons of films, but I wonder where he went off Hollywood's "Big Time Star" radar and into the realm of B-movies. Maybe Sliver had something to do with it. Same goes for Michael Biehn, who made something of a triumphant return as Sheriff Hague in Grindhouse. Maybe if Eli Roth's proposed expansion of Thanksgiving actually takes place, Biehn will have another plum role -- he was great in the trailer. Either way, the guy's always got work as long as James Cameron is making films.

 
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