dimension films Tagged Articles at Cinematical

When I first began writing at Cinematical, I was certain I would remember every single news story that I had written, and would be able to call up every single project at a moment's notice. I think that ability lasted six months. So when there's news about the Short Circuit remake, I have to shake my brain a bit to remember that it's actually a real thing. If I feel that way, you probably do too, and will feel a similar jolt when you hear that Short Circuit: The Remake* has a director. Yes, it's being remade, and they consider Wall*E to be its promotional reel. Now Variety reports that it can boast Steve Carr as its director.

Carr is perhaps best known for bringing the world Paul Blart: Mall Cop, a film that shook the winter cinema for weeks and weeks on end. Now he'll be directing the "subversive" Short Circuit that was penned by Dan Milano. At last, Variety tells just what Dimension Films considers to be a radical script: "Built by the military to be a highly sophisticated weapon, Johnny 5 develops a conscience and personality after being hit by lightning. He befriends a lonely boy and his fractured family."

So, in other words, it's the plot of just about every lost puppy / cat / alien movie ever made between 1980 and today. Even worse, it sounds suspiciously like it borrowed all its shocking new element (a lonely boy) from The Iron Giant or even T2: Judgement Day. Perhaps every film that came before this remake was its promotional reel. It's all been leading up to this one, folks.

*Not its official title by any means. It's my own.

Days after Jessica Barnes compiled a nice fall schedule for you, the Weinsteins and Dimension Films had to go and mess it up a little. According to Variety, they've pushed the release date of The Road back from October 16 to November 25 -- almost a year to the day when it was supposed to come out in 2008.

The delay isn't because Dimension has lost faith in the film -- quite the contrary. The film is playing to rave reviews at Telluride (where our Eugene Novikov saw it and loved it) and Venice Film Festival, and the Weinsteins have realized they have an awards contender on their hands. "We've been getting great audience reaction at Venice and Telluride," Dimension topper Bob Weinstein said. "We feel that this is a commercial film that's worthy of a wide release." Considering Cormac McCarthy's book was a bestseller and won a Pulitzer, you'd think that might have tipped them off, but ah well. What's good about this decision is that it not only puts it into Golden Globe contention, it also promises a wide release. One of the big fears lurking around the film was that audiences wouldn't get it, and the film could vanish into limited release hell.

The Road will now be in direct competition with Nine, Old Dogs, and Ninja Assassin. Something tells me John Hillcoat's bleak adaptation won't top the holiday box office, but it'll make a far bigger impact. I've been saying since the first stills came out that this might be a role that nabs Viggo Mortensen an Oscar, and I'll stand by that.

Admittedly the news that Paramount has abandoned their remake of Paranormal Activity in favor of releasing an original film for a change is interesting news, but within the same Variety profile of Steven Schneider (one of their "10 Producers to Watch") baring that particular revelation is even cooler news. Oddly enough what has me all a flutter is not even buried deep within the article, it's in the opening sentence, "With "Paranormal Activity" readying to open via Paramount and a raft of projects poised at other venues -- including "The Colony" at Participant, "Sacred Prey" at Warner Bros. and "13: Game of Death" at Dimension -- Steven Schneider may become the dark genre's warlock of choice."

Wait a sec. "13: Game of Death" at Dimension"? Apparently I'm the only one who cares about the accidental announcement that a remake of the coolest genre movie to come out of Thailand in years is no longer just hypothetical. I know the rights to 13:GOD were purchased by the Weinsteins well over a year ago, but such behavior is not out of the norm (buying the remake rights to obscure foreign films is a morning ritual for those two). As expected, there has been zero visible movement towards making the film a reality until now. And considering one of Variety's "10 Producers to Watch For" is involved, I'd say it finally has a fighting chance to see the light of day.

If I were a more superstitious person, I would start to think that Dimension's Hellraiser remake is cursed. It has been a long time since Clive Barker first signed on to help re-write his original story for the screen ... again, but here we are three years later and not a day closer to a finished product. The last anyone had heard was that Pascal Laugier (Martyrs) had signed up to direct. But, thanks to an update from Barker's Twitter feed, we now know that "Pascal Laugier is regrettably no longer on the Hellraiser remake. I think Martyrs is extraordinary, I don't know much more. I mean why would anyone tell me? I mostly discover these things here or through friends who still buy the trades."

The horror-remake has had a revolving door cast for a couple of years now, and Laugier isn't the first director to walk. Originally, the French directors Alexandre Bustillo and Julien Maury (Inside / A l'interieur) were supposed to be shooting Marcus Dunstan and Patrick Melton's script, but Bustillo and Maury soon left the film thanks to "creative differences." Laugier was supposed to be their replacement, and we might be back to square one now that rumors are swirling that Dimension has plans to commission an entirely new script as well.

After the jump: so, will Hellraiser ever get made? Plus some of my fantasy picks for a new director.

If the Mayan calender is correct and the world does end in 2012, it'll be ok because we will have gotten all of our '80s remakes by then! Whew. Fresh on the heels of Total Recall getting its writer, the Oscar nominated Taraji P. Henson joining The Karate Kid, and Jonah Hill's 21 Jump Street plans comes an update on the Short Circuit remake.

According to Variety, Dan Milano of Robot Chicken and Greg the Bunny fame has been recruited to pen the remake for Dimension Films, replacing original writers S.S. Wilson and Brent Maddock. He plans to give it a"subversive edge" similar to his Adult Swim work. Contrast that bit of positivity to the enthusiasm from Dimension Films and producer David Foster, who have no plans to change the design of Number 5 to reflect the 21st century, its improvements in robotics, or the fact that a really popular PIXAR film looks an awful lot like him. "We think of Wall-E as an extended trailer for our film, because it's the same face," Foster said.

In my opinion, there's the mentality that just sums all this up. It's just not hollow enough to remake a 1986 movie, but you consider the existence of Wall E as a cross between a fan film and viral marketing, instead of respecting PIXAR for having used Short Circuit as a nice little homage to something original. But that's my black heart showing. If you're an optimist, you may find it amusingly meta.

It's been ages since we've heard a peep about the adaptation of Cormac McCarthy's Pulitzer Prize-winning novel The Road. After McCarthy's brutal Texas drama No Country for Old Men won four Oscars at the 80th Academy Awards, rumors of future McCarthy adaptations of The Road and Blood Meridian sprung up immediately, with The Road slated for a November 2008 release. Then McCarthy's post-apocalyptic doom-fest was pushed to December, and then ... silence.

But fans of the book -- which was re-released with one of those "Now being made into a real-life motion picture!!!!" stamps a while ago -- can quit their grumbling, because The Road will be released on October 16th, 2009. Once again, it's just in time for Oscar season.

It seemed like a no-brainer to shuffle this genius McCarthy work out the door, especially judging by the cast (helloooo, Viggo), director John Hillcoat, and the few grimy photo stills released to the public. It also bears mentioning that Mr. McCarthy is a tough road to hoe himself, and is known for his dislike for the press and reluctance to get involved in any more film projects after his rumored dissatisfaction with the 2000 adaptation of All the Pretty Horses. So what happened?

Sin City is the series that just can't catch a break. Last week, IESB.net was reporting that the Weinstein Company / Dimension had lost the rights to Sin City, and that the franchise was being quietly shopped around. The rumors were hotly denied by the Weinsteins ... but now The Hollywood Reporter is saying the same darn thing.

While the Weinsteins continue to maintain that they hold the rights, producers all around town are saying that Frank Miller's "estate" has been shopping around those same rights. It's unclear if they have lapsed due to the failure to renew or move on the property, but it seems strange that they could have expired so soon.

This is a rumor that I think we all hope comes true. I'd like to see Sin City land at a studio willing to actually put A Dame to Kill For into production instead of just talking about it. It's been four (count 'em, four) years since Sin City, with "production starting in a matter of weeks!" reports being issued every three months or so. The talent remains enthusiastic and attached. Fans are clamoring for the rest of the sleazy series. It's a no brainer for any other studio, but the Weinstein Company seems to believe delaying films until the end of the world is a sound business principle.

What would you like to see ultimately happen with the next Sin City movie, and who do you think would take the best care of it?

Normally when I find out that a feature film is being made from one of my favorite novels, I immediately prepare myself for disappointment. But, when it comes to The Road, I don't know what to tell you -- for once I'm convinced everything is going to work out just fine. Although that's probably the first time that particular sentence was used in conjunction with anything having to do with Cormac McCarthy's novel. BBC4's arts show Today recently profiled the project, and the highlight of the report was the first audio clip of Nick Cave's original score. It's only a short clip, but from what you can hear it's the perfect musical accompaniment to the tale of a father (Viggo Mortensen) and son (Kodi Smit-McPhee) traveling through an apocalyptic wasteland.

So even though most of us probably never pay that much attention to the orchestral score to most of the films we watch, you can't ignore a bad one. For me, one of the most distracting things about a film is a bad score -- some of my more hated examples include The Perfect Storm and The Last Samurai. I know there are plenty of reasons why a film might fail to connect with audiences, and I also know that this film is already going to be a hard sell. But, as a former Goth who wore way too much eyeliner while listening to Mr Cave's Murder Ballads on repeat, I have every faith that if there is anyone that can pick the perfect mood music for a downer, it's him.

The Road has yet to find a solid release date, but will hopefully arrive in theaters this fall.

O great Cinematical readership, we call upon you to exercise your remarkable intellect, imagination, and wit, so you can help name a new social networking thriller. (Especially those of you who know that there's a difference between Facebook, Twitter, and MySpace.) According to The Hollywood Reporter, none other than Dimension Films plans to make a teen thriller ripping off resembling Ten Little Indians, only "with a Web 2.0 twist."

Social networking may become a hot topic for movies. You might remember that plans were announced last year for Aaron Sorkin to write a movie about Facebook for producer Scott Rudin. The official Facebook group page for the project has logged more than 3,800 messages, and Sorkin has been responding with surprising frequency. In a post yesterday, for example, he appeared to indicate that the script has not been written yet.

So maybe Dimension Films can beat them to the punch. Dimension's Bob Weinstein is quoted by THR as saying: "Online social networking is a widespread phenomenon that interests me greatly. Combining it with a suspense thriller is a new and fresh way to explore this new trend." (By the way, his name was just claimed on Twitter with the message: "I just joined the 21st century," though it could be someone else.) Will they create a new, entirely fictional social network, or team up with one that already exists?

The flick is currently untitled, which is where you come in. What should the thriller be called? To get you started, James Rocchi suggested, via Twitter, the tagline: "You're Unfollowed!" followed by a pickaxe smash. Tell us your suggested titles in the comments section.

It is no secret that horror maestro Clive Barker has not had good luck lately with feature films. But to his credit, it hasn't made him bitter about seeing his work translated for the big screen. In an interview with MTV, Barker got the chance to weigh in on the upcoming remake of Hellraiser for Dimension Films -- and judging from his comments, he seems to be in a good place with the project. Barker told MTV, "I never get tired of revisiting [characters] if there is a good story to be told." He seemed genuinely excited about what he has planned for the story of a puzzle box from another dimension and the 'human pin-cushion'.

Back in February, Marcus Dunstan and Patrick Melton were hired to work on the re-write of the Barker-approved script. But the project had another setback when the French directing duo of Julien Maury and Alexandre Bustillo (À l'intérieur) left the project due to "creative differences." So for now it looks like Pin-Head and the Gang are without a director. Hopefully, Dimension can get the ball rolling on the remake, because I don't think Barker could take another disappointment at the box office.

After the jump...find out what Barker really thinks about PG-13 horror.